Ars Adriatica最新文献

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Prijedlog za Jacopa Amigonija (Bogorodica s Djetetem) na Visovcu 在维索夫斯克为Jacob Amigoni(Child Bogoric)求婚
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2759
S. Cvetnić, Zoraida Demori Staničić
{"title":"Prijedlog za Jacopa Amigonija (Bogorodica s Djetetem) na Visovcu","authors":"S. Cvetnić, Zoraida Demori Staničić","doi":"10.15291/ARS.2759","DOIUrl":"https://doi.org/10.15291/ARS.2759","url":null,"abstract":"The painting Madonna and Child on the island of Visovac is comparable to the paintings produced by Jacopo Amigoni in the early 1740s, at the time when he stayed in Venice and probably established a workshop. The article explains the reasons for a preliminary attribution of this painting to the prominent painter of the Venetian and European Settecento, and its significance for the Franciscan artistic heritage in Dalmatia.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49635397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prilog poznavanju kasnogotičke skulpture u Rijeci: prijedlog za Leonarda Thannera i nepoznata grupa Oplakivanje Krista 世界上晚期雕塑知识的附件:为莱昂纳多·坦纳和一群不知名的向基督呼喊的人求婚
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2755
Mario Pintarić, Damir Tulić
{"title":"Prilog poznavanju kasnogotičke skulpture u Rijeci: prijedlog za Leonarda Thannera i nepoznata grupa Oplakivanje Krista","authors":"Mario Pintarić, Damir Tulić","doi":"10.15291/ARS.2755","DOIUrl":"https://doi.org/10.15291/ARS.2755","url":null,"abstract":"The article discusses a late Gothic statue of Pietà in the permanent collection of the Maritime and Historical Museum of the Croatian Littoral in Rijeka. It is a wooden statue with poorly preserved traces of polychrome painting and gilding, discovered in 1920 in the attic of the parish church of Mary’s Assumption in Rijeka. Vanda Ekl dated it to the end of the third quarter of the 15th century without specifying its circle of origin or its history. Based on a stylistic analysis, as well as a series of typological and formal analogies, the Pietà of Rijeka can now be brought into connection with the woodcarver Leonardo Thannner from Bavarian Landshut, active in Friuli during the second half of the 15th century. A crucial comparative example can be found in Thanner’s polychromatic wooden group of The Lamentation of Christ from the church of Santa Maria della Fratta in San Daniele del Friuli (1488). Rijeka Lamentation, a hitherto unknown and here for the first time published statue, can be linked with a workshop or a circle of the Friulian sculptor Giovanni Martini and approximately dated to the first quarter of the 16th century.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46879696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tabulae pictae u palači Petris-Moise u Cresu palači Petris Moise u Cresu图片表
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2756
Tea Sušanj Protić
{"title":"Tabulae pictae u palači Petris-Moise u Cresu","authors":"Tea Sušanj Protić","doi":"10.15291/ARS.2756","DOIUrl":"https://doi.org/10.15291/ARS.2756","url":null,"abstract":"This paper presents the new finds of Renaissance wooden ceilings at the Petris-Moise Palace in Cres, decorated with painted panels and mural paintings. The construction elements, such as the composite massive beam known as trave leonardesca, are technically sophisticated and constructed in accordance with the Renaissance treatises on architecture. The painted ceiling panels are still a unique find in Croatia as to their installation and painting method, but are related to numerous painting cycles in the noble residences of southern France, Spain, Switzerland and northern Italy dating from the 14th until the mid-16th century. As for the dimensions, the pigments used, the installation and painting method, and the represented motifs, the closest analogy has been found in some Friulan examples. The difference, however, is that the Cres examples almost entirely belong to the visual language of grotesque, since they were produced somewhat later, at the time when this kind of decorative repertoire had already become highly appreciated. The constructions and decorative elements are a result of the Renaissance rebuilding in the second half of the 16th century, when the walls were painted as well. Based on an analysis of the heraldic symbols and motifs, and their comparison with the historical data on the Petris family, the commissioner has been identified as the Imperial Golden Knight Ivan Juraj Petris, a close relative of Franciscus Patricius (Petris). It has been assumed that the painting cycle was created under the influence of this renowned Renaissance philosopher.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48118915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intaljo s rta Ploče u svjetlu novih saznanja 根据新知识对板块进行减值
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ars.2752
Anita Travčić
