Interstices: journal of architecture and related arts最新文献_第2页

Eucalypts of Hodogaya: Organic cultural diplomacy at Yokohama War Cemetery Hodogaya的桉树:横滨战争公墓的有机文化外交

Interstices: journal of architecture and related arts Pub Date : 2023-08-16 DOI: 10.24135/ijara.v22i22.711

A. Tsakonas, A. Pieris

{"title":"Eucalypts of Hodogaya: Organic cultural diplomacy at Yokohama War Cemetery","authors":"A. Tsakonas, A. Pieris","doi":"10.24135/ijara.v22i22.711","DOIUrl":"https://doi.org/10.24135/ijara.v22i22.711","url":null,"abstract":"Located within a former Hodogaya recreation park about 5 kilometres west of the city centre, the 27-acre Yokohama War Cemetery is the primary commemoration and remembrance site for Commonwealth Allies of the Second World War within mainland Japan. Alongside Hiroshima Peace Park and Tokyo’s Yasakuni Shrine, it serves to remind both foreign nationals and locals of war’s consequences. Yet beyond official narratives, its establishment in the peripheral city of Yokohama, rather than Tokyo, Japan’s imperial, cultural, and political heart remains relatively unknown. This paper aims to understand better Australia’s significant role in this war cemetery’s creation. Under the auspices of the Australian War Graves Service, Australian and Japanese designers and the contractors of both nations collaborated to create a significant setting for deceased servicemen and women. Whilst ostensibly another of the Commonwealth War Graves Commission’s many such sites worldwide, Australian involvement offers an alternative interpretation of its conception. By examining the factors leading to the considered allocation of the site and its subsequent layout design, this study intends to enhance our knowledge of this important Australian contribution to our region—by asking why this war cemetery differs considerably from the orthodox nature of the conventional war cemeteries; by unveiling the many unknown architects, landscapers, contractors, and officials that put aside differences to collaborate on this war cemetery and its memorials; and by recording and analysing the careful detailing and construction of the memorials using local and imported materials. The lens from architectural history offers unique insights into these processes.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131146543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Oceanic Architectural Routes: The Photographic Archive of Mike Austin, cur. Albert Refiti 海洋建筑路线:迈克·奥斯汀的摄影档案，艾尔伯特·雷菲提

Interstices: journal of architecture and related arts Pub Date : 2023-08-16 DOI: 10.24135/ijara.v22i22.720

Sēmisi Fetokai Potauaine, 'Okusitino Māhina

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Participation and/or/ against tacit knowledge: ILAUD, 1976–1981 参与和/或/反对隐性知识:ILAUD, 1976-1981

Interstices: journal of architecture and related arts Pub Date : 2023-08-16 DOI: 10.24135/ijara.v22i22.712

Hamish Lonergan

{"title":"Participation and/or/ against tacit knowledge: ILAUD, 1976–1981","authors":"Hamish Lonergan","doi":"10.24135/ijara.v22i22.712","DOIUrl":"https://doi.org/10.24135/ijara.v22i22.712","url":null,"abstract":"For several productive years from 1976 to 1981, the International Laboratory of Architecture and Urban Design (ILAUD) engaged with the issue of participation in architecture and planning in the city of Urbino. Each year, these summer workshops—founded by Giancarlo De Carlo in 1976—brought together students, educators, and prominent practitioners from across the fields of architecture, urban planning, architectural history, and art to discuss and experiment on the issue of how designers should engage with users of the built environment. In this sense, the workshop’s participants were explicitly united against what De Carlo derided as formalism, and later as eclecticism and postmodernism. At the same time, despite this broad consensus, ILAUD’s public outputs—the student work and lecture transcripts collated in the annual reports—seem to betray a set of disagreements between participants from various European and North American schools and between planners and architects. On one side, were a group of schools who argued that participation involved an analysis of the built fabric and cultural heritage of a city and its architecture; on the other, those who believed that participation required the direct involvement of future users. Yet, rather than accepting these as fundamental differences in attitude, this paper uses such apparent contradictions to argue that these various approaches were united in articulating a new, broader, and more equitable relationship between users, clients, and designers, on the cusp of postmodernity.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127337675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Interview with Ian Athfield and Sir Miles Warren 采访伊恩·阿斯菲尔德和迈尔斯·沃伦爵士

Interstices: journal of architecture and related arts Pub Date : 2023-08-16 DOI: 10.24135/ijara.v22i22.721

J. Gatley

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In conversation with Mark Wigley, Professor and Dean Emeritus of the Graduate School of Architecture, Planning and Preservation at Columbia University, New York 在与纽约哥伦比亚大学建筑、规划和保护研究生院教授兼名誉院长Mark Wigley的对话中

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.696

Gatley Julia

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(Un)Fixing Aloula: Maps, images and paradigms of The Attic (Marble) Landscape 固定Aloula:阁楼(大理石)景观的地图，图像和范例

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.693

French Chris, Mitsoula Maria

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Dirt under our fingernails: Daylighting waste at the Dome 指甲下的污垢:穹顶的日光废物

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.686

Budgett Jeanette

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Translating a post industrial landscape: The rebirth of Pukewā 翻译后工业景观:pukewawa的重生

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.695

Hoffmann Karl, M. Southcombe

{"title":"Translating a post industrial landscape: The rebirth of Pukewā","authors":"Hoffmann Karl, M. Southcombe","doi":"10.24135/ijara.vi.695","DOIUrl":"https://doi.org/10.24135/ijara.vi.695","url":null,"abstract":"This research investigation explores how, through the use of architectural narrative informed by translation theory, the built environment can be conceived and imagined as a vessel linking the past with the present and future, in turn solidifying a stronger sense of place-duration within human settlements. The project argues that by consolidating these links in post-industrial sites, visitors and residents can be better equipped to understand their unique contexts while being provided with stronger forms of place-engagement for surviving communities. \u0000The township of Waihi, at the base of the Coromandel Peninsula, has a mining history spanning three centuries. Here, the land has been inexorably violated in the search for gold and silver. Mining operations are planned to continue through until 2035 when the landscape, exhausted of extractable mineral worth, will then begin a stage of rehabilitation. This design-led investigation envisages Waihi and its post-industrial potential at this point. The research proposes an axial intervention spanning mine, town and adjacent maunga or mountain, on which are threaded and counterposed various architecture ‘moments’ that speak to diverse temporalities and narrative histories. These rehabilitation efforts anticipate an ‘afterlife’ capable of emerging from, and in key ways overcoming, the scars and truncated memories accruing in this place. The result imagines an architecture where stories of the changing landscape can sustain long into the future.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127446225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cartographies of care: Ecologic thinking-with the bio-geo-microscopic life of the West Antarctic 关怀地图学:生态学的思考——以南极西部的生物-地球-微观生命为例

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.692

King Louisa, Salehian Tamsin

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Biographies 传记

Interstices: journal of architecture and related arts Pub Date : 2022-03-29 DOI: 10.24135/ijara.vi.698

Editor Issue

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