Revista Transilvania最新文献

{"title":"Comportamentul asociativ – un indicator al calității vieții","authors":"Elisaveta Drăghici","doi":"10.51391/trva.2023.02.07","DOIUrl":"https://doi.org/10.51391/trva.2023.02.07","url":null,"abstract":"Partnership to achieve common goals is an example of social action. When it is geared towards achieving a high level of quality of life, it is a complex dynamic and therefore of interest to researchers. This study explores the associative phenomenon from the perspective of two dimensions (which define the quality-of-life paradigm), namely quality of society and lifestyles (according to Mărginean and Precupețu’s vision, 2011), but also from the perspective of the community life and social participation dimension (as stated by Fahey et al., 2003). In addition to the theoretical approach on joining organizations for social involvement (in order to achieve a better life), the results of empirical research based on the administration of a questionnaire are presented. The empirical research highlights perceptions of action in society, the determinants of associational behavior oriented towards social involvement, the motivations behind the establishment of non-governmental organizations and their relation to the concern to improve the quality of life. The present study is one section of a larger ongoing research on motivations for setting up NGOs and the development of the non-profit sector. The topic is of interest in that, thirty years after freedom of association was achieved in Romania, the exploration of the motivations for setting up an NGO has been sporadic, the study showing current aspects of association for involvement in society.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70876987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Poezia energiei scăzute. O lectură (peri)termodinamică a interpretării lui G. Bacovia via E. Lovinescu","authors":"Teodora Dumitru","doi":"10.51391/trva.2023.03.04","DOIUrl":"https://doi.org/10.51391/trva.2023.03.04","url":null,"abstract":"The purpose of this essay is to map the energetic and (peri)thermodynamic background of theories about poetry from the second half of the 19th century and the beginning of the 20th century, also included in the horizon of interest of Romanian critics. In the present essay, I trace the route by which the literary critic E. Lovinescu arrives at his unique stylistic and conceptual approach to the poetry of G. Bacovia from the article he dedicates to him in 1922 and from the sequence reserved for the same poet in the study Poezia nouă (1923), both capitalized, further, in his literary histories. It is about the interpretation or even the definition of Bacovian poetry as an “expression” of “a neurosis,” as a “poetry” of “(deeply animalistic) kinesthesia,” as an “almost direct expression” of a “sick kinesthesia” or, even more abruptly, as “secretion of a sick organism, as moisture is the tear of damp walls.”","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"În arhiva lui: Eliade (I)","authors":"Eugen Ciurtin","doi":"10.51391/trva.2023.04.07","DOIUrl":"https://doi.org/10.51391/trva.2023.04.07","url":null,"abstract":"The present series offers an anthology of excerpts from all types of Mircea Eliade’s writings, either unpublished or published as journals, reminiscences, memoirs, articles, essays, and shorter pieces, which may as a whole describe his own production and continual re/use of personal manuscripts. There is at present no systematic inquiry into the nature, form, quantity, and scope of his lost Bucharest archive. The rather large amount of Eliade Bucharest manuscripts sold through auctions since 2017 has already lethally interfered with the integrity of Eliade’s archive, as he bid farewell in August 1942 and the subsequent material owners offered after Eliade’s death no public catalogue or minimal listing of identified manuscripts, no indices, and almost no proper clues regarding its very size. Meanwhile, some manuscripts from this archive were sold directly by Eliade estates to public institutions in Romania (1986-1989) or sold directly to two public libraries in Bucharest by the sole material owner (and for his own personal benefit), in March-December 1989. Eliade’s published and especially unpublished manuscripts auctioned since 2017 are extraordinarily diverse, and only a part have been rescued by public institutions (17 manuscripts by the Library of the Romanian Academy in 2021, 67 manuscripts by the donors of the Institute for the History of Religions of the Romanian Academy in 2002, and several others at present under critical scrutiny, in 2023 and by the donors of the same Institute). All these manuscripts are only a fragment from the full archive Eliade left for good in Bucharest in 1942. Synoptic re-reading may thus help indeed improve our knowledge of that very archive, its content being a source of endless litigious intervention. The series complements ECCE | The Complete Critical Edition of Mircea Eliade’s Scholarly Works before 1945, under the aegis of the Institute for the History of Religions, as well as MEUM | Mircea Eliade’s Unpublished Manuscripts from Private Collections, published by Eugen Ciurtin and Andreea Apostu in Transilvania 51 [155] (2023), no. 1, pp. 1-22 (Critical edition), no. 2, pp. 1-16 (Concordances A-E), and no. 3, pp. 1-16, with forthcoming instalments in 2023.