Reinventarea ca scriitor american a lui Norman Manea

Q1 Arts and Humanities
Denisa-Corina Bolba
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Abstract

The present research aims to bring into discussion the complex figure of Norman Manea, representative of the studies concerned with the analysis of the globalization strategies of Romanian literature. Relevant in this sense is the process of “reinvention” of a Romanian writer in an American context, through which one can understand the efforts of cultural and literary transplantation, of a constant, non-euphoric revisionism – according to Claudiu Turcuș’s formula –, as an alternative to the necessary political scale of aesthetics, but also the confrontation of clichés coming from the American continent. Throughout this endeavor, attention will be paid to the manner in which Romanian literature allows itself to be shaped, from its (semi)peripheral position, by the effects of a quintessentially transnational culture, such as the American one. What does the integration of Norman Manea entail, formed as an identity in the Eastern European context and as a survivor of some totalitarian regimes, how much of this identity is “saved” or diminished to ensure integration, how is a successful dialogue between the margin and the center formed, remain pillar questions for a profitable discussion for current Romanian studies, concerned with the status of Romanian literature as world literature. Norman Manea’s writings thus facilitate the updating of other themes, in addition to that of dislocation and relocation that migration produces: the contrast between the representation of communism in Eastern European prose and the representations of the West or the international reception of contemporary Romanian literature, subjects through which we aspire to overcome the proposed framework discussion.
美国作家诺曼·马涅亚的重塑
本研究旨在探讨诺曼·马尼亚的复杂形象,他是罗马尼亚文学全球化战略研究的代表。在这个意义上,相关的是罗马尼亚作家在美国背景下的“再创造”过程,通过这个过程,人们可以理解文化和文学移植的努力,一种持续的,非愉悦的修正主义-根据克劳迪乌·图库斯特的公式-作为必要的政治尺度美学的替代方案,但也是来自美洲大陆的陈词滥调的对抗。在整个过程中,我们将关注罗马尼亚文学是如何从其(半)边缘位置,被典型的跨国文化(如美国文化)的影响所塑造的。诺曼·马尼亚作为东欧背景下的一种身份,作为某些极权主义政权的幸存者,他的融合意味着什么?为了确保融合,这种身份有多少被“保留”或削弱?边缘与中心之间的成功对话是如何形成的?这些问题仍然是当前罗马尼亚文学研究中有益讨论的支柱问题,与罗马尼亚文学作为世界文学的地位有关。诺曼·马尼亚的作品因此促进了其他主题的更新,除了移民产生的错位和重新安置:东欧散文中共产主义的表现与西方的表现或当代罗马尼亚文学的国际接受之间的对比,我们希望通过这些主题来克服拟议的框架讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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0.00%
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