Harold Pinter Review-Essays on Contemporary Drama最新文献

{"title":"PERANCANGAN DESAIN USER INTERFACE DAN USER EXPERIENCE DARI APLIKASI PIRING MAKANKU MENGGUNAKAN APLIKASI FIGMA BAGI REMAJA","authors":"None Rio Ramadhan, None Hamidillah Ajie, None Ze. Ferdi Fauzan Putra","doi":"10.21009/pinter.7.1.6","DOIUrl":"https://doi.org/10.21009/pinter.7.1.6","url":null,"abstract":"Penelitian ini bertujuan untuk menghasilkan sebuah aplikasi mobile berbasis Android yang ditujukan sebagai sebuah media promosi program dari Kementerian Kesehatan Republik Indonesia yaitu Piring Makanku yang ada di dalam Pedoman Gizi Seimbang kepada remaja usia 15-18 tahun. Pengembangan aplikasi Android sebagai media promosi dari program Piring Makanku ini menggunakan framework Flutter. Penelitian ini menggunakan metode pengembangan RAD (Rapid Application Development) yang merupakan sebuah metode pengembangan perangkat lunak yang mengutamakan aspek pengerjaan yang singkat, praktis dan minim sumber daya untuk membantu penelitian menjadi lebih terarah,terukur dan teratur. Pengujian yang dilakukan pada penelitian ini untuk menguji kualitas dan kelayakan dari aplikasi yang dikembangkan menggunakan dua tahap pengujian, yaitu pengujian alpha yang dilakukan dengan menggunakan metode pengujian black box test yang dilakukan oleh tim pengembang untuk menguji aspek fungsional dari aplikasi, kemudian pengujian beta yang juga dilakukan dengan menggunakan metode pengujian black box test yang kali ini dilakukan oleh responen pengguna remaja secara langsung. Setelah pengujian terhadap aplikasi telah dilakukan, tahapan selanjutnya adalah menguji aspek usability dengan menggunakan metode SUS (System Usability Scale) untuk melihat apakah hasil aplikasi layak diterima (acceptable) serta berapa SUS Score yang didapatkan dari aplikasi ini agar selanjutnya dapat didistribusikan secara luas kepada masyarakat Indonesia khususnya kepada remaja dengan rentang usia 15-18 tahun agar aplikasi Piring Makanku dapat menyampaikan pesan tentang apa itu Piring Makanku serta pentingnya menjaga pola makan dan gizi yang seimbang bagi diri sendiri.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EFEKTIVITAS PEMBELAJARAN JARAK JAUH MATA KULIAH JARINGAN KOMPUTER TERHADAP HASIL BELAJAR MAHASISWA PTIK UNIVERSITAS NEGERI JAKARTA PADA SAAT PANDEMI COVID-19","authors":"None Theisya Reino Amalia, None Yuliatri Sastrawijaya, None Hamidillah Ajie","doi":"10.21009/pinter.7.1.8","DOIUrl":"https://doi.org/10.21009/pinter.7.1.8","url":null,"abstract":"Pembelajaran Jarak Jauh (PJJ) merupakan sistem pembelajaran yang dilakukan dengan tidak bertatap muka langsung. Tetapi menggunakan platform yang dapat membantu proses belajar mengajar yang dilakukan meskipun jarak jauh. Tujuan penelitian ini adalah untuk mengetahui efektivitas metode Pembelajaran Jarak Jauh (PJJ) terhadap hasil belajar mahasiswa PTIK pada mata kuliah Jaringan Komputer Universitas Negeri Jakarta Pada Saat Pandemi Covid 19. Penelitian ini menggunakan pendekatan metode penelitian kuantitatif. Populasi dalam penelitian ini adalah mahasiswa di Fakultas Teknik Elektro yang program studi Pendidikan Teknik Informatika dan Komputer tahun ajaran 2017-2019 untuk tingkat sarjana S1. Hasil penelitian menunjukkan bahwa variabel Pembelajaran Jarak Jauh (PJJ) memiliki nilai t hitung sebesar 10,375, nilai Sig sebesar 0,000 dan koefisien (beta) sebesar 0,827. Hasil uji t menggambarkan bahwa t hitung lebih besar t tabel (10,375>1,984). Berdasarkan nilai Sig dimana hasil perhitungan menunjukkan bahwa Sig lebih kecil dari derajat alpha (0,000<0,05). Hasil ini dapat dijelaskan bahwa nilai thitung lebih besar dari t tabel dan nilai Sig lebih kecil dari nilai standar alpha 5% sehingga dapat dikatakan Pembelajaran Jarak Jauh (PJJ) memiliki pengaruh yang signifikan terhadap hasil belajar.