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O historijskom slikarstvu i liku kralja Tomislava tiskanom na razglednicama tijekom obilježavanja tisućite obljetnice Hrvatskoga Kraljevstva 1925. godine 1925年，在纪念克罗地亚一千个省份时，明信片上印着托米斯拉夫国王的历史画作和图像。年
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3565
Ivan Kokeza
{"title":"O historijskom slikarstvu i liku kralja Tomislava tiskanom na razglednicama tijekom obilježavanja tisućite obljetnice Hrvatskoga Kraljevstva 1925. godine","authors":"Ivan Kokeza","doi":"10.15291/aa.3565","DOIUrl":"https://doi.org/10.15291/aa.3565","url":null,"abstract":"Unutar članka obrađuje se historijsko slikarstvo, odnosno lik kralja Tomislava tiskan na razglednicama tijekom obilježavanja tisućite obljetnice Hrvatskoga Kraljevstva 1925. godine. Lik kralja Tomislava u izvornom je obliku bio dio plakata ili slike, a svoje je mjesto reproduciranjem pronašao na ukupno šest razglednica tijekom 1925. godine. Svaki od ovih šest motiva analizira se u kontekstu specifičnog slikarskog opusa, općeg likovnog stanja u međuratnom razdoblju te aktualnih društveno-političkih prilika. Razglednice se pritom uzimaju isključivo kao sredstvo masovne komunikacije kojim se posreduje historijsko slikarstvo, odnosno lik kralja Tomislava i doba uspona Hrvatskoga Kraljevstva. Unutar zaključka vrednuje se uloga historijskog slikarstva kao komunikatora informacija u obilježavanju tisućite obljetnice Hrvatskoga Kraljevstva 1925. godine. Pritom se osobito upućuje na ulogu grafičkih reprodukcija i njihovu važnost pri formiranju kolektivne povijesne memorije i nacionalnog identiteta širih društvenih slojeva.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48882721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prilog poznavanju dviju glava porijeklom iz crkve-pećine Sv. Ante opata u šibenskom Kanalu sv. Ante 了解两个头起源于圣安特教堂洞穴的申请书落入圣安特智利海峡
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3571
Ivana Prijatelj Pavičić
{"title":"Prilog poznavanju dviju glava porijeklom iz crkve-pećine Sv. Ante opata u šibenskom Kanalu sv. Ante","authors":"Ivana Prijatelj Pavičić","doi":"10.15291/aa.3571","DOIUrl":"https://doi.org/10.15291/aa.3571","url":null,"abstract":"Godine 1912. ugledni hrvatski povjesničar i arheolog don Luka Jelić posjetio je s poznatim austrijskim povjesničarem umjetnosti Hansom Folnesicsem špilju Sv. Ante opata u Kanalu sv. Ante. Tom prigodom u špilji je zatekao jednu mušku glavu i jedno žensko poprsje. Muška se glava danas čuva u fundusu Muzeja grada Šibenika, dok je žensko poprsje, nažalost, otuđeno iz ovog muzeja sedamdesetih godina prošlog stoljeća, i nije poznata njegova kasnija sudbina. Obje glave dosad nisu bile znanstveno obrađene u povijesti umjetnosti. Stoga autorica u članku istražuje pitanja autorstva, datacije i porijekla spomenutih dviju glava iz nekadašnje pustinjačke crkve Sv. Ante opata. U okviru istraživanja spomenutih glava, autorica se u radu osvrće i na skulpturu za koju je utvrđeno da potječe iz šibenske katedrale, a iz nje je uklonjena u vrijeme ili nakon njezine obnove koja se vodila od 1848. do 1860. godine.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44965075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nutarnji oblik kao likovna licentia poetica
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3557
Jagor Bučan
{"title":"Nutarnji oblik kao likovna licentia poetica","authors":"Jagor Bučan","doi":"10.15291/aa.3557","DOIUrl":"https://doi.org/10.15291/aa.3557","url":null,"abstract":"U ovome prilogu izložena je i razmotrena osebujna likovna pojetika kojom se suvremeni hrvatski umjetnik Tomislav Čeranić služi pri osmišljavanju i oblikovanju svojih djela. Njegove crteže odlikuju heterogene ikoničke sastavnice, koje su međusobno združene dvjema strateškim sponama. Riječ je o strategiji oponašanja (predmetne stvarnosti i grafičkoga otiska izvedenoga u tehnici bakroreza / bakropisa) i strategiji sprezanja različitih predmetnih pojavnosti bez vidne logične spone. Pojetsko sredstvo kojim Čeranić objedinjuje rečene spone autor priloga imenovao je sintagmom nutarnji oblik. Taj je pojam predstavljen u vidokrugu estetičke perspektive, potom u kontekstu jezikoslovlja, da bi na koncu kao aspekt likovne pojetike bio sagledan na primjeru Čeranićevih crteža. U prilogu je ujedno sažeto predstavljen i fenomen pareidolije, koji je kao takav srodan pojavnosti nutarnjega oblika u slučaju pojedinih Čeranićevih radova. Na koncu, sagledane su načelne spoznajne pretpostavke na temelju kojih nutarnji oblik kao pomno odabrano pojetičko sredstvo dohvaća željeni smisao. U tu svrhu u završnome je dijelu rada prizvan aspekt antičke teorije fantazmičke spoznaje.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44172097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diocletian’s “imperial court” in Doclea 戴克里先在多利亚的“宫廷”
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3417
Tin Turković
