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PENCIPTAAN FILM PENDEK TERINPIRASI DARI KOTAK PERTANYAAN PELAJARAN KHAS DI SD EKSPERIMENTAL MANGUNAN 创造一个典型的课堂问题框的短片
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-04 DOI: 10.24821/tnl.v16i2.3208
P. Wibowo
{"title":"PENCIPTAAN FILM PENDEK TERINPIRASI DARI KOTAK PERTANYAAN PELAJARAN KHAS DI SD EKSPERIMENTAL MANGUNAN","authors":"P. Wibowo","doi":"10.24821/tnl.v16i2.3208","DOIUrl":"https://doi.org/10.24821/tnl.v16i2.3208","url":null,"abstract":"Abstrak: Makalah ini berisi proses kreatif membuat Film Pendek yang ceritanya terinspirasi oleh Kotak Pertanyaan konsep pembelajaran Khas di Sekolah Dasar Mangunan Eksperimental. Kotak Pertanyaan adalah salah satu konsep pendidikan (pembelajaran) yang disampaikan oleh Pastor YB Mangunwijaya. Kotak pertanyaan membiasakan anak-anak untuk menghasilkan pertanyaan setiap hari. Film ini menunjukkan bagaimana perlunya memberi anak-anak kebebasan untuk bertanya untuk mendukung kreativitas anak. Film ini memberikan pandangan lain tentang pendidikan yang baik dan efektif di Indonesia. Kata kunci: film pendek, kotak pertanyaan, Mangunwijaya, Sekolah Eksperimental  Mangunan Abstract: This paper contains the creative process of creating Short Films whose stories are inspired by the Question Box of a Typical learning concept in the Experimental Mangunan Primary School. The Question Box is one of the concepts of education (learning) presented by Father YB Mangunwijaya SJ. Question boxes familiarize children to produce questions every day. The film shows how the need to give children the freedom to ask questions to support children's creativity. This film provides another view regarding good and effective education in Indonesia. Key words: Short Movie, Question Box, YB Mangunwijaya, Mangunan Experimental Elementary School","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125134106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
KONTESTASI PARA WARIA DALAM PERTUNJUKAN KETOPRAK LAKON ANDE ANDE LUMUT OLEH PAGUYUBAN SENI SEDAP MALAM SRAGEN: SEBUAH KAJIAN PERFORMATIVITAS GENDER 夜间美乐艺术品斯拉根:性别认认研究
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-04 DOI: 10.24821/tnl.v16i2.3238
Wahyudi
{"title":"KONTESTASI PARA WARIA DALAM PERTUNJUKAN KETOPRAK LAKON ANDE ANDE LUMUT OLEH PAGUYUBAN SENI SEDAP MALAM SRAGEN: SEBUAH KAJIAN PERFORMATIVITAS GENDER","authors":"Wahyudi","doi":"10.24821/tnl.v16i2.3238","DOIUrl":"https://doi.org/10.24821/tnl.v16i2.3238","url":null,"abstract":"Abstrak: Penelitian ini menganalisis performativitas para waria dalam menunjukkan identitas dan pilihan gender mereka. Kajian ini menggunakan teori performativitas gender Judith Butler, di mana identitas dianggap sebagai sebuah performansi. Hasil penelitian menunjukkan bahwa pertunjukan ketoprak Sedap Malam merupakan kontestasi para waria. Para waria berlomba-lomba untuk menunjukkan kualitas kefeminitasannya. Kontestasi itu dilakukan dengan aksi, ekspresi, gestur, dandanan, pakaian, dan semua tindakan para waria yang dilakukan secara heboh dan berlebihan. Kehebohan itu dilakukan untuk meneguhkan keperempuanannya, karena selamanya mereka dihantui bahwa meskipun gendernya adalah feminin, tetapi masyarakat tetap melihat berdasarkan sex. Oleh karena itu mereka akan terus meyakinkan masyarakat bahwa dirinya adalah perempuan. Peneguhan yang menggebu-gebu atas kefeminitasannya itu dilakukan secara hiperbolis bahkan terkadang menjadi sangat ekstrim. Kata kunci: Sedap Malam, waria, ketoprak, dan performativitas gender Abstract: This study analyzed the performance of transvestites in showing their gender identity and choices. This study used Judith Butler's (1993) gender performance theory, where identity is considered as a performance. The results showed that the Sedap Malam ketoprak performance was a contestation for transvestites. The transvestites are competing to show the quality of their femininity. The contestation was carried out with splashy actions, expressions, gestures, make-up, clothes, and all the transvestites behavior were carried out exaggerate. The excitement was carried out to strengthen their womanhood because they were always haunted that even though their gender was feminine, people continued to look them based on their born-sex. Therefore they will continue to convince the public that they are women. Enthusiastic affirmation of their enthusiasm was done hyperbolically and sometimes even very extreme. Key words: Sedap Malam, transvestites, ketoprak, gender performativity","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129454885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ERRATUM JURNAL TONIL EDISI 16, NO. 1, 2019