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editor’s Note","authors":"Matthew Roberts","doi":"10.5325/haropintrevi.7.1.v","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.v","url":null,"abstract":"This issue of The Harold Pinter Review remembers and acknowledges Dr. Steven Gale’s profound influence on Pinter Studies. When the news of Dr. Gale’s passing broke, I recall feeling a sense of profound loss, knowing that he dedicated his life to the formation of the Harold Pinter Society and The Pinter Review, published from 1987 to 2011 by the University of Tampa Press. So many of the articles and reviews that would inform my research—and indeed the work of Pinter scholars around the world—appeared in the journal’s issues. We all, whether we knew the man or not, benefited from his labor and fierce intellectual commitment to advance Pinter studies into the international field of research that it is today. Susan Hollis Merritt’s commemoration reminds us of this debt that none of us could ever repay, though we may try to do it justice in some small ways. The articles, book reviews, performance reviews, and conference proceedings contained in this issue attempt to do just that.The scholarship presented in this issue should excite readers. Graham Saunders (University of Birmingham) attends to compelling primary source material in his article, “#MeToo Pinter & David Mamet’s Oleanna.” A timely analysis of Harold Pinter’s direction of the 1993 London premiere of Oleanna, Saunders examines archival materials, including items from David Mamet’s papers at the Harry Ransom Center, to discuss how Pinter’s production gave the character of Carol greater agency than she appears to have in Mamet’s revised script. In “‘You looked quite different without a head’: A Slight Ache Revisited across Media,” Pim Verhulst (University of Antwerp) expands his research on Pinter’s radio and television plays. The essay juxtaposes the 2000 BBC Radio 4 broadcast of A Slight Ache to the work’s original recording, which aired on 29 July 1959. Verhulst compares how each production presented the match seller, Barnabas, and elaborates the piece’s transmedial, rather than purely radiophonic, properties. My own contribution, “The Dignity within Us: Harold Pinter’s Search for Truth,” wrestles with some of the ambiguities that appear in “Art, Truth and Politics.” While Pinter claims that citizens must envision a political reality founded on human dignity, he does not detail what this concept signifies. My article examines how Pinter’s discussion of human dignity corresponds with the existential poverty—what he calls “nakedness”—that becomes a dominant theme throughout his career.The issue includes some of the lively discussion that took place during the 2023 Louisville Conference on Literature and Culture (LCLC). Organized by the International Harold Pinter Society, the panels addressed the theme, “Pinter and Politics.” Abhinaba Chatterjee’s “Revitalizing the Political Avant-garde of the ‘Absurd’ in Eugene Ionesco’s Rhinoceros and Harold Pinter’s The Room” discusses how absurdist theater subverts sociopolitical and economic inequalities. Ann C. Hall (University of Louisville) offers “Do","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136136017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Revitalizing the Political Avant-garde of the “Absurd” in Eugene Ionesco’s Rhinoceros and Harold Pinter’s The Room","authors":"Abhinaba Chatterjee","doi":"10.5325/haropintrevi.7.1.0068","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0068","url":null,"abstract":"\u0000 This article considers the political possibilities of the avant-garde in the experimental “absurd” plays of Eugene Ionesco’s Rhinoceros and Harold Pinter’s The Room that endeavor to depict the senselessness of life, reducing plot and characters to a bare minimum. While the popular interpretation of the plays has been made against the ideological exhaustion of post–World