谭《惊奇谷》中的服饰代理力

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
Qiping Liu, Quan Zhou
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引用次数: 0

摘要

摘要在《惊谷》中,谭恩美通过描写二十世纪之交妓女的故事,重新解读了母女关系。在小说中,谭为她的角色设计了不同风格的服装,并探讨了服装的意义。小说中的服装不仅仅是日常用品,还可以在社会和个人层面上表现出能动性。运用新唯物主义的物质充满活力和能动性的概念,我认为服装作为叙事的一个元素,通过其颜色、风格和质地来扩散其物质性,并在组合中发挥作用。就像新唯物主义者简·贝内特(Jane Bennett)一样,她从社会政治的角度来看待事物,我也质疑服装在社会背景下是如何发挥作用的,特别是在探索它如何编码旧中国二十世纪之交的社会习俗和社会变化,以及它如何在谭的小说中揭示文化差异和文化融合方面。此外,我还考察了它是如何与女主人公维奥莱特互动的,从而揭示了华裔美国人的双重文化性和不确定性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Agentic Force of Clothing in Amy Tan’s The Valley of Amazement
ABSTRACT In The Valley of Amazement, Amy Tan readdresses the mother-daughter relation through depicting a story about courtesans at the turn of twentieth century. In the novel, Tan designs different styles of garments for her characters and explores the significance of clothes. More than quotidian objects, the garments in the novel can exhibit agency on both social and individual levels. Using new materialism’s concept of matter as vibrant and agentic, I argue that clothing as one element of the narrative diffuses its materiality through its colour, style and texture and acts in assemblages. Like the new materialist Jane Bennett, who considers things in terms of the sociopolitical, I also question how clothing functions in a social context, specifically in exploring how it encodes social conventions and social changes at the turn of twentieth century in Old China and how it reveals cultural differences and acculturalisation in Tan’s novels. Furthermore, I examine how it intra-acts with the heroine, Violet so as to reveal the bi-culturality and indeterminacy of Chinese Americans.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
2
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