{"title":"Life Goes On: How BTS has Turned Virtual Live Concerts During the COVID-19 Pandemic into Showbiz Dynamite","authors":"Yongjin Hwang, Armen Shaomian","doi":"10.25101/22.3","DOIUrl":null,"url":null,"abstract":"The COVID-19 pandemic brought the live concert industry to a near halt and led many performing artists to rethink the way they connect with their audiences. One effort to continue performing despite pandemic-related restrictions was to shift live performances to virtual streaming and bring the live concert experience directly to fans living rooms. However, little is known about the determinants of virtual live concert (VLC) satisfaction. This study aims to identify which factors constitute audience satisfaction with VLCs and to examine the importance of each element. A total of 533 participants who attended BTSs Map of the Soul ON:E concert in 2020 were recruited to investigate their VLC satisfaction. The results of confirmatory factor analysis show that three dimensions-artist, audio quality, and virtual stage appearance-constructed the concept of VLC satisfaction. Analysis of covariance (ANCOVA) also revealed that video device type and previous live concert experiences were significant factors for VLC satisfaction, but not audio device type. In addition, celebrity identity and celebrity attitude were significantly and positively related to audiences satisfaction with VLC. The outcome of this study demonstrates the opportunities of VLC as an alternative and expanded media channel of audience engagement.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Music and Entertainment Industry Educators Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25101/22.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The COVID-19 pandemic brought the live concert industry to a near halt and led many performing artists to rethink the way they connect with their audiences. One effort to continue performing despite pandemic-related restrictions was to shift live performances to virtual streaming and bring the live concert experience directly to fans living rooms. However, little is known about the determinants of virtual live concert (VLC) satisfaction. This study aims to identify which factors constitute audience satisfaction with VLCs and to examine the importance of each element. A total of 533 participants who attended BTSs Map of the Soul ON:E concert in 2020 were recruited to investigate their VLC satisfaction. The results of confirmatory factor analysis show that three dimensions-artist, audio quality, and virtual stage appearance-constructed the concept of VLC satisfaction. Analysis of covariance (ANCOVA) also revealed that video device type and previous live concert experiences were significant factors for VLC satisfaction, but not audio device type. In addition, celebrity identity and celebrity attitude were significantly and positively related to audiences satisfaction with VLC. The outcome of this study demonstrates the opportunities of VLC as an alternative and expanded media channel of audience engagement.
2019冠状病毒病大流行使现场音乐会行业几乎陷入停顿,并促使许多表演艺术家重新思考他们与观众的联系方式。为了不受疫情限制继续演出,将现场演出转变为虚拟流媒体,并将现场音乐会体验直接带到粉丝的起居室。然而,关于虚拟现场音乐会(VLC)满意度的决定因素知之甚少。本研究旨在找出哪些因素构成观众对VLCs的满意度,并检查每个元素的重要性。对2020年参加bts Map of the Soul ON:E演唱会的533名参与者进行了VLC满意度调查。验证性因子分析结果显示,艺人、音质和虚拟舞台外观三个维度构成了VLC满意度的概念。协方差分析(ANCOVA)还显示,视频设备类型和之前的现场音乐会经历是VLC满意度的显著因素,但音频设备类型不显著。此外,名人身份和名人态度与观众对VLC的满意度显著正相关。本研究的结果显示了VLC作为受众参与的替代和扩展媒体渠道的机会。