Journal of Language Literature and Culture最新文献_第3页

The Anticipation of the Black Aesthetic in Richard Wright’s Work 理查德·赖特作品中的黑人审美期待

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2022-01-02 DOI: 10.1080/20512856.2022.2071842

A. Al-Sarrani

引用次数: 0

Between Literary Entertainment, Public Engagement, and Social Research: Nineteenth-Century Investigative Reporting and the Case of ‘London Horrors’ (1861) by John Hollingshead 在文学娱乐、公众参与和社会研究之间:19世纪的调查报道和“伦敦恐怖事件”(1861)，约翰·霍林斯黑德著

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-11-21 DOI: 10.1080/20512856.2021.1979736

C. Schwab

{"title":"Between Literary Entertainment, Public Engagement, and Social Research: Nineteenth-Century Investigative Reporting and the Case of ‘London Horrors’ (1861) by John Hollingshead","authors":"C. Schwab","doi":"10.1080/20512856.2021.1979736","DOIUrl":"https://doi.org/10.1080/20512856.2021.1979736","url":null,"abstract":"ABSTRACT Around the mid-nineteenth century, the investigative reportage consolidated as a journalistic genre that introduced early social debates into the commercial periodical. This article analyzes how John Hollingshead's series ‘London Horrors’ (1861) and comparable journalistic reports such as ‘Labour and the Poor’ (1849–1850) produced testimonials on the housing and working conditions of the underprivileged urbanites. It shows how social reporters like Hollingshead made an unknown social sphere understandable to a growing middle-class audience of newspapers by using the narrative strategies of reformist surveys and political tracts on the one hand, and the semi-fictional, audience-oriented sketch on the other. This kind of writing entailed combining particularising, at times sensationalist accounts of social situations with large-scale analyses, the presentation of diverse types of data (demographic numbers, inventories, eyewitness testimonies, biographic stories), and political commentary. Examining ‘London Horrors’ from the perspectives of social science history and literary/media studies, the article contends that investigative journalism on an expanding print market acted as an intermediary between literary entertainment, public engagement, and social research.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41998230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Water and its Kinship with Communities in Subhash Vyam’s Water 水及其与Subhash Vyam水社区的亲缘关系

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-11-18 DOI: 10.1080/20512856.2021.2001153

Sohini Bera, Rajni Singh

引用次数: 0

Silence, Empowerment, and Speaking Up: A Transcultural Analysis of Southeast Asian Female Marriage Immigrants’ Nonfiction Writing in Taiwan 沉默、授权与发声——台湾东南亚女性婚姻移民非虚构写作的跨文化分析

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-09-02 DOI: 10.1080/20512856.2021.1985705

Yi Yang, Kuan-Yu Ko

{"title":"Silence, Empowerment, and Speaking Up: A Transcultural Analysis of Southeast Asian Female Marriage Immigrants’ Nonfiction Writing in Taiwan","authors":"Yi Yang, Kuan-Yu Ko","doi":"10.1080/20512856.2021.1985705","DOIUrl":"https://doi.org/10.1080/20512856.2021.1985705","url":null,"abstract":"ABSTRACT This study aims to present a sociocultural analysis of the linguistic experience of South Asian women who immigrate to Taiwan to marry Taiwanese men. In Taiwan, foreign wives and their husbands and children have gradually become a new multicultural, multi-ethnic social group. We argue that because of the power gap between the narrators (who write in Chinese) and the narrative subjects (who are unable to ‘write back' in Chinese), language has powerfully impacted the patterns of prejudice and the construction of subjects’ identities. Marriage immigrants are often subjected to the negative stereotypes created and exaggerated by language standardisation within a dominant ideology. Learning Chinese empowers them to gradually engage in social participation outside of their families in the public space. Written in Chinese, their nonfiction works represent a narrative turn in Taiwan. In this manner, a range of voices are actively resisting discriminatory acts. The foreign wives ask not only for basic rights such as legal residency and work permits but also for the right to enjoy equal and shared cultural interaction in Taiwan. This study shows that language acquisition and writing is an effective means of promoting equal exchange and dialogue between cultures within the broader transformations of globalisation.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47944147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cross-Species Contagion in Beckett’s Endgame: A Posthumanist (Re)reading 贝克特《终局之战》中的跨物种传染：后人文主义解读

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-09-02 DOI: 10.1080/20512856.2021.1992819

G. Alhasan, Dina Salman

{"title":"Cross-Species Contagion in Beckett’s Endgame: A Posthumanist (Re)reading","authors":"G. Alhasan, Dina Salman","doi":"10.1080/20512856.2021.1992819","DOIUrl":"https://doi.org/10.1080/20512856.2021.1992819","url":null,"abstract":"ABSTRACT This paper explores the intersection between posthumanism and ecological thought in Beckett’s Endgame. Based on a reception-informed approach, this article revisits Beckett’s Endgame with a special focus on how the recent context of pandemic affects our reading of the human in his work. Building on the existing body of critical response to Beckett’s re-evaluation of the human, we particularly contend that Beckett’s conception of the (post)human as a molecular being overcomes the humanist notion of human sovereignty and affirms, instead, continuity and relatedness of all lifeforms. We further want to argue that the metaphor of molecular (d)evolution evoked in Endgame undermines the unity of the self-contained subject and serves as a basis for an ethical response to the human and nonhuman other. To explicate this molecular vision, we examine how the play’s metaphorical engagement with cross-species contagion undermines humans’ claims to species exceptionalism and allows for inter-species connections. In this connection, we seek to align Beckett’s apocalypse in Endgame with Colebrook’s conception of the apocalypse as an ‘inhuman event,’ with ‘a sense of a certain mode of humanity reaching its end and giving way to other forms.’","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49651499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Silence as Political Strategy in Art: A Study of Susan Sontag’s Alice in Bed 沉默作为艺术中的政治策略:苏珊·桑塔格《床上的爱丽丝》研究