War Europe and America and hence with the philosophy of existentialism, this article analyzes the two plays in terms of the tension with contemporary ideologies that continue to inform our present lives. One prominent mode of creating this tension is minimization of the communication between the actors, director, and the audience in order to create a misinterpretation of the purpose of communication. The article argues that the element of the avant-garde is revitalized in such studies dealing with existential angst, Marxist orientation of Ionesco or Pinter’s commentary on racism, and can be properly interpreted by an appreciation of the multiple modernities that the plays inhabit.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49579012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Domesticating Menace: Harold Pinter’s The Servant (1963)","authors":"A. Hall","doi":"10.5325/haropintrevi.7.1.0074","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0074","url":null,"abstract":"\u0000 This article is an examination of Harold Pinter’s screenplay and the Robert Losey film, The Servant (1963). After reviewing the various interpretations offered for the work, such as its critique of colonialism and homophobia, the author argues for a more detailed examination of the character of Susan, Tony’s fiancé, in order to highlight the film’s interrogation of not only power but patriarchal power.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42501048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“A Hydra with a Thousand Heads”: Dis(ease) and Wellness in Harold Pinter’s A Kind of Alaska and Brian Friel’s Molly Sweeney","authors":"Farah Ali","doi":"10.5325/haropintrevi.7.1.0080","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0080","url":null,"abstract":"\u0000 This study examines the social structure of healthcare through Talcott Parsons’s sick role concept from his seminal work The Social System (1951), analyzing the characters of Deborah in Harold Pinter’s A Kind of Alaska (1982) and Molly in Brian Friel’s Molly Sweeney (1994). In both plays, the female protagonists compromise their personal freedom by submitting to healthcare workers. Although Deborah and Molly experience their medical ordeals differently, they intersect on various social, somatic, cultural, and political levels. Reading both plays in conjunction, the article critiques the authoritative power dynamic between male doctors and female protagonists. Drawing on Parsons’s sick role and the doctor-patient relationship, the study analyzes Deborah and Molly’s journeys toward recovery and explains why they fail to reestablish themselves in their societal roles, as outlined in Parsons’s health concept. The article concludes with an appeal for a more empathetic approach to contemporary medical practices.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42753450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KLASIFIKASI GENRE MUSIK MENGGUNAKAN ALGORITMA NAÏVE BAYES CLASSIFIER UNTUK LAYANAN STREAMING YOUTUBE","authors":"None Thoriq Nurchaidir, None Widodo, None Bambang Prasetya Adhi","doi":"10.21009/pinter.7.1.1","DOIUrl":"https://doi.org/10.21009/pinter.7.1.1","url":null,"abstract":"Genre musik adalah cara yang paling umum digunakan untuk mengorganisasi database musik digital. Klasifikasi merupakan pengelompokan data menjadi beberapa bagian yang telah ditentukan sehingga dapat mempermudah pengelolaan dan pencarian file musik bedasarkan genre musiknya. Penelitian ini melakukan klasifikasi genre musik untuk layanan streaming youtube. Metode penelitian yang digunakan pada penelitian ini adalah penelitian eksperimen laboratorium. Model pada penelitian mengklasifikasikan file musik menggunakan 3 jenis Algoritma Naïve Bayes Classifier yaitu: Gaussian Naïve Bayes, Bernoulli Naïve Bayes, dan Multinomial Naïve Bayes. Data yang digunakan adalah dataset