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/tnl.v16i1.3307
Redaksi Jurnal Tonil
{"title":"ERRATUM JURNAL TONIL EDISI 16, NO. 1, 2019","authors":"Redaksi Jurnal Tonil","doi":"10.24821/tnl.v16i1.3307","DOIUrl":"https://doi.org/10.24821/tnl.v16i1.3307","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131074670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Penciptaan Pertunjukan Teater Banowati Sang Pelakor Sebuah Implementasi metode Penyutradaan Augusto Boal 创造了巴诺瓦蒂剧院的组织者采用了奥古斯托·博阿尔的种植方法
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3128
Wahid Nurcahyono
{"title":"Penciptaan Pertunjukan Teater Banowati Sang Pelakor Sebuah Implementasi metode Penyutradaan Augusto Boal","authors":"Wahid Nurcahyono","doi":"10.24821/TNL.V16I1.3128","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3128","url":null,"abstract":"A work of art should not only be a means to entertain, but can be broader and penetrate political and social barriers. Call it Augusto Boal, a Brazilian man who grew up in Rio de Janeiro. he experimented where he suggested different actions for the characters in the show who were subjected to oppression, and the actors who played the characters then made audience suggestions. With the experiments he did, he was able to uncover the thoughts of the people to the deepest niches that were often not spoken verbally about the position of those who were oppressed by the social and political reality in their place. Through this kind of theater, it would be interesting if the writer tries to reveal a social phenomenon that has multiple interpretations about who is blamed if there is a case of infidelity. With this kind of theater, the audience as well as the actors will be aware of the background or motivation of someone in the position of the victim or those who take advantage. This time's creation was intended to explore the possibility of the function of a show in people's lives. Problems that were originally complicated and tended to be deadlocked to be solved by playing theater directly. What needs to be considered for the creators of performing arts is that art is able to provide its own offer to communicate openly and break down the dividing walls of the mind in a segmented society so as to provide mutual awareness. Keyword : Theater, Opressed, Comunication, Awareness","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134371411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
MEMBANGUN RUANG URBAN ALTERNATIF MELALUI PERFORMANCE ART 通过表演艺术建造其他城市空间
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3105
S. Sathotho
{"title":"MEMBANGUN RUANG URBAN ALTERNATIF MELALUI PERFORMANCE ART","authors":"S. Sathotho","doi":"10.24821/TNL.V16I1.3105","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3105","url":null,"abstract":" Abstract: Space is created by the action of historical subject. This notion is refer to Urban in space context which is fluid and its fluidity is challenging to any subject to offer new idea of its space. Performance as historical subject has capacity to create certain space in the process while performance per se takes in certain place, mostly in the urban place, and space.  By shifting the performance’s place, the alternative space will be created which might include alternative urban space. Although the idea of shifting of place in performance is nothing but cliché, but the place is can always be new, hence the space created as well. Furthermore, the performativity of the space is also taken into consideration.This essay carries out the process and implication of the new space created by shifting a performance’s place through the close watching of M Brilyan’s Mother’s Dance (2018). Key words: space, urban, shifting, performance, performativity, Mother’s Dance","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133412972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
