TONIL: Jurnal Kajian Sastra, Teater dan Sinema最新文献_第6页

ERRATUM JURNAL TONIL EDISI 15, NO. 2, 2018

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/tnl.v15i2.3306

Redaksi Jurnal Tonil

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REPRESENTASI PERTENTANGAN KELAS DALAM PERTUNJUKAN LENG 冷秀中的班级代表

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/tnl.v14i1.3304

Anggarini Anggarini

{"title":"REPRESENTASI PERTENTANGAN KELAS DALAM PERTUNJUKAN LENG","authors":"Anggarini Anggarini","doi":"10.24821/tnl.v14i1.3304","DOIUrl":"https://doi.org/10.24821/tnl.v14i1.3304","url":null,"abstract":"Abstrak: Pementasan Leng merepresentasikan struktur sosial masyarakat yang terbagi menjadi dua golongan, yaitu kaum pemilik modal dan kaum marginal. Pertunjukan Leng menguraikan rumusan masalah mengenai representasi pertentangan kelas sosial. Teori yang digunakan untuk menganalisis kelas sosial yaitu teori sosiologi seni Janet Wolff. Metode penelitian deskriptif analitik ini akan menggunakan data-data kualitatif yang diperoleh dari video dokumentasi pertunjukan Leng tahun 1986, sedangkan pengumpulan data yang digunakan adalah studi dokumentasi, pustaka, dan wawancara. Pertunjukan Leng merupakan representasi dari kelas sosial masyarakat Jawa, dan tokoh-tokoh yang dihadirkan oleh Kenthut mewakili kelas sosial yang diperjuangkan, yaitu wong cilik. Berawal dari kepekaan Kenthut terhadap masyarakatnya, memicu Kenthut dalam membuat karya Leng. Kepekaan Kenthut tercermin dalam konstruksi dramatik dan artistik pertunjukan Leng bahwa kelas sosial masyarakat Jawa erat kaitannya dengan kondisi sosial yang terjadi. Kata-kata kunci: Kenthut, pertunjukan Leng, kelas sosial, priyayi, dan wong cilik. Abstract:Leng represent the social structure of society which divided into two groups, namely the capital owners and the marginal society. Sociology theory of Janet Wolff was used to analyze the social class problems. This research is descriptive-analytic research using a qualitative method in which the data is obtained from the 1986 Leng performance video documentations, literature review, and interviews. The Leng performance is a representation of the social class of Javanese community, and the figures which presented by Kenthut represent the social class that is championed, namely the grassroots. Starting from Kenthut's sensitivity towards his community, triggered him in making the Leng. Kenthut's sensitivity is reflected in the dramatic and artistic construction of Leng that the social class of Javanese people is closely related to the social conditions that occur. Key words: Kenthut, Leng, social class, priyayi, grass-roots society ","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"28 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122470013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ERRATUM JURNAL TONIL EDISI 14, NO. 2, 2017

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/tnl.v14i2.3305

Redaksi Jurnal Tonil

引用次数: 0

PENCIPTAAN TOKOH SEDANG DALAM NASKAH TERDAMPAR (NA PELNYM MORZU) KARYA SLAWOMIR MROZEK TERJEMAHAN A. KASIM AHMAD 《被困剧本中的人物》(NA PELNYM MORZU)作者:SLAWOMIR MROZEK艾哈迈德翻译

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/tnl.v14i1.3303

Banyu Bening

{"title":"PENCIPTAAN TOKOH SEDANG DALAM NASKAH TERDAMPAR (NA PELNYM MORZU) KARYA SLAWOMIR MROZEK TERJEMAHAN A. KASIM AHMAD","authors":"Banyu Bening","doi":"10.24821/tnl.v14i1.3303","DOIUrl":"https://doi.org/10.24821/tnl.v14i1.3303","url":null,"abstract":"Abstrak: Terdampar adalah naskah drama absurd bertemakan eksistensialisme karya Slawomir Mrozek terjemahan A. Kasim Ahmad. Naskah drama absurd memberikan tantangan yang berbeda dalam perwujudan realitas dan penjiwaan aktor yang memerankannya. Tantangan ini menjadi pokok permasalahan yang akan diatasi dalam proses pembuatan tokoh Sedang. Penelitian ini bertujuan untuk menjabarkan pemeranan tokoh Sedang dengan metode keaktoran Brecht. Hasil menunjukkan bahwa kepiawaian seorang aktor dinilai dari keberhasilannya merealisasikan realitas meskipun realitas tersebut bersifat semu seperti dalam drama absurd ini. Kata Kunci: Realitas, Manusia, Aktor, Eksistensi Abstract: Terdampar (Stranded) is an absurd play script with existentialism theme by Slamowir Mrozek, translated by A. Kasim Ahmad. This absurd play script gives a different challenge due to its absurdist reality and difficulty for the actors to get fully immersed on their roles. These challenges become the main problem that will be solved through this paper's breakdown on Sedang character creation. This research aims to explain how Sedang characterization is done through Brecht's method. The result shows how an actor's capability is judged from his successful deliverance in realizing an absurd or vague reality like one presented in this absurd drama. Key Words: Reality, human, Actor, Existence","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"301 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131762436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

