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“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles 《李尔王》:莎士比亚新变体版。理查德·诺尔斯编辑
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac024
B. Vickers
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引用次数: 0
Shakespeare and Emotion. Edited by Katherine A. Craik 莎士比亚与情感。Katherine A.Craik编辑
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac019
Emily Sarah Barth
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引用次数: 0
Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War by Patrick Gray (review) 《莎士比亚与罗马共和国的衰亡:自我、斯多葛主义与内战》作者:帕特里克·格雷(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac020
Erin Casey-Williams
{"title":"Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War by Patrick Gray (review)","authors":"Erin Casey-Williams","doi":"10.1093/sq/quac020","DOIUrl":"https://doi.org/10.1093/sq/quac020","url":null,"abstract":"other, exploring everything from the negotiation of space, to shared emotion, to sympathy’s (generally undeliverable) promise of affinity (15). The next four essays examine how Shakespeare responds to the emotional content in his source material. Gwynne Kennedy and Indira Ghose’s chapters on anger and pride find Shakespeare reflecting on and rewriting those emotions in his own work; chapters like these provide particularly good preparation for the final group of three essays in part 2, which tackle feelings we do not necessarily readily identify as emotions. Hester Lees-Jeffries considers nostalgia, while Tom Bishop’s chapter considers wonder and Timothy M. Harrison’s closing chapter explores confusion. These final essays propose a set of ideas that has been active throughout the collection: that emotions are never singular, that the experience of emotion is messy and difficult, and that Shakespeare actively resists any neat ordering of emotional experience. This collection’s reliance on such a wide variety of perspectives, drawing as it does on political, religious, ethical, and practical resources, results in a generous and timely contribution of scholarship that seeks to do what the authors see Shakespeare doing: these chapters “reflect upon, and reimagine, the ways art can revitalise the way we experience the world” (7).","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"163 - 165"},"PeriodicalIF":0.3,"publicationDate":"2022-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48519266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Distinguished by the Letter C": Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets “以字母C著称”:埃德蒙·马龙和爱德华·卡佩尔作为莎士比亚十四行诗的竞争编辑
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-12 DOI: 10.1093/sq/quac023
Jane Kingsley-Smith
{"title":"\"Distinguished by the Letter C\": Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets","authors":"Jane Kingsley-Smith","doi":"10.1093/sq/quac023","DOIUrl":"https://doi.org/10.1093/sq/quac023","url":null,"abstract":"I N HIS SUPPLEMENT TO THE EDITION OF SHAKSPEARE’S PLAYS, published in 1780, Edmond Malone included an edited text of the 1609 quarto Shake-speares Sonnets. In the advertisement, he extolled the virtues of his undertaking, claiming that it was “somewhat extraordinary, that none of [Shakespeare’s] various editors should have ... taken the trouble to compare [his poetical works] with the earliest editions.” The idea of Malone as a great Sonnets hero, rescuing the 1609 quarto from oblivion by reprinting it first in his Supplement and then in his own edition, The Plays and Poems of Shakespeare (1790), has been largely accepted by modern critics. But although Malone was the first to publish an annotated text, he was not the first to appreciate the value of the quarto or to confer on it serious editorial attention. That individual, I will argue, was Edward Capell (1713–1781), Cambridge scholar, Deputy Inspector of Plays, and friend of David Garrick, who dedicated his life to the study of Shakespeare. Capell’s importance as an editor of Shakespeare’s plays had been underestimated by modern scholars until the work of Alice Walker and Hymen Harold Hart in the 1960s. According to Walker, Capell “revolutionized","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"52 - 78"},"PeriodicalIF":0.3,"publicationDate":"2022-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44623802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Women and Shakespeare's Cuckoldry Plays: Shifting Narrative of Marital Betrayal by Cristina León Alfar (review) 《女人与莎士比亚杂剧:婚姻背叛的转移叙事》,作者:克里斯蒂娜·莱昂·阿法尔(评论)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-11 DOI: 10.1093/sq/quac021
Mara I. Amster
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引用次数: 0
Shakespeare and Queer Representation by Stephen Guy-Bray (review) 史蒂芬·盖伊-布雷《莎士比亚与同性恋代表》(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-11 DOI: 10.1093/sq/quac018
Christopher Yates
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引用次数: 0
Prop Culture: The Shakespearean Clown and His Marotte 道具文化:莎士比亚的小丑和他的马洛特
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-08-10 DOI: 10.1093/sq/quac015
Nicole Sheriko