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-05-04 DOI: 10.1080/20512856.2021.1935497

Prity Barnwal, Rajni Singh

{"title":"Silence as Political Strategy in Art: A Study of Susan Sontag’s Alice in Bed","authors":"Prity Barnwal, Rajni Singh","doi":"10.1080/20512856.2021.1935497","DOIUrl":"https://doi.org/10.1080/20512856.2021.1935497","url":null,"abstract":"ABSTRACT The paper explores the politics of silence as a language of resistance through the prism of feminist discourse in Susan Sontag’s Alice in Bed (1993). Silence marks an essential presence in Sontag’s writings ranging from her essays to her creative oeuvres. Sontag’s initial approach to silence has been that of a modernist aesthete where she understood silence as an aesthetic prospect in art. However, her unwavering belief in the ‘aesthetics of silence’, that came out as a theme of whatever she has written after her 1967 essay of the same name, led Sontag to explore first the moral response (as seen in her essays like Bergman’s Persona and Fascinating Fascism) and ultimately the political strategy behind the use of silence. The politics of silence in the play Alice in Bed becomes quite elusive and strategic. The imperative of silence as a performative aesthetics is recognised in the exemplary decisions of the women characters in the play that choose silence to reflect the abuses and deceptions of patriarchal language and resist the patriarchal disservices inflicted upon women’s intelligibility and emotionality.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2021.1935497","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44101270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Verbal and Visual Arts Engagement in University Classrooms 大学课堂中的语言和视觉艺术参与

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-05-04 DOI: 10.1080/20512856.2021.1938955

Aljawharah A. Aziz Alfuhayd

引用次数: 0

The Influences of Books of Manners and Dedekind's Grobianus on John Gay's Trivia 《礼仪书》和戴德金的《Grobianus》对盖伊杂谈的影响

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-05-04 DOI: 10.1080/20512856.2021.1940757

W. Patton

引用次数: 0

The Past and ‘Discontinuity in Religion’ in Octavia Butler’s Parables: A Feminist Theological Perspective 奥克塔维亚·巴特勒寓言中的过去和“宗教的不连续性”:一个女权主义神学的视角

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-05-04 DOI: 10.1080/20512856.2021.1935492

Elham Mohammadi Achachelooei, C. Leon

{"title":"The Past and ‘Discontinuity in Religion’ in Octavia Butler’s Parables: A Feminist Theological Perspective","authors":"Elham Mohammadi Achachelooei, C. Leon","doi":"10.1080/20512856.2021.1935492","DOIUrl":"https://doi.org/10.1080/20512856.2021.1935492","url":null,"abstract":"ABSTRACT This article employs feminist theologian Daphne Hampson’s notion of ‘discontinuity in religion’ to explore the concept of the past in Octavia Butler’s Parable of the Sower (2007) and Parable of the Talents (2007). Focusing on the activities of a black heroine who appears as a reformer who revives her dead society, this article argues that the novels reflect a posthuman, post-Biblical aspect of renovation by discarding the past which is envisioned as a paralysing obsession in these texts. The renovation in the novels is done through a kind of discontinuity in particular Christian principles, substituting them with a new doctrine of thought. The introduction of this new belief called Earthseed, confronts those principles that render Christianity a religion with roots in the past, and offers a way of being and thinking which goes against the religious, sexual, racial and classist dimensions of life founded on exclusively Christian doctrine. The aim of this article is to investigate the new social order emerging from this alternative system of belief. This is important because it brings to the fore a constructive and liberating concept of change which, challenging Butler’s negative view, reveals the capacity of the new system to create a utopian world.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2021.1935492","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46873902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Obesity, Contemporary Gothic, and the Rhetoric of Excess in Push 肥胖、当代哥特式与Push中的过度修辞

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2021-01-02 DOI: 10.1080/20512856.2021.1882025

Srirupa Chatterjee, N. Ghosal

{"title":"Obesity, Contemporary Gothic, and the Rhetoric of Excess in Push","authors":"Srirupa Chatterjee, N. Ghosal","doi":"10.1080/20512856.2021.1882025","DOIUrl":"https://doi.org/10.1080/20512856.2021.1882025","url":null,"abstract":"ABSTRACT This article reads how obesity in Sapphire’s Push (1996) becomes a composite cultural metaphor for Gothic excesses. By critically analysing Claireece Precious Jones – the adolescent overweight African American protagonist of Push – with the help of contemporary Gothic theories of horror and excess this article makes a case for interpreting her fat body as a repository of cultural hatred, anxieties, and violence characterising the intersectional oppressions of appearance, gender, class, and race. Further, with the help of critical race theories, fat studies scholarship, and social studies research on poor black populations it reads how Precious’ obesity is not merely a physical condition but also a symbol of wasteful excesses that is vilified and abused, both sexually and otherwise, by her own family as well as the society at large. Appropriately, it suggests that Precious’ obesity coupled with her mental derangement becomes symptomatic of a Gothicized world which belies promises of progressivism and harbours uncontrollably violent forces against disenfranchised fat black women. This article, accordingly, focuses on Precious’s overweight body as a site and symptom of Gothic excesses that provides a vocabulary for examining the horrific rationalities celebrated by contemporary America.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2021.1882025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48352160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0