Revista Transilvania最新文献_第6页

A Slight Unease About Capitalism: Radu Jude’s The Happiest Girl in the World and the New Romanian Cinema 对资本主义的些许不安:拉杜·裘德的《世界上最幸福的女孩》和新罗马尼亚电影

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.01

Andrei Gorzo, Veronica Lazăr

引用次数: 2

(Anti)Colonial Anti-Communism in S.T.A.L.K.E.R. Shadow of Chernobyl: Appropriating the Anti-Colonial Rhetoric of Heart of Darkness and F.E.A.R. to Criticize Soviet Communism 切尔诺贝利阴影下的（反）殖民反共主义——借用《黑暗之心》和《苏联》的反殖民修辞批判苏联共产主义

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.02

A. Nae

{"title":"(Anti)Colonial Anti-Communism in S.T.A.L.K.E.R. Shadow of Chernobyl: Appropriating the Anti-Colonial Rhetoric of Heart of Darkness and F.E.A.R. to Criticize Soviet Communism","authors":"A. Nae","doi":"10.51391/trva.2022.04.02","DOIUrl":"https://doi.org/10.51391/trva.2022.04.02","url":null,"abstract":"This article analyses the anti-communist rhetoric of the popular Ukrainian video game S.T.A.L.K.E.R.: Shadow of Chernobyl which was developed by GSC Game World and released in 2007. In this paper I argue that, in order to mount a humanist critique against Soviet communism, the game borrows the anti-colonial discursive structure of Joseph Conrad’s Heart of Darkness filtered through the video game F.E.A.R. If colonialism is predicated on the juxtaposition of territorial expansion and a progressive temporality towards a civilizational ideal, then Heart of Darkness and F.E.A.R. convey a critique of colonialism by highlighting how spatial progress brings about temporal regression manifested as a dissolution of the self. To show this, they employ the doppelgänger convention. Both protagonists representing white civilization are on quest to find a character who has been ‘contaminated’ by the ‘heart of darkness.’ This latter character is eventually revealed to be a negative cultural doppelgänger of the protagonist who has assimilated otherness to the point of no return. By the same token, in S.T.A.L.K.E.R.: Shadow of Chernobyl the psychological regression of the protagonist is mapped onto spatial progress towards the heart of communism, in this case Reactor #4 of the Chernobyl Nuclear Power Plant. S.T.A.L.K.E.R. reworks the doppelgänger convention by identifying the protagonist with the character ‘gone native,’ i.e. gone communist, not only symbolically, but also physically. This enables the game to put forth two scenarios, namely one where the main character overcomes communism, and one where he embraces it. By offering both endings, the game maintains two contradictory views on the communist past. One ending suggests that communism can eventually be overcome, while the other postulates the communist past is here to stay.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48927005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Despre notele marginale din cartea Ieșirea din manuscrisul de lucru (ms.70 B.A.R.) al traducerii Bibliei de la Blaj (1795) 关于《布拉吉圣经译本》（1795年）《退出工作手稿》（公元前70年）一书的旁注

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.08

Ana Catană-Spenchiu, Maria Moruz

引用次数: 0

Vernacular Videos in the Participatory Culture of Web 2.0: The Contribution of Amateurs and Artists to the Development of Audio-visual Language Web 2.0参与文化中的本土影像:业余爱好者与艺术家对视听语言发展的贡献

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.03

Ligia Smarandache

{"title":"Vernacular Videos in the Participatory Culture of Web 2.0: The Contribution of Amateurs and Artists to the Development of Audio-visual Language","authors":"Ligia Smarandache","doi":"10.51391/trva.2022.04.03","DOIUrl":"https://doi.org/10.51391/trva.2022.04.03","url":null,"abstract":"The revolution in communication technologies is changing language and this, in turn, will change human thinking. This statement can now be taken for granted. The fact that it is supported by many authors, including Marshal Mc Luhan (1964), Neil Postman (1992) and Lev Manovich (2002), is already evidence of it. The issue of information in the public sphere of Web 2.0 is controversial and much debated. The democratization of cyberspace brings with it the chance to develop a complex audiovisual grammar that anticipates video art and experimental films. The online environment features both to audiovisual experiments undertaken by amateur videographers and professional elites. In this place of extremes, there is room for developing both narrative and non-narrative expressions of self-reflexive audiovisual products. Whereas Lev Manovich (2002) states that the avant-garde becomes legitimised in the cut and paste era of digital filmmaking, which replaces the sequential narrative, this article sets out to determine the contribution of amateur videographers and artists to the development of the new audiovisual grammar of web 2.0. My case studies focus on the two main tendencies of home-made audiovisual products, both of them leading to the effectiveness of audiovisual communication. The video-confession replaces the visual narrative illustration with a form of orality that increases the audience’s imaginative participation. The DIY-videos, non-narrative metaphors in essay form, complement abstract comprehension. These new forms approach Astruc’s concept of caméra stylo, enhancing the audiovisual communication of the mass audience. Thus, the audience is able to comprehend a richer and more sophisticated cinematic language.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43431603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ce n-a fost Blaga niciodată 布拉加从来都不是

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.06

Marta Petreu

引用次数: 0

A mânca la Viena. Digresiuni despre ce înseamnă să fii bucovinean în capitala Imperiului 在维也纳吃饭。对在帝国首都成为布科维尼亚人意味着什么的挖掘