{"title":"Diocletian’s “imperial court” in Doclea","authors":"Tin Turković","doi":"10.15291/aa.3417","DOIUrl":"https://doi.org/10.15291/aa.3417","url":null,"abstract":"The aim of the paper is the re-examination of the “forum” of late antique Doclea (Dioclea), the interpretation of which has never been finished, although so information been collated during the past 131 years. Through re-examination of the complex with its distinctive features this paper offers answers on some of the still unresolved issues. A primary issue was to resolve who was responsible for its arrangement. After an onomastic analysis only one conclusion asserted itself - the “forum complex” could only have been erected by the Emperor Diocletian, who was obviously responsible for the rearrangement of the whole town of Doclea (Dioclea), his hometown. Further analysis of the concept, architectural arrangement and vocabulary used in the “forum” and adjoining “basilica” only corroborate that it was precisely Diocletian and his “architectural school”. Without a doubt, the Doclean (Dioclean) “forum complex” was innovative and original in many ways, along with its importance as an “imperial forum”, the “Diocletian’s imperial court”, will remain in the collective memory of the Montenegrins for centuries to come. The paper also represents an effort to clarify Diocletian’s background and the “modus operandi” of his “architectural school” whose presence in Doclea (Dioclea)has already been noticed.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48067110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Bruno Angheben i crkva Sv. Romualda i Svih svetih u Rijeci: prilog istraživanju i valorizaciji Bruno Angheben与罗马的圣罗慕兰教堂和所有圣徒：用于研究和验证
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3567
Julija Lozzi Barković
{"title":"Bruno Angheben i crkva Sv. Romualda i Svih svetih u Rijeci: prilog istraživanju i valorizaciji","authors":"Julija Lozzi Barković","doi":"10.15291/aa.3567","DOIUrl":"https://doi.org/10.15291/aa.3567","url":null,"abstract":"U članku se na temelju recentno provedenog istraživanja1 razjašnjavaju okolnosti pod kojima je donesena odluka o izgradnji crkve u Rijeci na Kozali, involviranost političkih i klerikalnih struktura u proces njezine realizacije, evoluiranje projekta Brune Anghebena i njegovo teorijsko obrazloženje, te sam tijek izgradnje i opremanja crkve, uključujući uređenje okoliša i naknadne adaptacije. Crkva Sv. Romualda i Svih svetih kao važno djelo hrvatske (i talijanske) moderne sakralne arhitekture 20. stoljeća prisutno je u zapisima lokalnih kroničara te samog projektanta, ali i u znanstvenim i stručnim prikazima povjesničara umjetnosti i arhitekture, počevši od sedamdesetih godina 20. stoljeća do danas. Zbog politički problematičnog vremena nastanka, crkva na Kozali još uvijek potiče na daljnja istraživanja i donošenje novih hipoteza i vrijednosnih prosudbi, čemu je pokušao doprinijeti i ovaj rad.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42340885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bishop Vincenzo Arrigoni (1599-1626) and Some New Insights Concerning the Altarpiece by Filippo Zaniberti (1585-1636) in the Šibenik Cathedral of Saint James 文森佐·阿里戈尼主教（1599-1626）和菲利波·扎尼贝尔蒂（1585-1636）在圣詹姆斯希贝尼克大教堂祭坛画的一些新见解
Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3577
Ana Šitina
{"title":"Bishop Vincenzo Arrigoni (1599-1626) and Some New Insights Concerning the Altarpiece by Filippo Zaniberti (1585-1636) in the Šibenik Cathedral of Saint James","authors":"Ana Šitina","doi":"10.15291/aa.3577","DOIUrl":"https://doi.org/10.15291/aa.3577","url":null,"abstract":"The early period of the post-Tridentine renewal in the Šibenik Diocese is marked by Bishop Vincenzo Arrigoni’s(1599-1626) commissions and donations. The altarpiece in the Šibenik cathedral executed by Filippo Zanberti (1585-1636) has been considered one of the many works commissioned by Arrigoni in the first decades of the 17th century. The fact that both Zaniberti and Arrigoni were originally from Brescia contributed to this false conclusion. However, the newly found will of Lucija Ivetić dating from 1626 and the archival data from 1635 describing the acquisition of the altarpiece in Venice provide new insights concerning the persons who commissioned the altarpiece from Zaniberti and the time of its execution.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44187813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inventarni popisi liturgijske opreme zadarske prvostolnice iz posljednje četvrtine 16. stoljeća 扎达尔斯克设施最后一个季度礼拜设备的发明清单16。几个世纪以来
Ars Adriatica Pub Date : 2020-12-30 DOI: 10.15291/ars.3199
Danko Zelić