IDENTITAS GENDER DAN SENSUALITAS TUBUH TANDHAK DALAM PANGGUNG PERTUNJUKAN LUDRUK LEROK ANYAR 勒德鲁克·勒亚尔舞台上的性别认同和身体的性感
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3129
insroatun naima
{"title":"IDENTITAS GENDER DAN SENSUALITAS TUBUH TANDHAK DALAM PANGGUNG PERTUNJUKAN LUDRUK LEROK ANYAR","authors":"insroatun naima","doi":"10.24821/TNL.V16I1.3129","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3129","url":null,"abstract":"Penelitian yang berjudul “Identitas Gender Dan Sensualitas Tubuh Tandhak Dalam Panggung Pertunjukan Ludruk Lerok Anyar“ ini menganalisis tentang tubuh para tandhak ludruk  pada kelompok Ludruk Lerok Anyar Kabupaten Malang. Permasalahan yang dikemukakan yaitu: (1) bagaimana tubuh digunakan menjadi alat untuk menunjukkan identitas gender; dan (2) bagaimana tubuh digunakan menjadi alat untuk merepresentasikan nilai sensualitas.Identitas gender dan sensualitas tubuh tandhak ludruk dalam pertunjukkan kelompok Ludruk Lerok Anyar dianalisis menggunakan teori identitas gender dan sensualitas yang dikemukakan oleh Judith Butler dalam buku Gender Trouble. Penelitian ini menggunakan metode kualitatif, dengan teknik pengumpulan data melalui studi pustaka, wawancara, observasi dan pengamatan video rekaman pertunjukan.Hasil penelitian menunjukkan bahwa panggung ludruk mampu memberikan ruang bagi para transgender sebagai tandhak ludruk untuk dapat menunjukkan identitas keperempuanan atau femininnya tanpa harus ditutup-tutupi. Tubuh digunakan menjadi alat untuk menunjukkan nilai sensualitas. Tubuh para tandhak dikonstruksi melalui serangkaian gerak, gesture, make up dan kostum untuk menunjukkan kesan sensual dan mampu membuat penonton laki-laki terpenuhi hasrat sensualnya. Tubuh para tandhak merupakan representasi kesempurnaan tubuh perempuan yang  hanya ada dalam ruang-ruang imajinasi.Kata Kunci: tandhak ludruk, identitas gender, sensualitas tubuh, kelompok Ludruk Lerok Anyar.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126414421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
PEMERANAN TOKOH RATU MAHRIT DALAM NASKAH RAJA MATI KARYA EUGÈNE IONESCO TERJEMAHAN IKRANAGARA
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3125
Gradhina Melya Amborowati
{"title":"PEMERANAN TOKOH RATU MAHRIT DALAM NASKAH RAJA MATI KARYA EUGÈNE IONESCO TERJEMAHAN IKRANAGARA","authors":"Gradhina Melya Amborowati","doi":"10.24821/TNL.V16I1.3125","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3125","url":null,"abstract":"This paper explains about the immersion process for acting the role of Queen Mahrit by Eugène Ionesco. The concept from Theatre of the Absurd becomes the foundation of this acting process. Exit the King picks up the theme about Death that is perceived to be still relevant util now.Exit The King give us a message that life in this world is only for a while. We life from day by day, month by month, year by year always with destiny of death. The absurdity that we have gone through in this world lies on how we live in struggles that ends with death. Why is there life if there is death ? Because the reason for life also a reason for death, thus it is death who controls our life. When death has come to us, then our life in the world is finished. Key word : Exit the King, Absurd, Eugène Ionesco, Queen Mahrit.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114781059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Figurative Language Analysis on Robert Frost’s A Minor Bird 弗罗斯特《一只小鸟》的比喻语言分析
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3124
G. Sudibyo
