图像作为内省场

IF 0.2 0 ART
Ars Adriatica Pub Date : 2018-12-28 DOI:10.15291/ars.2764
Ivica Župan
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引用次数: 0

摘要

Sunčanica Tuk的作品由脉动的、不稳定的裂缝组成,由垂直的、总是不同的动作组成,按顺序系统化,由于它们的神经和脉动,油漆经常从中渗出。她的作品是一种真正微妙而有修养的自我分析,一种崇高的心理图,它将艺术家的精神状态转化为直接的人类痕迹,正如画家所说,适合“最深入地沉思”她毫无疑问精神丰富的存在的秘密,表达她复杂的心理星座和精神紧张、神经痛,甚至是戏剧——艺术家似乎一次又一次地经历着。这是一场独白,而不是与世界的对话:一种加密的、被掩盖的模糊语言,一种暗示的演讲,不会被所有人理解,但会震撼和激励观察者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Slika kao polje introspekcije
The oeuvre of Sunčanica Tuk consists of pulsating, restless factures, composed of vertical, always different moves systematized in sequences, with paint often oozing from them owing to their nervation and pulsation. Her opus is a truly subtle and cultivated self-analysis, a sublime psychogram, something that transforms the artist’s mental state into an immediate human trace, suitable, as the painter says, “for the deepest contemplative dive” into the secrets of her undoubtedly spiritually rich being, for expressing her complex psychic constellation and mental tensions, neuralgia, even drama – which the artist, as it seems, keeps experiencing over and over again. It is a soliloquy rather than a dialogue with the world: an encrypted and masked language of ambiguity and vagueness, a speech in hints that will not be understood by everyone, yet shocks and inspires the observer.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
22
审稿时长
24 weeks
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