“You looked quite different without a head”: A Slight Ache Revisited across Media

IF 0.1 0 THEATER
Pim Verhulst
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引用次数: 0

Abstract

On 13 October 2000, to celebrate Harold Pinter’s seventieth birthday, BBC Radio 4 broadcast a new recording of A Slight Ache with the author himself playing Edward. What stood out in this production was the defined acoustic presence of the matchseller, Barnabas. The original recording, aired almost forty years earlier by the BBC Third Programme, on 29 July 1959, was much more ambivalent in this regard, sparking decades of scholarly debate as to whether the old man is really there. This article analyzes that remarkable shift in sonic portrayal through the context in which A Slight Ache was originally produced, its later reincarnations for stage and screen, as well as the changing academic climate in which it has been critically received. As a result, A Slight Ache must be regarded as a transmedial play, crucial to Pinter’s career development, and not as a quintessentially radiophonic event.
“没有头的你看起来很不一样”:媒体重温《轻微疼痛》
2000年10月13日,为了庆祝哈罗德·品特的70岁生日,BBC广播4台播放了《轻微疼痛》的新录音,由作者自己扮演爱德华。在这部作品中,最突出的是卖火柴人巴纳巴斯(Barnabas)的声音。1959年7月29日,英国广播公司第三节目播出了大约40年前的原始录音,在这方面更加矛盾,引发了几十年的学术辩论,关于这位老人是否真的在那里。本文通过《轻微的疼痛》最初制作的背景、它后来在舞台和银幕上的转世,以及它受到批评的学术氛围的变化,来分析声音刻画的显著转变。因此,《轻微的疼痛》必须被视为一部跨媒介的戏剧,对品特的职业发展至关重要,而不是一部典型的放射性作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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