{"title":"Figurative Language Analysis on Robert Frost’s A Minor Bird","authors":"G. Sudibyo","doi":"10.24821/TNL.V16I1.3124","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3124","url":null,"abstract":"Poem employs a variety of aesthetic devices varying from rhythm, meter, and on textual literary content: figurative language. Through the usage of figurative language, a short poem is capable to deliver more in-depth meaning in each word. In the poem A Minor Bird by Robert Frost, the poet employs symbols and imagery as the most prominent figurative language device. Hence this paper aims to identify these devices and further explains it as a poem breakdown analysis in hope to enlighten readers’ perception and understanding against entry-level poem analysis.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"70 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130876323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PEMERANAN TOKOH NORA DALAM NASKAH RUMAH BONEKA KARYA TERJEMAHAN AMIR SUTAARGA (NASKAH ASLI A DOLL’S HOUSE KARYA HENRIK IBSEN)
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-03 DOI: 10.24821/TNL.V16I1.3127
S. Lestari
{"title":"PEMERANAN TOKOH NORA DALAM NASKAH RUMAH BONEKA KARYA TERJEMAHAN AMIR SUTAARGA (NASKAH ASLI A DOLL’S HOUSE KARYA HENRIK IBSEN)","authors":"S. Lestari","doi":"10.24821/TNL.V16I1.3127","DOIUrl":"https://doi.org/10.24821/TNL.V16I1.3127","url":null,"abstract":"A translated script \"Rumah Boneka\" (A Doll's House) by Amir Sutaarga from the original script \"A Doll's House\" by Henrik Ibsen which is a criticism onto human male's egoisms and slightly exposes the gender equality to human female. Ibsen aims to reveal the wrong social statements onto female's social role and its social institutions. The main actor in this play will portray Nora by applying the \"magic if\" acting theory which was introduced by Constantin Stanislavsky - \"as if\" and \"if only\" kind of self-imagination where the actor imagines to be in Nora's shoes. In the application of this theory of acting, the exploration goes through certain levels of acting rehearsals to really get into the character of Nora's along with her conflicts. Key word: A Doll's House, Henrik Ibsen, Nora, Constantin Stanislavsky, Magic If.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123230556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PENCIPTAAN NASKAH DRAMA BHRE SATYA PALASTRA Penciptaan naskah drama bhre satya palastra
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/TNL.V15I1.3280
Vera Devitasari
{"title":"PENCIPTAAN NASKAH DRAMA BHRE SATYA PALASTRA","authors":"Vera Devitasari","doi":"10.24821/TNL.V15I1.3280","DOIUrl":"https://doi.org/10.24821/TNL.V15I1.3280","url":null,"abstract":"Abstrak: Bhre Satya Palastra adalah drama yang diciptakan berdasar pada perbedaan tokoh Menak Jingga dari cerita rakyat Darmawulan dibandingkan dengan kondisi sosial dan politik pada masa kini. Naskah ini mengangkat kisah kematian adipati setia akibat penguasa yang lalim. Naskah Bhre Satya Palastra ini diciptakan dengan teori resepsi secara diakronik untuk mengolah data dan teori adaptasi untuk proses penyaduran. Hasil akhir dari penciptaan ini berupa sebuah naskah drama bertema kemenangan atas kematian. Kata Kunci : Naskah drama, Bhre Satya Palastra, Menak Jingga, cerita rakyat, resepsi, diakronik Abstract: Bhre Satya Palastra is a play inspired from many version of Menak Jingga’s character from Damarwulan folklore compared to the current social and political conditions. The script tells about the death of a loyal right-hand man caused by a corrupt ruler.  Bhre Satya Palastra is created by using reception theory diacronically to sort out the data and by using adaptation theory to trace the adaptations. This research results in a playscript with the theme of winning over death. Key words : playscript, Bhre Satya Palastra, Menak Jingga, folklore, reception, diachronic ","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"296 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115453449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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