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.07

Mircea A. Diaconu

{"title":"A mânca la Viena. Digresiuni despre ce înseamnă să fii bucovinean în capitala Imperiului","authors":"Mircea A. Diaconu","doi":"10.51391/trva.2022.04.07","DOIUrl":"https://doi.org/10.51391/trva.2022.04.07","url":null,"abstract":"Once in Vienna to get an education, the young Romanians that left Bukovina, be they sons of boyars, priests, peasants, or public servants, often found themselves in awe. One way or another, they soon experienced a hard time getting board and lodgings. To make ends meet, they had to pawn their belongings or borrow money, which spelled trouble for all of them. Consequently, their food choice and cooking skills welcome a cultural studies approach that reveals their worldview, identity or history proper. Taking into account mostly unknown memoirs, diaries and letters, the present paper aims to give insight into the eating habits and the world of young Bukovinians living in Vienna. Fitted within a chronological sequence, the case studies under scrutiny range from the Hurmuzachi brothers (Constantin, Eudoxiu, Gheorghe), Eminescu, and the so-called ‘Bukovinian colony’ to Ciprian Porumbescu and, eventually, Leca Morariu. Strangely enough, Morariu, although wounded in WWI, is the only one who managed to eat well while in Vienna. However, both his war and Vienna diaries are meaningful from many other perspectives than his meals. Beyond the actual or the implied questions they trigger, my somewhat random reading comes across as an opportunity to rediscover a lost world.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48947876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ascunderi textuale: trei recenzii publicate de Mircea Eliade sub pseudonim în ultimul număr al Revistei universitare 文本隐藏：Mircea Eliade在最新一期《大学学报》上用假名发表的三篇评论

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.05

Andreea Apostu

{"title":"Ascunderi textuale: trei recenzii publicate de Mircea Eliade sub pseudonim în ultimul număr al Revistei universitare","authors":"Andreea Apostu","doi":"10.51391/trva.2022.04.05","DOIUrl":"https://doi.org/10.51391/trva.2022.04.05","url":null,"abstract":"After his resignation from “Revista universitară” [“Universitary Journal”] in 1926, due to the scandal ignited by his review of Nicolae Iorga’s “Essai de synthèse de l’histoire de l’humanité,” Eliade continued to collaborate with the publication under the pseudonym “S.N.”. The three reviews analyzed in this article may seem of little importance – short informative texts, they nonetheless reveal the diversity of the young author’s interests and the persistence of several themes from Eliade’s youth to his late maturity: Italian culture (in his review of Alexandru Marcu’s “The Italian Romantics and Romanians”), B.P. Hasdeu’s life and works, metapsychic experiences and esoterism (through discussing Alberto Fidi’s “Treatise on Talismans”). These short texts reveal what we have called a sort of individual “longue durée” – a long-term affinity for certain subjects which evolves gradually and thoroughly throughout Eliade’s life. His passion for B.P. Hasdeu’s work and personality, for instance, started with a highschool conference, continued with an unfinished book project (revealed recently at an auction) and grew into an edition of Hasdeu, published in 1937: “Literary, Moral, and Political Writings.” Our article also analyses the connections between Eliade’s early articles and this new, unprecedented material, that appeared in March 2022 at a national auction.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42040986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Problem Points of Various Research Methods and Prospects for Their Solution in the Study of 16th- to 18th- Century Spanish Florida 16 - 18世纪西班牙佛罗里达研究中各种研究方法的问题点及解决展望

Revista Transilvania Pub Date : 2022-04-01 DOI: 10.51391/trva.2022.04.10

K. Ashrafyan

引用次数: 0

O rediscutare a viziunii lui Henri H. Stahl despre „adevărata și falsa cultură sătească” 亨利·H·斯塔尔“真实与虚假的乡村文化”视野的再版

Revista Transilvania Pub Date : 2022-02-10 DOI: 10.51391/trva.2022.01-02.03

Ioana-Roxana Fruntelată

{"title":"O rediscutare a viziunii lui Henri H. Stahl despre „adevărata și falsa cultură sătească”","authors":"Ioana-Roxana Fruntelată","doi":"10.51391/trva.2022.01-02.03","DOIUrl":"https://doi.org/10.51391/trva.2022.01-02.03","url":null,"abstract":"This article sets into light the context of ideas and relevant biographical circumstances at the time when the Romanian sociologist Henri H. Stahl issued the leaflet Cultura satelor. Cum trebue înțeleasă [The Village Culture. How It Should Be Understood] (1934), in a period of crisis of the Sociological School of Bucharest, when the project of its founder, Dimitrie Gusti, to employ the results of the monographic research campaigns in order to initiate a social reform, seemed to have reached a dead point. At the same time, we pay attention to the cultural distinctions and relations (rural and urban culture, popular/ folk and literate culture) that Stahl debates in his text on village culture. Taking into account the fact that each new reading of a scientific work implicitly updates its content, we also find in the pages written by Henri H. Stahl in 1934 an interesting material for revisiting engaged anthropology, a direction of study developed in the U.S.A. in the late 1970s but rooted in an older model of addressing anthropological research which was created during the Second World War and anticipated as early as the end of the nineteenth century. Beyond different labels applied to research tendencies in social sciences or ethnological/ anthropological approaches in various epochs, we argue that the manner in which researchers influence (more or less intentional) their target-communities not only challenges professional ethics but also provokes a meaningful reflection on the values which are ‘at stake’ in any intercultural encounter.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45044257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Biografia și opera lui Henri H. Stahl reflectate în dosarul său de cadre

Revista Transilvania Pub Date : 2022-02-10 DOI: 10.51391/trva.2022.01-02.05

Cristian Vasile

引用次数: 0