Revista Transilvania最新文献

Rescrieri feminine ale Odiseii (2): Madeline Miller, Circe orecrieri feminine ale Odiseii(2):玛德琳·米勒，Circe

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.03

Alexandra Ciocârlie

{"title":"Rescrieri feminine ale Odiseii (2): Madeline Miller, Circe","authors":"Alexandra Ciocârlie","doi":"10.51391/trva.2023.03.03","DOIUrl":"https://doi.org/10.51391/trva.2023.03.03","url":null,"abstract":"In her novel, Madeline Miller proposes reconstructing Circe’s legends from classical sources by offering a feminine, even feminist, perspective on events. In the protagonist’s account, the witch’s history appears as a delineation from the despotic deities and a way of coming closer to the mortals which ultimately ammounts to abandoning her own condition. The central part of the novel starts from the story of Odissey and continues with events narrated in Telegony, poem which was dedicated to the son of Odysseus and Circe who unwillingly became the killer of his father. Although she follows the Homeric narrative in detail, the author sometimes relates critically to the literary model. The events told by Odysseus and Circe in a heroic or debunking form reveal their polivalence. In the extension of the Homeric narrative, the last part of the novel encompasses the events that occurred after the return to Itaca of Odysseus, unable to find fulfillment on his native lands because of his thirst for the unknown and adventures. The hero’s image gradually darkens, the author accentuating his violence or his generalized suspicion. Reconstructing the events from Circe’s perspective allows Madeline Miller to delineate from the Odyssey which she has followed scrupulously up to a certain point.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Traduire le concept : Réflexions autour de la traduction bulgare de l’essai Le sacré et le profane de Mircea Eliade 翻译概念:对米尔恰·埃利亚德的《神圣与世俗》的保加利亚翻译的思考

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.02

I. Kristeva, Zornitsa Petrova

引用次数: 0

Paul B. Preciado și conceptul de identitate ca armă a regimului farmacopornografic Paul B.Preciado与作为药典制度武器的身份概念

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.09

Cristina Măriuca Grigore

{"title":"Paul B. Preciado și conceptul de identitate ca armă a regimului farmacopornografic","authors":"Cristina Măriuca Grigore","doi":"10.51391/trva.2023.03.09","DOIUrl":"https://doi.org/10.51391/trva.2023.03.09","url":null,"abstract":"This paper represents a review article of Paul B Preciado’s major work, Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era, recently translated by Daniel Clinci at frACTalia. I will proceed to do so by offering a short contextualization of Preciado’s academic formation and activity, followed by a tackling of the main concepts he borrows from post-structuralist thought. Given Preciado’s fragmented manner of writing this text, which brings together theory and auto-biographical fiction, I will also engage in a type of media analysis that the reader might find atypical for a review, whose main focus is to draw on some cinematic parallels, in order to extract an account for the new emerging kind of subjectivity that the pharmacopornographic regime creates. I will present Preciado’s analysis of the pharmacopornographic regime by following three main concepts that consolidate his body of work: the deconstruction of sex, the economic analysis of potentia gaudendi (orgasmic force) and the political construction of categories. At the same time, I will evaluate Preciado’s materialist turn by offering a critique of consistency. Lastly, I will emphasize the importance of this book in intersectional analysis while criticizing some points that Preciado either fails to consider, or whose dangers he minimizes while proposing a praxis for political dissidence.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mircea Eliade’s Unpublished Manuscripts from Private Collections III. Notebooks I & II (Calcutta, 1929-1931). Commentary 米尔恰·埃利亚德私人收藏未发表手稿3。笔记1和2(加尔各答，1929-1931)。评论

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.01

Eugen Ciurtin, Andreea Apostu

引用次数: 1

Apuntes sobre la superstición y la recepción de las literaturas clásicas en La Celestina 在塞莱斯蒂娜的迷信和古典文学的接受笔记

