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Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen 莎士比亚在世界:欧洲和殖民印度的跨文化改编，1850-1900。Suddhaseel Sen

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac049

Amrita Sen

引用次数: 0

Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune 跨性别重新评价莎士比亚、菲拉斯特和《老实人的命运》中的变装页

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac041

Ezra Horbury

引用次数: 0

Recovering Shakespeare's Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources 恢复莎士比亚的种族谱系:《哈姆雷特》中的奴隶制、野蛮和白人及其来源

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac040

K. Gillen

引用次数: 0

"And golden vizards on their faces": Theatrical Awakening in All Is True “他们的脸上有金色的巫师”:《一切都是真的》中的戏剧觉醒

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac042

K. Schreyer

引用次数: 0

Shakespeare's Rare Words and Chronology 莎士比亚的生僻词与断代学

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-10-07 DOI: 10.1093/sq/quac028

Douglas Bruster, Anna Christoffersen

{"title":"Shakespeare's Rare Words and Chronology","authors":"Douglas Bruster, Anna Christoffersen","doi":"10.1093/sq/quac028","DOIUrl":"https://doi.org/10.1093/sq/quac028","url":null,"abstract":"T HIS ESSAY PRESENTS A “ RARE WORDS ” ANALYSIS of Shakespeare’s plays and poems with the goal of better establishing their chronology. The technique of examining Shakespeare’s rare words for what they suggest about the order of his works was proposed by Gregor Sarrazin over a century ago, and subsequently elaborated by such ﬁgures as, among others, Karolina Steinha¨user, Alfred Hart, Eliot Slater, M. W. A. Smith, Thomas Merriam, and MacDonald P. Jackson. 1 As modeled by Sarrazin and reﬁned by these and other scholars, the procedure examines the strength and weakness of associations in the overlap, across Shakespeare’s texts, of words he seldom used. Indeed, while called “rare” by tradition, “seldom-used” is more to the point: such words are less like “ honoriﬁcabilitudinitatibus ” in Love’s Labor’s Lost (5.1.41) — understandably used only once in the canon, and in that respect too rare to connect this comedy with other texts — and more like the same play’s “jangling” (2.1.225), which it shares only with A Midsummer Night’s Dream (3.2.353); “moderately” (1.1.197), used elsewhere just in Romeo and Juliet (2.6.14); and “specialties” (2.1.164), which it has in common only with The Taming of the Shrew (2.1.126). 2 Because they link a target text with other texts, such words are referred to as “link words.” Texts written closer in time to each other tend to be linked by their word choices. Statistical Mechanics and its Applications 388.6 (2009): 916 – 26, 920. The Shannon Entropy score for Lucrece conﬁrms a simpler ratio: with 15,043 tokens and 3,655 types, Lucrece is the rich-est long text encountered in Shakespeare’s repertory (we exclude “The Phoenix and Turtle” and “A Lover’s Complaint” owing to their brevity).","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42378961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles 《李尔王》:莎士比亚新变体版。理查德·诺尔斯编辑

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac024

B. Vickers

引用次数: 0

Shakespeare and Emotion. Edited by Katherine A. Craik 莎士比亚与情感。Katherine A.Craik编辑

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac019

Emily Sarah Barth

引用次数: 0

Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War by Patrick Gray (review) 《莎士比亚与罗马共和国的衰亡:自我、斯多葛主义与内战》作者:帕特里克·格雷(书评)

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-08-17 DOI: 10.1093/sq/quac020

Erin Casey-Williams

{"title":"Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War by Patrick Gray (review)","authors":"Erin Casey-Williams","doi":"10.1093/sq/quac020","DOIUrl":"https://doi.org/10.1093/sq/quac020","url":null,"abstract":"other, exploring everything from the negotiation of space, to shared emotion, to sympathy’s (generally undeliverable) promise of affinity (15). The next four essays examine how Shakespeare responds to the emotional content in his source material. Gwynne Kennedy and Indira Ghose’s chapters on anger and pride find Shakespeare reflecting on and rewriting those emotions in his own work; chapters like these provide particularly good preparation for the final group of three essays in part 2, which tackle feelings we do not necessarily readily identify as emotions. Hester Lees-Jeffries considers nostalgia, while Tom Bishop’s chapter considers wonder and Timothy M. Harrison’s closing chapter explores confusion. These final essays propose a set of ideas that has been active throughout the collection: that emotions are never singular, that the experience of emotion is messy and difficult, and that Shakespeare actively resists any neat ordering of emotional experience. This collection’s reliance on such a wide variety of perspectives, drawing as it does on political, religious, ethical, and practical resources, results in a generous and timely contribution of scholarship that seeks to do what the authors see Shakespeare doing: these chapters “reflect upon, and reimagine, the ways art can revitalise the way we experience the world” (7).","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48519266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"Distinguished by the Letter C": Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets “以字母C著称”:埃德蒙·马龙和爱德华·卡佩尔作为莎士比亚十四行诗的竞争编辑

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-08-12 DOI: 10.1093/sq/quac023

Jane Kingsley-Smith

{"title":"\"Distinguished by the Letter C\": Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets","authors":"Jane Kingsley-Smith","doi":"10.1093/sq/quac023","DOIUrl":"https://doi.org/10.1093/sq/quac023","url":null,"abstract":"I N HIS SUPPLEMENT TO THE EDITION OF SHAKSPEARE’S PLAYS, published in 1780, Edmond Malone included an edited text of the 1609 quarto Shake-speares Sonnets. In the advertisement, he extolled the virtues of his undertaking, claiming that it was “somewhat extraordinary, that none of [Shakespeare’s] various editors should have ... taken the trouble to compare [his poetical works] with the earliest editions.” The idea of Malone as a great Sonnets hero, rescuing the 1609 quarto from oblivion by reprinting it first in his Supplement and then in his own edition, The Plays and Poems of Shakespeare (1790), has been largely accepted by modern critics. But although Malone was the first to publish an annotated text, he was not the first to appreciate the value of the quarto or to confer on it serious editorial attention. That individual, I will argue, was Edward Capell (1713–1781), Cambridge scholar, Deputy Inspector of Plays, and friend of David Garrick, who dedicated his life to the study of Shakespeare. Capell’s importance as an editor of Shakespeare’s plays had been underestimated by modern scholars until the work of Alice Walker and Hymen Harold Hart in the 1960s. According to Walker, Capell “revolutionized","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44623802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Women and Shakespeare's Cuckoldry Plays: Shifting Narrative of Marital Betrayal by Cristina León Alfar (review) 《女人与莎士比亚杂剧：婚姻背叛的转移叙事》，作者：克里斯蒂娜·莱昂·阿法尔（评论）

IF 0.3 2区文学

SHAKESPEARE QUARTERLY Pub Date : 2022-08-11 DOI: 10.1093/sq/quac021

Mara I. Amster

引用次数: 0