基于产业的流行音乐教育:印度、大学摇滚音乐节和现实世界的学习

Kristina Kelman, David Cashman
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引用次数: 0

摘要

直到最近,印度接受正规音乐教育的机会还很少。大型大学的音乐教育只集中在印度古典音乐上。西方流行音乐在很大程度上是宝莱坞的领域。随着印度中产阶级在上世纪90年代的崛起,越来越多的印度家庭开始把孩子送到学校学习一系列学科。这些学生加入了摇滚乐队,印度的主要大学开始为学生摇滚乐队举办摇滚节。今天,印度几乎所有重要的摇滚乐队都起源于这些节日。我们的研究调查了大学摇滚音乐节的发展、文化意义和教育意义。采访对象包括老牌和新兴的独立音乐家、教育工作者和音乐行业专业人士。考虑到在大学非正式社区和大学摇滚音乐节中学习的重要性,我们采用了基于扎根理论方法的实践社区理论框架。我们发现,尽管流行音乐教育在印度出现,大学摇滚音乐节继续教育年轻的印度音乐家在技术,表演,歌曲创作和音乐业务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Industry-Based Popular Music Education: India, College Rock Festivals, and Real-World Learning
Until recently, opportunities for formal music education in India were few. Music education at large universities concentrated exclusively on Indian classical music. Western popular music was largely the domain of Bollywood. With the rise of the Indian middle-classes in the 1990s, more Indian families began sending their children to school to study a range of disciplines. These students joined rock bands and major Indian colleges began to host rock festivals for student rock bands. Today, nearly every significant rock band in India originated in these festivals. Our research investigates the development, cultural significance, and educational importance of college rock festivals. Interviews were undertaken with established and emerging independent musicians, educators, and music industry professionals. Given the importance of learning within the informal communities of universities and college rock festivals, we adopted a communities of practice theoretical framework informed by grounded theory methodology. We find that, despite the emergence of popular music education in India, college rock festivals continue to educate young Indian musicians on technique, performance, songwriting, and music business.
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