布拉加从来都不是

Q1 Arts and Humanities
Marta Petreu
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引用次数: 0

摘要

本研究重新审视了卢西安·布拉加的作品(从文学到哲学),彻底解构了三个时期的不同意识形态给它贴上的标签:两次世界大战、共产主义和后共产主义。这些标签大多是辱骂和/或错误的,将布拉加的作品变成了一个被意识形态陈词滥调窒息的艺术和理论语料库。作者使用了各种各样的来源(从信件和回忆录到政治科学和生物学论文),以某种方式夸张地展示了布拉加不是什么——得出的结论是,在穿越政治极端主义的复杂时代时,他设法不受他们所有意识形态的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ce n-a fost Blaga niciodată
The present study is a revisitation of Lucian Blaga’s work in all its compartments (from literary to philosophical), thoroughly deconstructing the labels attached to it by the different ideologies of three periods: the interwar, the communist, and the post-communist ones. Most of them abusive and/or erroneous, these labels transformed Blaga’s work into an artistic and theoretical corpus suffocated by ideological clichés. Using most diverse sources (from letters and memoirs to treatises of political sciences and biology), the author shows somehow apophatically what Blaga was not – concluding that, while traversing complicated eras of political extremism, he managed to remain immune to all their ideologies.
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
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0
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