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Babićev Trogir Babićev Trogir
Ars Adriatica Pub Date : 2020-02-28 DOI: 10.15291/ars.2935
Sofija Sorić
{"title":"Babićev Trogir","authors":"Sofija Sorić","doi":"10.15291/ars.2935","DOIUrl":"https://doi.org/10.15291/ars.2935","url":null,"abstract":"The monograph Trogir: The Town and Its Monuments by Ivo Babić crowns the decades of his research and conservation work on Trogir’s monuments. In this extensive volume, he has presented a competent and comprehensive synthesis of the current knowledge on Trogir’s monuments and urbanism, as well as his own interpretation of the town in space and time. In three systematically divided chapters, he has covered all of Trogir’s significant works of art, from painting, sculpture and goldsmithing artefacts preserved in various museums and treasuries of the city, to works of sacred and profane architecture and urbanism. A special contribution of the author is his expert urban-cultural-historical study of the temporal and spatial framework of Trogir and its surroundings, presented in the introductory chapter. Trogir: The Town and Its Monuments will be a lasting and valuable guide for all researchers of Trogir’s heritage and it will surely also find its readership among the broadest audience, the lovers of Trogir’s heritage.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45438952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nova zapažanja o iluminatorskome opusu skriptorija Bartola iz Krbave 克尔巴瓦对巴托尔手稿插图的新观察
Ars Adriatica Pub Date : 2020-02-28 DOI: 10.15291/ARS.2924
Ivan Ferenčak
{"title":"Nova zapažanja o iluminatorskome opusu skriptorija Bartola iz Krbave","authors":"Ivan Ferenčak","doi":"10.15291/ARS.2924","DOIUrl":"https://doi.org/10.15291/ARS.2924","url":null,"abstract":"The article discusses the problem of attributing the illumination of Glagolitic codices produced by Bartol of Krbava during the first quarter of the 15th century. Four codices have been presented – the Berlin, Roč, and Ljubljana (Beram) Missals, as well as the Hum Breviary – followed by the history of their research, with particular reference to the earlier attributions of the illuminations. Selected miniature examples have been subjected to a comparative analysis of form and style in order to separate the activity of various illuminators within the scriptorium and to propose attributions for several codices and two fragments, here associated for the first time with the activity of Bartol’s scriptorium. The author has scrutinized the previous research in order to verify the earlier conclusions about Bartol’s move from the southern Krbava region to Istria, which have recently been questioned. An appendix includes new, revised, and corrected lists of miniatures from all the codices.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47569134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini 米赫·马林科维奇的象征性范围和他在塞尔维亚中场的配方
Ars Adriatica Pub Date : 2020-02-28 DOI: 10.15291/ars.2928
Igor Borozan
{"title":"Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini","authors":"Igor Borozan","doi":"10.15291/ars.2928","DOIUrl":"https://doi.org/10.15291/ars.2928","url":null,"abstract":"The paper analyses the symbolist works in the under-researched opus of painter Miho Marinković. Trained at the Munich Academy of Fine Arts, he is primarily known as a painter of intricate themes that can be categorized as late 19th-century symbolism. In 1904, he settled in Belgrade and became an active participant in the cultural scene of the Serbian capital. In 1911, Marinković’s paintings were exhibited in the Pavilion of the Kingdom of Serbia at the International Exhibition in Rome. His symbolist oeuvre covers the standard themes of symbolist painting, such as Medusa, Lucifer, or The Sinner, which speaks both of the artist’s personality and of the eclectic turn of the century. Symbolism in Marinković’s work reflects his training in Munich, which in the late 19th and early 20th centuries was the European centre of somnambular themes and artistic experiments. In this paper, his oeuvre has been considered in the context of general symbolist structures, with particular references to the Munich symbolism. Some reviews of Marinković’s symbolist paintings have been pointed out, which testify to the history of the reception of his work in the Kingdom of Serbia in the early 20th century. The positive reception of Marinković’s paintings in the Serbian setting is evident from the fact that as many as thirty-five of his works have been included in the holdings of the National Museum in Belgrade.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"545 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66939746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prilog poznavanju zastupljenosti i rasprostranjenosti ikonografski srodnih oltarnih slika s prikazom Gospe od Ružarija s likovima savezničkih vladara na području istočnog Jadrana, južne Italije i Provanse 在阿德里安东部、意大利南部和普罗旺斯，罗萨里奥勋爵的形象与盟军统治者的形象在了解图标相关祭坛图像的表现和传播方面的应用
