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Shakespearean Intersections: Language, Contexts, Critical Keywords by Patricia Parker (review) 《莎士比亚的交集:语言、语境、关键关键词》帕特里夏·帕克著(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-12-10 DOI: 10.1093/sq/quac065
Marjorie Rubright
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引用次数: 0
Shakespeare, Objects and Phenomenology: Daggers of the Mind by Susan Sachon (review) 《莎士比亚:客体与现象学:心灵的匕首》，作者:苏珊·萨克森(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-21 DOI: 10.1093/sq/quac048
W. Rogers
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引用次数: 0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre by Amy Lidster (review) 在莎士比亚时代出版历史剧:文具商塑造一种体裁艾米·利斯特(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac051
Kyle Pivetti
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引用次数: 0
Shakespeare and the Romantics. By David Fuller 莎士比亚和浪漫主义者。作者：David Fuller
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac050
C. Jansohn
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引用次数: 0
Shakespeare and the Political Way by Elizabeth Frazer (review) 伊丽莎白·弗雷泽《莎士比亚与政治之路》(书评)
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac045
Dan Breen
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引用次数: 0
Literature's Stake: Economy, Law, and Aesthetics in The Merchant of Venice 文学的利害关系：《威尼斯商人》中的经济、法律与美学
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac043
Christopher Pye
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引用次数: 0
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen 莎士比亚在世界:欧洲和殖民印度的跨文化改编，1850-1900。Suddhaseel Sen
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-16 DOI: 10.1093/sq/quac049
Amrita Sen
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引用次数: 0
Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune 跨性别重新评价莎士比亚、菲拉斯特和《老实人的命运》中的变装页
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac041
Ezra Horbury
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引用次数: 0
Recovering Shakespeare's Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources 恢复莎士比亚的种族谱系:《哈姆雷特》中的奴隶制、野蛮和白人及其来源
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac040
K. Gillen
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引用次数: 0
"And golden vizards on their faces": Theatrical Awakening in All Is True “他们的脸上有金色的巫师”:《一切都是真的》中的戏剧觉醒
IF 0.3 2区 文学
SHAKESPEARE QUARTERLY Pub Date : 2022-11-15 DOI: 10.1093/sq/quac042
K. Schreyer
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引用次数: 0
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