None Asti Adi Anti, None Hamidillah Ajie, None Diat Nurhidayat
{"title":"PENGEMBANGAN VIDEO PEMBELAJARAN BERBASIS MOTION GRAPHIC PADA MATA PELAJARAN PRODUK KREATIF DAN KEWIRAUSAHAAN UNTUK PESERTA DIDIK PROGRAM KEAHLIAN MULTIMEDIA DI SMK N 45 JAKARTA","authors":"None Asti Adi Anti, None Hamidillah Ajie, None Diat Nurhidayat","doi":"10.21009/pinter.7.1.5","DOIUrl":"https://doi.org/10.21009/pinter.7.1.5","url":null,"abstract":"Berdasarkan penelitian pendahuluan, proses pembelajaran Produk Kreatif dan Kewirausahaan khususunya materi Hak Kekayaan Intelektual (HKI) di kelas XI program keahlian multimedia SMK Negeri 45 Jakarta masih kurang baik. Sebesar 25,7% peserta didik tidak memahami kosep HKI. Kurangnya pemahaman HKI disebabkan karena peserta didik mengalami kesulitan untuk mendapatkan buku, juga sulit memahami materi yang disampaikan menggunakan media presentasi dari powerpoint maupun penjelasan menggunakan tulisan di papan tulis. Sehingga diperlukan media pembelajaran yang dapat menarik dan meningkatkan minat peserta didik. Pengembangan media pembelajaran berbasis motion graphic dengan menekankan pada prinsip multimedia pembelajaran modalitas dan redundansi menggunakan metode Multimedia Development Life Cycle (MDLC) menghasilkan video berdurasi 10 menit 31 detik. Video tersebut kemuadian diuji untuk mendapatkan persentase kelayakan. Pengujian ahli materi mendapatkan persentase kelayakan 100% (sangat baik), hasil pengujian ahli media yang mendapatkan persentase kelayakan 90% (sangat baik), hasil pengujian responden skala kecil mendapatkan persentase kelayakan 95% (sangat baik) dan hasil pengujian mendapatkan persentase kelayakan 86%, (sangat baik). Sehingga video dapat dinyatakan sebagai media pembelajaran yang layak digunakan untuk proses pembelajaran materi HKI kelas XI program keahlian multimedia di SMK Negeri 45 Jakarta.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"273 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“You looked quite different without a head”: A Slight Ache Revisited across Media","authors":"Pim Verhulst","doi":"10.5325/haropintrevi.7.1.0023","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0023","url":null,"abstract":"\u0000 On 13 October 2000, to celebrate Harold Pinter’s seventieth birthday, BBC Radio 4 broadcast a new recording of A Slight Ache with the author himself playing Edward. What stood out in this production was the defined acoustic presence of the matchseller, Barnabas. The original recording, aired almost forty years earlier by the BBC Third Programme, on 29 July 1959, was much more ambivalent in this regard, sparking decades of scholarly debate as to whether the old man is really there. This article analyzes that remarkable shift in sonic portrayal through the context in which A Slight Ache was originally produced, its later reincarnations for stage and screen, as well as the changing academic climate in which it has been critically received. As a result, A Slight Ache must be regarded as a transmedial play, crucial to Pinter’s career development, and not as a quintessentially radiophonic event.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47480182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"#MeToo Pinter and David Mamet’s Oleanna","authors":"Graham Saunders","doi":"10.5325/haropintrevi.7.1.0003","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0003","url":null,"abstract":"\u0000 While reviews of David Mamet’s last stage play Bitter Wheat (2019) have dismissed it as a misjudged reaction, both to the Harvey Weinstein and #MeToo movement, when it premiered in London, his earlier play Oleanna (1992) had a more profound effect on debates around sexual politics in the early 1990s. This article looks at Harold Pinter’s direction of the 1993 London premiere of Oleanna. Drawing closely on archival materials from the David Mamet, Harold Pinter, and Royal Court archives, discussion will focus on Pinter’s use of Mamet’s rejected original ending that gives the character of Carol greater agency. Given Pinter’s insistence that Carol’s accusations of rape against her tutor have absolute legitimacy, the article also argues that this attitude offers a reassessment on how issues of sexual consent and assault can be interpreted in his own drama, especially when—as like Mamet—Pinter has been periodically criticized for misogynism.