Ars Adriatica Pub Date : 2018-12-28 DOI: 10.15291/ars.2757
Ivana Prijatelj Pavičić
{"title":"Prilog poznavanju zastupljenosti i rasprostranjenosti ikonografski srodnih oltarnih slika s prikazom Gospe od Ružarija s likovima savezničkih vladara na području istočnog Jadrana, južne Italije i Provanse","authors":"Ivana Prijatelj Pavičić","doi":"10.15291/ars.2757","DOIUrl":"https://doi.org/10.15291/ars.2757","url":null,"abstract":"This article analyses iconographically analogous altar paintings showing Our Lady of the Rosary with rulers from the Holy League of Pope Pius V, situated in the areas of Eastern Adriatic, South Italy, Provence, and the Maritime Alps.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47146899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slika kao polje introspekcije 图像作为内省场
Ars Adriatica Pub Date : 2018-12-28 DOI: 10.15291/ars.2764
Ivica Župan
{"title":"Slika kao polje introspekcije","authors":"Ivica Župan","doi":"10.15291/ars.2764","DOIUrl":"https://doi.org/10.15291/ars.2764","url":null,"abstract":"The oeuvre of Sunčanica Tuk consists of pulsating, restless factures, composed of vertical, always different moves systematized in sequences, with paint often oozing from them owing to their nervation and pulsation. Her opus is a truly subtle and cultivated self-analysis, a sublime psychogram, something that transforms the artist’s mental state into an immediate human trace, suitable, as the painter says, “for the deepest contemplative dive” into the secrets of her undoubtedly spiritually rich being, for expressing her complex psychic constellation and mental tensions, neuralgia, even drama – which the artist, as it seems, keeps experiencing over and over again. It is a soliloquy rather than a dialogue with the world: an encrypted and masked language of ambiguity and vagueness, a speech in hints that will not be understood by everyone, yet shocks and inspires the observer.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47479373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hrvatska slikarska dionica ruskog marinista Alekseja Hanzena 克罗地亚绘画股东俄罗斯海军陆战队的Aleksey Hanzen
Ars Adriatica Pub Date : 2018-12-28 DOI: 10.15291/ars.2760
Sanja Žanja Vrbica
{"title":"Hrvatska slikarska dionica ruskog marinista Alekseja Hanzena","authors":"Sanja Žanja Vrbica","doi":"10.15291/ars.2760","DOIUrl":"https://doi.org/10.15291/ars.2760","url":null,"abstract":"Within the group of lesser-known foreign painters who stayed in Croatia between the two world wars, Russian painter Alexei Hanzen (b. February 2, 1876 in Odessa – d. October 19, 1937 in Dubrovnik) stands out with his artistic achievements. Having immigrated to Croatia in 1920, he remained here for the rest of his life. Nearly two decades spent in Croatia have been a time of intense work, during which Hanzen participated in numerous exhibitions organized almost every year in Zagreb, as well as in Split, Osijek, Dubrovnik, Ljubljana, Belgrade, Paris, Buenos Aires, Prague and elsewhere. His paintings could be seen at private houses, in public and museum collections, and at various royal courts, and are nowadays part of various collections in Croatia. Early in the 20th century, Hanzen studied painting in Munich, Berlin, and Dresden, and then continued his artistic training in Paris, in the ateliers of Tony Robert-Fleury and Jules Lefebvre. He was the grandson of the famous Russian marine artist Ivan Kostantinovich Ajvazovsky, and likewise specialized in painting sea scenes, presented at various exhibitions from 1901 onwards. For his work he was awarded in Paris and Russia, and in 1910 became the official painter of the Russian Navy.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66940211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2762
Ana Šeparović
{"title":"Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica","authors":"Ana Šeparović","doi":"10.15291/ARS.2762","DOIUrl":"https://doi.org/10.15291/ARS.2762","url":null,"abstract":"This paper discusses the reception discourse related to three waves of group exhibitions by Croatian women artists in the 20th century, with a focus on feminist strategies used in advocating and empowering women’s art. The considered body of texts includes reviews of the first exhibition – the Intimate Exhibition at the Spring Salon of 1916 – the exhibitions of the Club of Women Artists held in 1928-1940, and the exhibitions celebrating Women’s Day from 1960 until 1991. Although taking place in different circumstances and socio-political contexts, all these exhibitions generated public debates on art produced by women, and although they provoked