固定Aloula:阁楼(大理石)景观的地图,图像和范例

French Chris, Mitsoula Maria
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引用次数: 0

摘要

“修复阿卢拉”探索了雅典阿卢拉露天采石场艺术博物馆的破碎景观。这座博物馆位于Pentelicon山上废弃的大理石采石场,由雕塑家Nella Golanda和建筑师Aspasia kouzoupi“修复”,以“修复景观”的形式呈现,在这里,大理石遗迹被艰难地改造成一个重新想象的地面。这个场地的“固定”——将无组织的废物整理成有组织的材料——产生了一个既被修复又被破坏的景观,一个与雅典和阿提卡盆地对话的“互惠景观”(按照赫顿的说法)。通过叙述与博物馆的邂逅,与Golanda和Kouzoupi的对话,以及在hellnique基金会的一次展览中对博物馆的成像,本文提供了一种对修复景观的发展阅读,作为sympoiēsis的站点,作为一个我们对城市的共同形象可能不断受到争议的站点,不固定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Un)Fixing Aloula: Maps, images and paradigms of The Attic (Marble) Landscape
“(Un)fixing Aloula” explores the fragmented landscape of the Open-Air Museum of Quarry Arts in Aloula, Athens. This museum—located in disused marble quarries on Mount Pentelicon and “repaired” by sculptor Nella Golanda and architect Aspasia Kouzoupi—is presented as a “repair-scape”, in which marble remnants were laboriously transformed into a reimagined ground. The “fixing” of this site—the curation of unorganised waste matter into organised material—generated a landscape that is at once restored and yet ruined, a “reciprocal landscape” (following Hutton) in dialogue with Athens and the Attic basin. Through a narration of an encounter with the museum, of a conversation with Golanda and Kouzoupi, and of an imaging of the museum for an exhibition at the Fondation Hellénique, this paper offers a developed reading of the repair-scape as a site of sympoiēsis, and as a site in which our shared image of a city might be continually contested, unfixed.
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