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Overview of Penitence Law in the Kingdom of Bohemia in the Middle Ages","authors":"Pavel Krafl","doi":"10.51391/trva.2023.04.09","DOIUrl":"https://doi.org/10.51391/trva.2023.04.09","url":null,"abstract":"In the study, the author focuses on penitence law in the medieval Kingdom of Bohemia, and specifically on the territory of the Prague ecclesiastical province, i.e. in the Prague and Olomouc dioceses. Confession also became the subject of normative regulation in medieval ecclesiastical law, taking on the character of a legal institution. The decree Omnis utiusque sexus, promulgated at the Fourth Lateran Council in 1215, made it compulsory for each resident in a parish to make a confession to his or her parish priest once a year. The provisions of the conciliar decree were taken into the papal code Liber extra in 1234. Confession thus became an institution of canon law. Confession was regulated more closely at ecclesiastical province and diocese level by provincial and diocesan statutes, the most important of these being the provincial statutes of Arnošt of Pardubice from 1349. A certain set of sins was reserved for the diocesan bishop or the Pope to absolve. Numerous manuals for administering the Sacrament of Penance (summae confessorum, poenitentiale) were used for the theoretical instruction and practical needs of confessors. The most widespread in the Czech lands were Summa de casibus poenitentiae by Raymond of Peñafort and Summa Pisana by Bartholomaeus de Sancto Concordio. Several such penitentials were also created in Bohemia, written by Bishop Robert of Olomouc, Hermann of Prague, Štěpán of Roudnice, Sander Rambow, Matthew of Cracow, Štěpán of Kolín, and Václav of Dráchov.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Periferia ca supracondiție a existenței în literatură: Ileana Negrea și supraabundența identitară","authors":"Geanina Giuhat","doi":"10.51391/trva.2023.05-06.02","DOIUrl":"https://doi.org/10.51391/trva.2023.05-06.02","url":null,"abstract":"The main aim of this paper is the analysis of how the multi-peripheral position in Ileana Negrea’s poetry is recontextualized in the geotemporality of contemporary Romanian culture, acknowledging her formation in a different language and through the reception and the application of feminist theories and praxis from other spaces, especially from the South American one, that are stratified and inserted in her texts. The analysis focuses on how the inflexion point of her marginal identity, gender-queerness-madness, is recomposed in the actual Romanian cultural and geopolitical circumstances and how her texts are perceived accordingly with these. At the same time, it will be explored how Negrea’s texts enrol in the world literature system via her registering in the worldly queer-feminist literary scheme.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Poezia energiei scăzute. O lectură (peri)termodinamică a interpretării lui G. Bacovia via E. Lovinescu (II)","authors":"Teodora Dumitru","doi":"10.51391/trva.2023.04.04","DOIUrl":"https://doi.org/10.51391/trva.2023.04.04","url":null,"abstract":"The purpose of this essay is an attempt to map the energetic and (peri)thermodynamic background of theories about poetry from the second half of the 19th century and the beginning of the 20th century, also included in the horizon of interest of Romanian critics. In the present essay, I trace the route by which the literary critic E. Lovinescu arrives at his unique stylistic and conceptual approach to the poetry of G. Bacovia from the article he dedicates to him in 1922 and from the sequence reserved for the same poet in the study Poezia nouă (1923), both capitalized, further, in his literary histories. It is about the interpretation or even the definition of Bacovian poetry as an “expression” of “a neurosis,” as a “poetry” of “(deeply animalistic) kinesthesia,” as an “almost direct expression” of a “sick kinesthesia” or, even more abruptly, as “secretion of a sick organism, as moisture is the tear of damp walls.”","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135987621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On Decolonizing Sociology","authors":"J. Itzigsohn","doi":"10.51391/trva.2023.04.01","DOIUrl":"https://doi.org/10.51391/trva.2023.04.01","url":null,"abstract":"There is a growing interest in decolonizing Sociology. Yet, there is no agreed upon definition of what this entails. In this essay I address two questions related to the decolonizing sociology effort. The first one is whether sociology has a mainstream and, if so, how can we describe it? In discussing this question, I also address the relationship between sociology and science. The second question is how do we go about decolonizing the discipline? I present the outlines of a proposal to decolonize sociology’s methodologies and practices and I also discuss the differences between alternative approaches and the question of what labels should we use. I don’t presume to have definitive answers to these questions. I offer these reflections as a contribution to the effort of rethinking sociology, a process that needs to be a collective endeavor.