misogynous and anti-feminist statements, they also resulted in openly feminist voices of authors such as Roksana Cuvaj, Zdenka Marković, Marija Hanževački, Verena Han, Nasta Rojc, Zofka Kveder, and others. Based on historiographical sources and texts from the field of feminist theory, this analysis of the art-critical corpus has identified the main strongholds of feminist discourse: disclosure of misogyny and its sources in public opinion and prejudice, critique of the social construction of female inferiority, research on women’s art history, endorsement and praise of female art, and so on. It was these feminist statements that enhanced creative self-awareness in women artists and also slowly tamed the society by getting it used to their presence, leading to the gradual suppression of stereotypes and slow dissolution of the dominant patriarchal matrix in Croatian art during the 20th century.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43911858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
„Relacijska forma” kao umjetnički jezik: pristupi i prijepori 作为艺术语言的“相对形式”：访问与截取
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2763
Katarina Rukavina
{"title":"„Relacijska forma” kao umjetnički jezik: pristupi i prijepori","authors":"Katarina Rukavina","doi":"10.15291/ARS.2763","DOIUrl":"https://doi.org/10.15291/ARS.2763","url":null,"abstract":"The paper aims at mapping and theoretically conceptualizing the controversies around the “relational form.” It does not, however, seek to conciliate the different positions or take “sides” in the debate; instead, it is based on concept-based methodology as an instrument offering a better insight into the researched object. Even though the form of contemporary art, be it as a process or as a procedure, is “broken” according to the traditional idea, the aim of this work is to examine the opposite. In the first part, the notion of “relational form” and the discourses related to its articulation are analyzed. The second part focuses on the techniques and procedures or strategies of the conceptual avant-gardes during the 1990s and 2000s. Eventually, the conclusion considers the efforts, debates, and possibilities of art in the extended field of relational practices. The aim of this research is to define more precisely the ontological status of contemporary art forms.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48369858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dvorac Nova Kraljevica: prilozi za povijest gradnje i uređenja 新女王宫：建筑和设备的历史
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2758
Petar Puhmajer
{"title":"Dvorac Nova Kraljevica: prilozi za povijest gradnje i uređenja","authors":"Petar Puhmajer","doi":"10.15291/ARS.2758","DOIUrl":"https://doi.org/10.15291/ARS.2758","url":null,"abstract":"The article deals with the history of construction and renovations, as well as the interior design of the Nova Kraljevica castle. Based on archival sources and in-situ findings, the author has defined the architectural history of the castle starting from the construction for the Zrinski family in the 17th century, renovations for army barracks, hospital and monastery in the 18th and 19th centuries, to the present day. Abundant archival documentation helps gain insight into the castle's original 17th century features, and detect changes it underwent in the later period. The article also discusses the original function of individual rooms, and various elements of the interior design, including their original location.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48100099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Uništeni talijanski spomenik „Ara ai Caduti Dalmati” u Zadru
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2761
Patrizia Dragoni, Antonija Mlikota
{"title":"Uništeni talijanski spomenik „Ara ai Caduti Dalmati” u Zadru","authors":"Patrizia Dragoni, Antonija Mlikota","doi":"10.15291/ARS.2761","DOIUrl":"https://doi.org/10.15291/ARS.2761","url":null,"abstract":"The article deals with a monument commemorating the Dalmatian soldiers fallen in World War I, erected in the Croatian coastal city of Zadar in 1928. It was totally destroyed during and demolished after World War II. As a result of joint research in Croatia and Italy, this article presents the project of the Zadar Monument, those who participated in its construction, and the connections between the four Roman imperial sculptures (now located in the Archaeological Museum of Zadar) and the Italian Monument in Zadar, explaining the reason why some of the older citizens in Zadar still refer to this specific part of the historical centre of Zadar as Monumento.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44547401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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