{"title":"Prop Culture: The Shakespearean Clown and His Marotte","authors":"Nicole Sheriko","doi":"10.1093/sq/quac015","DOIUrl":"https://doi.org/10.1093/sq/quac015","url":null,"abstract":"THE EARLY MODERN CLOWN IS ALWAYS ALREADY MULTIPLE, carrying into performance his own puppet double: the fool’s bauble. This short staff topped with a carved likeness of its carrier is a kind of rod puppet—a marotte—who mirrors, extends, and constructs the clown as such. A portrait of the Stuart/ Caroline court fools Tom Derry and Muckle John makes this multiplicity especially clear (see figure 1). The painting’s title, Wee Three Loggerheads, and its grotesque imagery (note the fools’ facial expressions and the extra finger on Derry’s hand) place it firmly in the broader cultural tradition of depicting Folly. Images in this “we three” genre generally feature one fewer fool (here “loggerhead”) than the number in the label, implying that the viewer is the final fool. Here, Muckle John’s marotte might also be seen as the third fool (especially with its log head). We can read the marotte as a character in the picture, and therefore one of the “three” fools, or we can read it as merely an object held by one of the characters that identifies him as a fool. The marotte oscillates between character and object, and in so doing figures the viewer alternately as an external observer and an integral part of the folly being depicted. As a prop, the marotte is a practical performance tool, and Wee Three Loggerheads offers a portrait of performers as much as an allegorical representation of Folly in the world. Scholars of early modern performance have long neglected","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"126 - 149"},"PeriodicalIF":0.3,"publicationDate":"2022-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48272869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"This bastard graff shall never come to growth": Conception and Consent in Shakespeare's Lucrece “这个混蛋永远不会成长”:莎士比亚《勒克雷斯》中的概念与同意
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-07-15 DOI: 10.1093/sq/quac014
Sarah S Keleher
{"title":"\"This bastard graff shall never come to growth\": Conception and Consent in Shakespeare's Lucrece","authors":"Sarah S Keleher","doi":"10.1093/sq/quac014","DOIUrl":"https://doi.org/10.1093/sq/quac014","url":null,"abstract":"T ARQUIN WRONGED ME,” Lucrece states, “I Collatine” (819). 1 The first half of the statement comes as no surprise, but the second half is puzzling. In what way has Lucrece wronged Collatine by being raped? She has had extramarital sex, to be sure, but what blame can attach to her, given the constraints on her consent? It is the uncertain issue—in both senses of the word—of Lucrece’s consent that doubles the nature of the sexual offense, twinning it into two clauses: rape (“Tarquin wronged me”) and adultery (“I Collatine”). That doubling is not reducible to the internalized guilt of a rape victim. In early modern humanism, Lucretia was a defendant against charges of adultery in a perpetual rhetorical trial. She was a standard topic of humanist pro and contra debates that interpreted her motives for suicide through disputation of her chastity: “Shall we say she was an adulteresse, or was shee chast?” If we approach Shakespeare’s Lucrece with a certainty that the sexual offense at its heart is rape, we approach the poem anachronistically. The rape in Lucrece was always already a disputed","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"103 - 79"},"PeriodicalIF":0.3,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48509190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"A Strange, Hollow, and Confused Noise": Prospero's "Start" and Early Modern Magical Practices “一种奇怪的、空洞的、混乱的噪音”:普罗斯彼罗的“开端”与早期现代魔法实践
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-07-11 DOI: 10.1093/sq/quac016
E. Tribble
{"title":"\"A Strange, Hollow, and Confused Noise\": Prospero's \"Start\" and Early Modern Magical Practices","authors":"E. Tribble","doi":"10.1093/sq/quac016","DOIUrl":"https://doi.org/10.1093/sq/quac016","url":null,"abstract":"This essay has benefited from careful and patient feedback both from individual readers and from audiences who have heard earlier verisons. Debapriya Sarkar and Roslyn Knutson helped me to refine my arguments, and I am grateful to the anonymous peer reviewers at Shakespeare Quarterly for their helpful suggestions. Audiences at the seminar series of the English Department at the University of Connecticut, the Massachusetts Center for Renaissance Studies, and the Columbia Shakespeare Seminar provided incisive commentary that greatly improved the essay. Thanks also to the staff at the Folger Shakespeare Library for introducing me to the wonders of The Book of Magic. 1 The Tempest, 4.1.137, 138. Unless otherwise noted, all quotations from the play come from The Tempest, ed. Virginia Mason Vaughan and Alden T. Vaughan (London: Bloomsbury, 2011). 2 The Norton Facsimile of the First Folio of Shakespeare, prep. Charlton Hinman, rev. ed. (New York: W. W. Norton, 1996), TLN 1805–8.","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"229 - 253"},"PeriodicalIF":0.3,"publicationDate":"2022-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45498325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
All the Sonnets of Shakespeare. Edited by Paul Edmondson and Stanley Wells 莎士比亚的所有十四行诗。Paul Edmondson和Stanley Wells编辑
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-06-28 DOI: 10.1093/sq/quac017
John S. Garrison
{"title":"All the Sonnets of Shakespeare. Edited by Paul Edmondson and Stanley Wells","authors":"John S. Garrison","doi":"10.1093/sq/quac017","DOIUrl":"https://doi.org/10.1093/sq/quac017","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49611595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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