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reinventarea ca scriitor american a lui Norman Manea","authors":"Denisa-Corina Bolba","doi":"10.51391/trva.2023.05-06.06","DOIUrl":"https://doi.org/10.51391/trva.2023.05-06.06","url":null,"abstract":"The present research aims to bring into discussion the complex figure of Norman Manea, representative of the studies concerned with the analysis of the globalization strategies of Romanian literature. Relevant in this sense is the process of “reinvention” of a Romanian writer in an American context, through which one can understand the efforts of cultural and literary transplantation, of a constant, non-euphoric revisionism – according to Claudiu Turcuș’s formula –, as an alternative to the necessary political scale of aesthetics, but also the confrontation of clichés coming from the American continent. Throughout this endeavor, attention will be paid to the manner in which Romanian literature allows itself to be shaped, from its (semi)peripheral position, by the effects of a quintessentially transnational culture, such as the American one. What does the integration of Norman Manea entail, formed as an identity in the Eastern European context and as a survivor of some totalitarian regimes, how much of this identity is “saved” or diminished to ensure integration, how is a successful dialogue between the margin and the center formed, remain pillar questions for a profitable discussion for current Romanian studies, concerned with the status of Romanian literature as world literature. Norman Manea’s writings thus facilitate the updating of other themes, in addition to that of dislocation and relocation that migration produces: the contrast between the representation of communism in Eastern European prose and the representations of the West or the international reception of contemporary Romanian literature, subjects through which we aspire to overcome the proposed framework discussion.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Magical Hyperrealism: A Reading of Orbitor through Magical Realism and Maximalism","authors":"Santiago Daniel Gutiérrez Echeverría","doi":"10.51391/trva.2023.05-06.10","DOIUrl":"https://doi.org/10.51391/trva.2023.05-06.10","url":null,"abstract":"In this stylistic study I propose a reading of Orbitor [Blinding] through two literary modes: magical realism and maximalism, as Mircea Cărtărescu’s trilogy contains elements that fit into both literary modes, albeit with some differences. Such a reading would allow the formulation of the term magical hyperrealism as a new literary mode. The understanding of magical realism is based on three features: authorial reticence, amplification of reality through “faith” and social comprehension. Regarding authorial reticence, Beatrice Amaryll Chanady compares magical realism with the fantastic as defined by T. Todorov. Unlike the fantastic, which creates doubt between a real or a supernatural explanation for unlikely events, magical realism allows the ordinary and the marvelous to coexist as two components of a harmonious reality that is given without explanation (authorial reticence). The amplification of reality through faith in the marvelous and the social comprehension of the marvelous are concepts based on Alejo Carpentier’s lo real maravilloso. In Orbitor all of these features appear in many episodes, although unlike traditional magical realism, faith in the marvelous is expressed through personal-intellectual convictions rather than social-collective beliefs. As for maximalism, Orbitor fulfills most of the ten characteristics of this genre as defined by Stefano Ercolino. The main difference is point 10: “hybrid realism.” In this case, maximalism usually distorts reality for representational purposes, but Orbitor distorts it for purely literary purposes or for a psychic-subjective exploration of the author. From comparing Orbitor with both literary modes, magical hyperrealism as a literary mode is defined as follows: a totalizing-encyclopedic vision of reality that, with authorial reticence, harmonizes the real and the marvelous through a strong faith. Some applications and future possibilities are discussed in the conclusions.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70877809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REVIEW: Petro Rychlo, ed. Mit den Augen von Zeitgenossen. Erinnerungen an Paul Celan","authors":"Maria Sass","doi":"10.51391/trva.2022.04.09","DOIUrl":"https://doi.org/10.51391/trva.2022.04.09","url":null,"abstract":"The memoir authored by the Ukrainian Germanist Petro Rychlo, whose first edition was published at Suhrkamp with the occasion of the centennial anniversary of Paul Celan’s birth, includes a chronological selection of 55 texts from all the stations of the poet’s life. The volume pursues a better knowledge of Paul Celan as individual, of his character and his psychology, aspects that could have collectively contributed to the tragic outcome of his troubled life. Paul Celan is revealed as a complex personality, both through his poetic uniqueness and existential tragedy, as well as in his greatness and human vulnerability. The author argues for the importance of getting acquainted with the biographical aspects surrounding Celan – the Holocaust, the great love for his mother, the search for his Jewish identity – and emphasizes their special significance in deciphering the hermetic Celanian poetry.","PeriodicalId":39326,"journal":{"name":"Revista Transilvania","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49097759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}