GTZAN dan klip video yang diunduh dari layanan streaming youtube. Nilai akurasi yang dihasilkan oleh Gaussian Naïve Bayes adalah 63%, nilai akurasi yang dihasilkan oleh Bernoulli Naïve Bayes adalah 33% dan nilai akurasi yang dihasilkan oleh Multinomial Naïve Bayes adalah 10%. Jenis algoritma Naïve Bayes dengan nilai akurasi tertinggi dianggap sebagai jenis algoritma paling baik dalam melakukan klasifikasi. Hasil pengujian menyatakan bahwa Gaussian Naïve Bayes merupakan algoritma yang paling baik dalam melakukanm klasifikasi genre musik dibandingkan Bernoulli Naïve Bayes dan Multinomial Naïve Bayes.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS PERBANDINGAN KINERJA LAYANAN CLOUD COMPUTING PADA APLIKASI DROPBOX, GOOGLE DRIVE, DAN ONEDRIVE DENGAN METODE BOEHM’S QUALITY MODEL","authors":"None Raisha Putri Mellisa, None M. Ficky Duskarnaen, None Ali Idrus","doi":"10.21009/pinter.7.1.9","DOIUrl":"https://doi.org/10.21009/pinter.7.1.9","url":null,"abstract":"Dengan kehadiran trend gadget/smartphone, sistem penyimpanan awan yang disediakan oleh OneDrive, Dropbox, dan Google Drive menjadi layanan yang paling diminati karena perannya yang memudahkan pengguna sebagai penyimpanan daring yang fleksibel. Namun belum ada penelitian ilmiah tentang pengukuran / perbandingan serta analisa kinerja berdasarkan faktor efisiensi diantara layanan cloud computing tersebut dilingkungan Universitas Negeri Jakarta. Dengan menggunakan tiga aplikasi layanan tersebut, dan dengan menggunakan metode Boehm's Quality Model dilakukan analisa metrik Portability, Reliability, Efficiency, dan Human Engineering untuk mengetahui seberapa efisien kinerja layanan dari ketiga aplikasi tersebut, baik ketika digunakan sesuai kebutuhan pengguna, ataupun dengan perangkat keras yang terbatas, sehingga dapat membandingkannya dari faktor efisiensi penggunanya. Metode yang digunakan adalah penelitian survei dengan pendekatan kuantitatif dengan subjek penelitian yang merupakan mahasiswa aktif di Universitas Negeri Jakarta. Hasil penelitian didapatkan penilaian dari 306 responden yaitu untuk aplikasi Dropbox, ada 30 responden yang tidak setuju dan ada 276 responden setuju dengan pernyataan positif yang ada pada setiap butir instrumen. GoogleDrive mendapatkan 19 responden yang tidak setuju dan ada 287 responden setuju. OneDrive mendapatkan 24 responden yang tidak setuju dan ada 282 responden setuju. Berdasarkan hasil tersebut, kinerja layanan aplikasi Google Drive mendapat penilaian paling unggul diantara ketiga aplikasi didalam lingkungan Universitas Negeri Jakarta.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Totally Perceptive and Logical Illogic of the Avant-garde Dramatic Tradition; or Politics = Theater = Politics","authors":"J. Roof","doi":"10.5325/haropintrevi.7.1.0097","DOIUrl":"https://doi.org/10.5325/haropintrevi.7.1.0097","url":null,"abstract":"\u0000 Turn-of-the-century ‘Pataphysician Alfred Jarry wrote several plays that showed the relation between theater and politics. In the absurd mode of ‘Pataphysics, both Ubu Roi and César Antichrist featured hyperbolically narcissistic and corrupt dictators that presaged political relations in the twenty-first century. Harold Pinter’s plays continue Jarry’s depictions of power, but in Pinter’s plays, the powerful figures have disappeared, replaced by invisible threats, again showing the ways the political is quintessentially theatrical.","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43014154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Dwarfs","authors":"Mark Taylor-Batty","doi":"10.5040/9780571291779.00000014","DOIUrl":"https://doi.org/10.5040/9780571291779.00000014","url":null,"abstract":"","PeriodicalId":40140,"journal":{"name":"Harold Pinter Review-Essays on Contemporary Drama","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49050253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}