{"title":"固定Aloula:阁楼(大理石)景观的地图,图像和范例","authors":"French Chris, Mitsoula Maria","doi":"10.24135/ijara.vi.693","DOIUrl":null,"url":null,"abstract":"“(Un)fixing Aloula” explores the fragmented landscape of the Open-Air Museum of Quarry Arts in Aloula, Athens. This museum—located in disused marble quarries on Mount Pentelicon and “repaired” by sculptor Nella Golanda and architect Aspasia Kouzoupi—is presented as a “repair-scape”, in which marble remnants were laboriously transformed into a reimagined ground. The “fixing” of this site—the curation of unorganised waste matter into organised material—generated a landscape that is at once restored and yet ruined, a “reciprocal landscape” (following Hutton) in dialogue with Athens and the Attic basin. Through a narration of an encounter with the museum, of a conversation with Golanda and Kouzoupi, and of an imaging of the museum for an exhibition at the Fondation Hellénique, this paper offers a developed reading of the repair-scape as a site of sympoiēsis, and as a site in which our shared image of a city might be continually contested, unfixed.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"(Un)Fixing Aloula: Maps, images and paradigms of The Attic (Marble) Landscape\",\"authors\":\"French Chris, Mitsoula Maria\",\"doi\":\"10.24135/ijara.vi.693\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“(Un)fixing Aloula” explores the fragmented landscape of the Open-Air Museum of Quarry Arts in Aloula, Athens. This museum—located in disused marble quarries on Mount Pentelicon and “repaired” by sculptor Nella Golanda and architect Aspasia Kouzoupi—is presented as a “repair-scape”, in which marble remnants were laboriously transformed into a reimagined ground. The “fixing” of this site—the curation of unorganised waste matter into organised material—generated a landscape that is at once restored and yet ruined, a “reciprocal landscape” (following Hutton) in dialogue with Athens and the Attic basin. Through a narration of an encounter with the museum, of a conversation with Golanda and Kouzoupi, and of an imaging of the museum for an exhibition at the Fondation Hellénique, this paper offers a developed reading of the repair-scape as a site of sympoiēsis, and as a site in which our shared image of a city might be continually contested, unfixed.\",\"PeriodicalId\":403565,\"journal\":{\"name\":\"Interstices: journal of architecture and related arts\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Interstices: journal of architecture and related arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24135/ijara.vi.693\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interstices: journal of architecture and related arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24135/ijara.vi.693","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
(Un)Fixing Aloula: Maps, images and paradigms of The Attic (Marble) Landscape
“(Un)fixing Aloula” explores the fragmented landscape of the Open-Air Museum of Quarry Arts in Aloula, Athens. This museum—located in disused marble quarries on Mount Pentelicon and “repaired” by sculptor Nella Golanda and architect Aspasia Kouzoupi—is presented as a “repair-scape”, in which marble remnants were laboriously transformed into a reimagined ground. The “fixing” of this site—the curation of unorganised waste matter into organised material—generated a landscape that is at once restored and yet ruined, a “reciprocal landscape” (following Hutton) in dialogue with Athens and the Attic basin. Through a narration of an encounter with the museum, of a conversation with Golanda and Kouzoupi, and of an imaging of the museum for an exhibition at the Fondation Hellénique, this paper offers a developed reading of the repair-scape as a site of sympoiēsis, and as a site in which our shared image of a city might be continually contested, unfixed.