Journal of the Music and Entertainment Industry Educators Association最新文献

Industry-Based Popular Music Education: India, College Rock Festivals, and Real-World Learning 基于产业的流行音乐教育:印度、大学摇滚音乐节和现实世界的学习

Journal of the Music and Entertainment Industry Educators Association Pub Date : 2019-03-23 DOI: 10.25101/19.3

Kristina Kelman, David Cashman

{"title":"Industry-Based Popular Music Education: India, College Rock Festivals, and Real-World Learning","authors":"Kristina Kelman, David Cashman","doi":"10.25101/19.3","DOIUrl":"https://doi.org/10.25101/19.3","url":null,"abstract":"Until recently, opportunities for formal music education in India were few. Music education at large universities concentrated exclusively on Indian classical music. Western popular music was largely the domain of Bollywood. With the rise of the Indian middle-classes in the 1990s, more Indian families began sending their children to school to study a range of disciplines. These students joined rock bands and major Indian colleges began to host rock festivals for student rock bands. Today, nearly every significant rock band in India originated in these festivals. Our research investigates the development, cultural significance, and educational importance of college rock festivals. Interviews were undertaken with established and emerging independent musicians, educators, and music industry professionals. Given the importance of learning within the informal communities of universities and college rock festivals, we adopted a communities of practice theoretical framework informed by grounded theory methodology. We find that, despite the emergence of popular music education in India, college rock festivals continue to educate young Indian musicians on technique, performance, songwriting, and music business.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131093858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Music, Death, and Profits: Variables Contributing to the Surge in Sales After an Artist’s Death 音乐、死亡和利润:影响艺术家死后销量飙升的变量

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/19.6

S. Renard, Richard T. Gretz

引用次数: 0

Keith Hatschek and Veronica A. Wells. Historical Dictionary of the American Music Industry Keith Hatschek和Veronica A. Wells。美国音乐产业历史词典

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/19.7

C. Armstrong

引用次数: 0

Riding the Solar Wind: AM Radio, the Skywave Effect, and the Mainstreaming of Rock & Roll 乘坐太阳风:调幅广播，天波效应，摇滚主流化

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/21.3

P. Linden

引用次数: 0

Tom Fontaine. The Beatles and Their Solo Years: A Trip Down Memory Lane 汤姆铺满。披头士乐队和他们的独唱岁月:回忆之旅

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/19.10

Storm Gloor

引用次数: 0

Market Research in the Internet Age: How Record Companies Will Profit From Illegal File-Sharing 互联网时代的市场研究:唱片公司如何从非法文件共享中获利

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/4.2

A. Lawrence

引用次数: 3

Pandemic Disruptions: Emerging Themes and Stories Among Music Ecosystems 流行病的破坏:音乐生态系统中的新主题和故事

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/22.2

G. Johnson, Storm Gloor

{"title":"Pandemic Disruptions: Emerging Themes and Stories Among Music Ecosystems","authors":"G. Johnson, Storm Gloor","doi":"10.25101/22.2","DOIUrl":"https://doi.org/10.25101/22.2","url":null,"abstract":"COVID-19 disrupted our lives, in-person events, creative networks, and the ability to fully thrive in music communities around the world. Researchers had already identified that local music ecosystems were under stress due to structural and economic challenges. This study analyzes beliefs and local transformations after the first year of the current pandemic based on the stories from 128 subjects-music community participants, change agents, and local leaders around the world-who participated in twenty-six focus group panel sessions during a three-day virtual conference in April 2021 and nine separate and specific geographic focus group sessions, recorded March through September 2021. Through these recorded conversations, we gathered insights into their differing challenges, transformations, and emerging music organizations. These documented discussions generated real-time rich qualitative research about changes around the world. Through qualitative analysis of the resulting data, we identified themes, differing regional models, and areas for future research. We also created a video archive to support comparative research for anyone looking to gain insights into our transforming current music environments.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133125308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Poor Man’s Copyright: Intellectual Property and Cultural Depictions of the White Working Class in American Popular Music 《穷人的版权:美国流行音乐中白人工人阶级的知识产权与文化描绘》

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/22.1

J. Guthrie

引用次数: 0

Do Recording Artists Deserve a Greater Share of Revenue in the Emerging Digital Age? 在新兴的数字时代，唱片艺术家是否应该获得更大的收入份额?

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/5.8

J. Kellogg

引用次数: 1

Jim Ruland. Corporate Rock Sucks: The Rise and Fall of SST Records 吉姆·罗兰。公司摇滚烂透了:海温唱片的兴衰

Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/22.10

Waleed Rashidi

引用次数: 0