ERRATUM JURNAL TONIL EDISI 14, NO. 1, 2017

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-09-02 DOI: 10.24821/tnl.v14i1.3300

Redaksi Jurnal Tonil

引用次数: 0

PENCIPTAAN TOKOH SEDANG DALAM NASKAH TERDAMPAR KARYA TERJEMAHAN A. KASIM AHMA (JUDUL ASLI : NA PELNYM MORZU KARYA SLAWOMIR MROZEK) 《创造》中的人物被冲进了困境

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I1.3104

Muhammad Banyu Bening

引用次数: 0

PENCIPTAAN TOKOH GENDUT DALAM NASKAH TERDAMPAR KARYA SLAWOMIR MROZEK TERJEMAHAN A.KASIM AHMAD 艾哈迈德·艾哈迈德翻译的SLAWOMIR MROZEK截图中的胖子

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I1.3106

Tiara Arianggi

引用次数: 0

PENYUTRADARAAN NASKAH SULTAN THAHA SAIFUDDIN KARYA EM. YOGISWARA BERBASIS TEATER TRADISI DUL MULUK taha SAIFUDDIN的导演剧本

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I1.3107

M. Saputra

{"title":"PENYUTRADARAAN NASKAH SULTAN THAHA SAIFUDDIN KARYA EM. YOGISWARA BERBASIS TEATER TRADISI DUL MULUK","authors":"M. Saputra","doi":"10.24821/TNL.V14I1.3107","DOIUrl":"https://doi.org/10.24821/TNL.V14I1.3107","url":null,"abstract":"Adapting a legendary folklore into the role play is absolutely very contradiction with public watcher nowdays. Society dominantly has chosen to watch movies or another television programs that makes theatre’s becoming retarded. It caused of globalization effect and technology development which more sophisticated day by day. Afterwards, a creative idea as a play director was turning up that has a responsibility for making a play to readapt norms and moral values which had been left behind. Dul Muluk, as one of traditional role plays that had been a basic play director processing in a theatre with the title Sultan Thaha Saifuddin from EM. Yogiswara. Sultan Thaha Saifuddin is a heroic person from Negeri Jambi and the last king from Kesultanan Tanah Pilih Kampung Gedang Jambi. His heroic, firm and wise makes Jambi society support him consistently and solidly to avoid the Netherland. In adapting this legendary folklore, the writer was collecting the data as references from earlier works about Dul Muluk theatre and its development, also the supporting stories about the legend of Kesultanan Melayu Jambi. The data was found and involved for making a modern theatre that can be accepted by the society nowdays. Keywords: People Struggling, Sultan Thaha, Dul Muluk, Play Director, Theatre","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122934668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TRANSFORMASI PERTUNJUKAN WAYANG BEBER JAKA KEMBANG KUNING MENJADI PERTUNJUKAN TEATER PANGGUNG 将彭日成的黄色烟花改编成舞台剧

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I1.3301

Wahid Nurcahyono

{"title":"TRANSFORMASI PERTUNJUKAN WAYANG BEBER JAKA KEMBANG KUNING MENJADI PERTUNJUKAN TEATER PANGGUNG","authors":"Wahid Nurcahyono","doi":"10.24821/TNL.V14I1.3301","DOIUrl":"https://doi.org/10.24821/TNL.V14I1.3301","url":null,"abstract":"Abstrak: Secara visual, Wayang Beber tidak lagi memiliki tampilan yang menarik bagi masyarakat saat ini. Hal tersebut menjadi dasar penelitian ini yang bertujuan untuk menyajikan pertunjukan Wayang Beber yang dapat diterima dan diapresiasi keindahannya oleh masyarakat. Wayang Beber perlu diadaptasi menurut standar hiburan saat ini untuk membuatnya menarik bagi masyarakat sekarang. Adaptasi ini dilakukan dengan cara re-interpretasi isi cerita untuk menyajikan konten yang lebih relevan dan mudah untuk diterima. Dengan menggunakan bentuk pertunjukan Teater Terlibat (Immediate Theatre) yang melibatkan komunikasi secara intim dengan penonton dalam pementasannya, akan dihasilkan sebuah pertunjukan Wayang Beber yang lebih mengakomodasi selera masyarakat saat ini. Kata Kunci: Wayang Beber, tidak menarik, komunikasi intim Abstract: Wayang Beber is no longer visually attractive for the society these days. This becomes the reason for this research's aim to present a more appealing Wayang Beber performance which the aesthethics can be appreciated even by current society. In order to do so, Wayang Beber needs to be adapted according to the recent entertainment standard so it may be well-received. This adaptation is done through re-interpretation of the story that leads to telling a more relevant and easier content for the society. Using Immediate Theatre form, in which audience is directly involved in the stageplay to incite an intimate communication, will result in a Wayang Beber performance that is more accomodating to the society. Key Words: Wayang Beber, unattractive, intimate communication","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116001813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

PENCIPTAAN SKENARIO FILM “UDAN LIRIS” TERINSPIRASI DARI KAIN TENUN LURIK 创作“UDAN LIRIS”电影剧本的灵感来自于LURIK织造

TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I2.3097

Siti Khairul Bariyah

引用次数: 0