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.03.08

Carles Padilla-Carmona

{"title":"Apuntes sobre la superstición y la recepción de las literaturas clásicas en La Celestina","authors":"Carles Padilla-Carmona","doi":"10.51391/trva.2023.03.08","DOIUrl":"https://doi.org/10.51391/trva.2023.03.08","url":null,"abstract":"La Celestina is influenced by ideological and aesthetic aspects of its time, such as moralising literature, the new lyrical currents coming from Italy and the emergence of new literary genres. However, it is emphasised that the author was directly or indirectly familiar with the main classical authors and uses them to reinforce the didactic and moralising character of the work. Already at the beginning of the Prologue, Heraclitus, Petrarch, Aristotle, Pliny, and Lucan are mentioned in order to highlight how the struggles between masters and slaves, between pleasure and virtue, between the earthly and the heavenly world are the backbone of the play’s plot. In this context, the cultivation of sorcery cannot be absent. In La Celestina, we see techniques of sympathetic magic, such as the nomen omen and the possession of another person’s will through objects. The passage of Celestina’s incantation, as well as the possession of Melibea’s cord, are examples of this. Apuleius’ Metamorphoses may have been a source of inspiration for the author of the Tragicomedy. Along with the techniques of witchcraft, we observe in the work an almost parodic distortion of Christian discourse to justify certain behaviours. Magic and enchantment were considered dangerous and related to the devil and witchcraft, and those accused of practising magic could be persecuted and severely punished. La Celestina is an example of how superstition in a broad sense (magic and religion) is used to give an irrational explanation to phenomena, such as Calisto’s amorous obsession.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bogdan-Alexandru Stănescu. De la apelativul memoriei la emergența maximalistă Bogdan Alexandru Stănescu。从记忆的昵称到最大主义的出现

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.05-06.07

Alexandra Cîrcu

引用次数: 0

Romanele lui Camil Petrescu din perspectivă substanțialistă 实体主义视角下的佩特雷斯库小说

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.01.05

A. Popescu

引用次数: 0

Mircea Eliade’s Unpublished Manuscripts from Private Collections II. Notebooks I & II (Calcutta, 1929-1931). Concordances A-E 米尔恰·埃利亚德私人收藏未发表手稿2。笔记1和2(加尔各答，1929-1931)。和谐a e

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.02.01

Eugen Ciurtin, Andreea Apostu

引用次数: 2

A Failed National Play? Lucian Blaga’s Zamolxis and the “Romanian Soul” 失败的国家戏剧?卢西恩·布拉加的《扎莫尔西斯》与“罗马尼亚灵魂”

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.02.06

Lucian Țion

引用次数: 0

Reprezentări ale animalelor și dislocarea antropocentrismului în poezia română postdouămiistă 后杜米什罗马尼亚诗歌中的动物表征与人类中心主义错位

Revista Transilvania Pub Date : 2023-01-01 DOI: 10.51391/trva.2023.05-06.01

Oana Andrada Strugaru

{"title":"Reprezentări ale animalelor și dislocarea antropocentrismului în poezia română postdouămiistă","authors":"Oana Andrada Strugaru","doi":"10.51391/trva.2023.05-06.01","DOIUrl":"https://doi.org/10.51391/trva.2023.05-06.01","url":null,"abstract":"With a tradition of economic, political, and institutional settings built on a dynamic based on dominance, animals have been systematically assigned the role of an inferior form of „otherness”, essential, nevertheless, in shaping the anthropocentric mentality and validating the narrative of human exceptionalism. The longevity of such speciesist practices throughout the humanist discourses obliges the posthumanist project of creating a postanthropocentric concept of subjectivity to pay special attention to the issues regarding the animals, their representations, and their interactions with ‘us’. This paper stems from Rosi Braidotti’s project of a posthuman subject understood as a hybrid entity integrated through a system of material and informational connections with all forms of existence in the natureculture continuum and follows the implications it has on redesigning our interactions with the non-human beings in a post-anthropocentric context. My purpose is to study how contemporary Romanian poetry reflects this new vision of subjectivity and its impact on reimagining the relations between the human and non-human beings. The analysis on volumes such as val chimic’s umilirea animalelor (the humiliation of animals), Mihók Tamás’s biocharia. ritual ecolatru, Adelina Pascale’s maki for 2, Gabi Eftimie’s Sputnik în grădină (Sputnik in the garden), or Diana Cornea’s Setări avansate de lumină (Advanced lighting settings) confirms the increasing interest of Romanian post-millenary poetry in reshaping the depictions of animals and human-animal interactions according to a postanthropocentric perspective.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0