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42743460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dignity within Us: Harold Pinter’s Search for Truth","authors":"M. Roberts","doi":"10.5325/haropintrevi.7.1.0042","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0042","url":null,"abstract":"\u0000 “Art, Truth and Politics” juxtaposes the artist’s pursuit for truth with the citizen’s obligation to define the “real truth” of their lives. Drama does not need to distinguish what is real from what is unreal, leading an artist or spectator on an interminable quest to discover a play’s truth. However, citizens must identify what is true about their societies or risk losing a politics founded on dignity. Obtuse on this issue, Pinter leaves the reader to imagine what he must have meant by “the dignity of man.” In Anglo-European intellectual history, dignity typically refers to a quality—the soul or free will—that exceeds humanity’s material conditions. Conversely, Pinter’s definition of dignity corresponds with the existential poverty that he discusses in “Writing for the Theatre.” Pinter’s Nobel speech invites “us” to consider how dramatic truth—because it is easy to lose—concerns “what is so nearly lost to us.”","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41324523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ANALISIS USABILITAS WEB SISTEM UANG KULIAH TUNGGAL UNIVERSITAS NEGERI JAKARTA","authors":"None Zahra Tiarani, None Hamidillah Ajie, None Murien Nugraheni","doi":"10.21009/pinter.7.1.10","DOIUrl":"https://doi.org/10.21009/pinter.7.1.10","url":null,"abstract":"Tidak semua pengguna langsung memahami penggunaan web SIUKAT UNJ, beragamnya tingkat pengetahuan teknologi pengguna membuat tingkat kepuasan terhadap web SIUKAT UNJ kurang stabil, dan permasalahan lain yang perlu analisis penelitian lebih lanjut. Dari pemikiran diatas ditarik kesimpulan bahwa Web Sistem Uang Kuliah Tunggal Universitas Negeri Jakarta masih memerlukan analisis usabilitas lebih lanjut melalui pendekatan terhadap pengguna untuk meningkatan komponen usabilitas. Maka, digunakan metode Usability Testing Think Aloud, Usability Testing Performance Measurement, wawancara dan USE Questionnaire.Hasil penelitian didapatkan tingkat keberhasilan penyelesaian task scenario dengan metode Think Aloud sebesar 95% dan untuk metode Performance Measurement sebesar 90%. Lalu masukan perbaikan ataupun pengembangan untuk web SIUKAT UNJ kedepannya dari hasil wawancara. Serta Hasil Use Questionnaire didominasi dengan hasil jawaban setuju.Berdasarkan hasil tersebut, tingkat usabilitas web SIUKAT UNJ sudah baik.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pinter and Stoppard: A Director’s View","authors":"G. Epstein","doi":"10.5325/haropintrevi.7.1.0109","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0109","url":null,"abstract":"","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42657872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Provocation(s): Pinter, Politics, and Spectatorship","authors":"M. Roberts","doi":"10.5325/haropintrevi.7.1.0060","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0060","url":null,"abstract":"\u0000 What, precisely, makes Harold Pinter’s so-called political plays political? It is customary to associate plays such as One for the Road, Mountain Language, Party Time, and Ashes to Ashes with real political failures that occur outside the theater. This presentation experiments with the opposite approach. Drawing on archival evidence that describes how audience members responded to Mountain Language and Ashes to Ashes, “Provocation(s): Pinter, Politics, and Spectatorship” entertains the possibility that Pinter critiques the conditions that make spectatorship possible.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43673237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Memoriam: Dr. Steven H. Gale","authors":"S. Merritt","doi":"10.5325/haropintrevi.7.1.0001","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0001","url":null,"abstract":"","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48617640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Cantatrice Chauve (The Bald Soprano); La Leçon (The Lesson); Les Chaises (The Chairs)","authors":"N. Jones","doi":"10.5325/haropintrevi.7.1.0117","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0117","url":null,"abstract":"","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41715693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}