{"title":"Inventarni popisi liturgijske opreme zadarske prvostolnice iz posljednje četvrtine 16. stoljeća","authors":"Danko Zelić","doi":"10.15291/ars.3199","DOIUrl":"https://doi.org/10.15291/ars.3199","url":null,"abstract":"The paper briefly presents the small volume containing the oldest known inventories of liturgical equipment of Zadar Cathedral of St Anastasia, compiled between 1575 and 1593 (today in the Archives of the Croatian Academy of Sciences and Arts in Zagreb). In addition to providing an exhaustive picture of liturgical vestments, hangings, silverware, books, and utilitarian objects, for the most part kept in the sacristy, the records also contain information regarding the custody of the cathedral property, and some of them even specific information about the places and times of use of these objects, as well as the building itself (e.g. the altars). The appendices contain the full text of all inventories and an older document that was subsequently inserted into the volume: transcript of a verdict of Zadar’s rector from 1558 in favour of the Zadar chapter.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66939989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Osvrt: Aspice hunc opus mirum 奥斯夫特：看看这份出色的工作
Ars Adriatica Pub Date : 2020-12-30 DOI: 10.15291/ARS.3188
I. Kranjec, Palmira Krleza
{"title":"Osvrt: Aspice hunc opus mirum","authors":"I. Kranjec, Palmira Krleza","doi":"10.15291/ARS.3188","DOIUrl":"https://doi.org/10.15291/ARS.3188","url":null,"abstract":"The review presents the Proceedings of Aspice hunc opus mirum published on the occasion of the 70th birthday of Nikola Jakšić, Ph.D, Professor Emeritus at the University of Zadar, published by the University of Zadar and the International Research Centre for Late Antiquity and the Middle Ages at the University of Zagreb. It is an extensive volume with forty-seven articles written by Croatian and international scholars from the fields of art history, archaeology, and history, spanning the period from Late Antiquity to the 19th century and divided into four thematic blocks. The articles cover a wide range of topics, including stonemasonry productions and methodologies in studying sculpture, goldsmithing and applied arts, iconographic studies, and historical topography of the Eastern Adriatic area, paying tribute to the rich scholarly opus of Professor Jakšić.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48560376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„U njegovim rukama i velika se umjetnost pretvara u kič” L. Giesz “在他的手中，伟大的艺术变成了脊梁”
Ars Adriatica Pub Date : 2020-12-30 DOI: 10.15291/ars.3193
Vinko Srhoj
{"title":"„U njegovim rukama i velika se umjetnost pretvara u kič” L. Giesz","authors":"Vinko Srhoj","doi":"10.15291/ars.3193","DOIUrl":"https://doi.org/10.15291/ars.3193","url":null,"abstract":"The case of Dimitrije Popović, after his great fifty-year retrospective in Zagreb’s Klovićevi Dvori, indicates the final trivialization of an opus that promised great manner and relevant content in its beginnings, when there was still no need for grotesque surrealization in a society of spectacle. In Dorfles’ words, Popović’s painting has eventually brought to the same level Salome and Severina, the body of Christ “shown in the symbol of sliced bread or a Madonna whose physical grace turns into a refined appearance of a photo model.” Dimitrije chooses the drama of existence and great subjects hoping that they will do the work themselves, that is, become great art by the mere fact that they have been borrowed from Dante or Leonardo. This is the kind of laziness of the spirit, the gemütlichkeit that produces, as A. Moles would say, the “comfort of the heart” by copying the language of the past, as if art were contagious and one must merely be near it or reach for it to partake in its greatness. But instead, the case is more probably that, as L. Giesz would say when describing a kitschmensch like Dimitrije, “in his hands, even great art turns into kitsch.”","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66939940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Značaj i simbolika psa na sepulkralnim spomenicima Salone 沙龙坟墓纪念碑中的狗的标志和符号
Ars Adriatica Pub Date : 2020-12-30 DOI: 10.15291/ars.3184
Silvia Bekavac, Ivan Klarić
{"title":"Značaj i simbolika psa na sepulkralnim spomenicima Salone","authors":"Silvia Bekavac, Ivan Klarić","doi":"10.15291/ars.3184","DOIUrl":"https://doi.org/10.15291/ars.3184","url":null,"abstract":"The paper focuses on the Salonitan sepulchral monuments featuring dogs as a motif. The main goals have been to study the relationship between man and dog by contextualizing these iconographic motifs in various aspects such as hunting, cult, and the individualistic approach to the dog as a pet; and to use the analysis of the monuments to reconstruct the position and complex significance of the dog in the Roman society, revealing the symbolism of certain artistic templates found on the sepulchral monuments of Salona.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66939812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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