{"title":"Intaljo s rta Ploče u svjetlu novih saznanja","authors":"Anita Travčić","doi":"10.15291/ars.2752","DOIUrl":"https://doi.org/10.15291/ars.2752","url":null,"abstract":"During the archaeological excavations in Cape Ploča conducted from 1996 to 1998, numerous personal items were found besides the ceramics, including eight engraved gems. One of them, worked in the intaglio technique, is made of carnelian and oval shaped, and for the lack of analogies hitherto interpreted as a “highly stylized chimera”. The article brings new insights that are primarily based on stylistic analysis and iconographic reinterpretation. The intaglio’s origin has been redefined: instead of the previous assumption about its Egyptian provenance, the author has identified it as stemming from central Italy. Moreover, a new date of origin has been proposed, namely the 2nd century BC, which complements the hypothesis on Greek seafarers as the visitors of Diomedes’ shrine and, more precisely, the inhabitants of Greater Greece as its potential users.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45843807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plemeniti autsajder 最著名的作家
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2765
Antun Maračić
{"title":"Plemeniti autsajder","authors":"Antun Maračić","doi":"10.15291/ARS.2765","DOIUrl":"https://doi.org/10.15291/ARS.2765","url":null,"abstract":"The paper is dedicated to the late Croatian artist Drago Trumbetaš. This autodidact’s work was marked by his life on the margins of German society where he was a gastarbeiter, a German term used for the ‘temporary’ immigrant workers from southern Europe during 1960ies trough 1980ies. His drawings are read as sharp commentaries on the urban landscape of 20th century German cities.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45805756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sveti Frane u Zadru - arhitektura crkve i samostana u doba gotike i renesanse 扎德鲁的圣方济各-哥特式和文艺复兴时期教堂和修道院的建筑师
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ARS.2753
Pavuša Vežić
{"title":"Sveti Frane u Zadru - arhitektura crkve i samostana u doba gotike i renesanse","authors":"Pavuša Vežić","doi":"10.15291/ARS.2753","DOIUrl":"https://doi.org/10.15291/ARS.2753","url":null,"abstract":"The author discusses the architecture of the church and the monastery of St Francis in Zadar in their original form, and their transformation during the Gothic and Renaissance periods. Based on an analysis of published historical sources and the preserved architectural elements, it has been concluded that the extant structure of the complex emerged between the mid-13th and the early 14th century, when the church and the sacristy were built, as well as the monastery wings and the original cloister. An important typological feature of the church is its three-apse rear structure, which the author brings into connection with the Gothic architecture of Franciscans and Dominicans from Umbria and Veneto during the 13th century. The sacristy, in which the Peace of Zadar was signed in 1358, was also a chapel of St Louis and the chapter hall. Its significant rearrangement, with the furnishing of the choir and the sanctuary, took place at the end of the 14th century, when the General Chapter in Cologne proclaimed the monastery the seat of the Franciscan province of St Jerome for Dalmatia in 1393. The choir rebuilding was completed by the mid-15th century with the construction of Giorgio da Sebenico’s podium on the site of the presumed earlier railing.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48275014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kule na ulazu u Kanal sv. Ante – neodvojivi dio šibenskih fortifikacija
Ars Adriatica Pub Date : 2018-12-21 DOI: 10.15291/ars.2754
Ivo Glavaš, Ivo Šprljan
{"title":"Kule na ulazu u Kanal sv. Ante – neodvojivi dio šibenskih fortifikacija","authors":"Ivo Glavaš, Ivo Šprljan","doi":"10.15291/ars.2754","DOIUrl":"https://doi.org/10.15291/ars.2754","url":null,"abstract":"The Large and Small Towers at the beginning of St Anthony’s Canal in Šibenik, on today’s capes Burnji Turan and Južni Turan, are part of the city’s medieval fortification system along with the castrum of St Michael and the bulwark, but they have remained largely neglected in scholarly literature. The towers remained part of Šibenik’s fortification system during the early modern period, until the construction of the fortress of St Nicholas and the eventual demolition of the two towers at the beginning of the War of Cyprus in 1570. Although they were built at a distance of nearly one kilometer from the bulwark, they were the earliest defensive belt of Šibenik from the sea. Between the towers, at a distance of about 140 meters, there was a chain that most likely consisted of interconnected wooden beams that allowed it to float. It is difficult to say with certainty when the Venetian authorities ordered the towers to be torn down, but apparently at least one of them was demolished during the so-called Third Venetian- Ottoman War (1537-1540), when the Venetian possessions in Dalmatia were seriously threatened by the powerful Ottoman fleet. The towers definitely ceased to be part of the fortification system at the beginning of the War of Cyprus in 1570.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41330248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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