TONIL: Jurnal Kajian Sastra, Teater dan Sinema最新文献

{"title":"MINIMNYA WADAH SENI TEATER DI KABUPATEN TUBAN : UPAYA PENGENALAN DAN PENGEMBANGAN SENI TEATER DI TENGAH MASYARAKAT","authors":"Adinda Rhizky Karunia, Setyo Yanuartuti","doi":"10.24821/tnl.v22i2.14471","DOIUrl":"https://doi.org/10.24821/tnl.v22i2.14471","url":null,"abstract":"Penelitian ini mengkaji penyebab kurangnya wadah seni teater di Kabupaten Tuban, dampaknya terhadap masyarakat, dan upaya pengembangan seni teater di daerah tersebut. Hasil penelitian menunjukkan bahwa meskipun seni teater memiliki potensi besar sebagai media pendidikan dan pelestarian budaya lokal, berbagai kendala seperti minimnya dukungan pemerintah, kurangnya infrastruktur yang memadai, serta rendahnya apresiasi masyarakat terhadap seni teater menjadi faktor utama yang menghambat perkembangannya. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus, melibatkan wawancara mendalam dengan pelaku seni teater, tokoh masyarakat, dan pejabat pemerintah setempat, serta observasi langsung terhadap praktik seni teater di Kabupaten Tuban. Temuan penelitian menunjukkan perlunya kolaborasi erat antara pemerintah, masyarakat, dan lembaga pendidikan untuk menciptakan lingkungan yang kondusif bagi seni teater. Dengan adanya kebijakan yang mendukung, pelatihan intensif, serta penyelenggaraan festival seni teater, seni teater di Kabupaten Tuban diharapkan dapat berkembang, memperkaya kebudayaan lokal, dan meningkatkan kesadaran masyarakat akan pentingnya seni dalam kehidupan.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"22 2","pages":"86-93"},"PeriodicalIF":0.0,"publicationDate":"2025-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://journal.isi.ac.id/index.php/TNL/article/download/14471/4431","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147889988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Potret Kaum Minoritas Muslim Di Kota Wina, Austria Dalam Novel 99 Cahaya Di Langit Eropa","authors":"N. Sari","doi":"10.24821/tnl.v20i2.10078","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.10078","url":null,"abstract":"","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139318828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Satir Dalam Pertunjukan Para Pensiunan:2049","authors":"Hesti Kartika Sari, Akhyar Makaf","doi":"10.24821/tnl.v20i2.10951","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.10951","url":null,"abstract":": Satire is a method of conveying thoughts through crude or subtle satire. Targets of satire are politics, race, ideology, and religion. The form of satire that tends to be accepted by everyone is parody. A concept offered by parody is to imitate an event that is not in accordance with reality to become the object of a joke. This study aims to find out the function of the presence of satire in the performance Para Pensiunan:2049. The object was chosen because it has a unique and new concept of staging. Gandrik Theater tries to bring the audience into a futuristic space to witness an illustration of Indonesia's social conditions in the future. The performance presented a premise that \"using the truth to fight corruption that has become the nature of Indonesian society is a futile act\". Harmony between the events in a performance and reality of society added point to be discussed coherently. This research uses the approach of Harymawan's dramaturgy theory and Gilbert Highet's satire to analyze dramatic construction, artistic construction, and satirical parody. The research used qualitative method to analyze Teater Gandrik's creative process. The final result of this research reveals the element of satirical parody as an instrument to build a futuristic space.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139318723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metode Visual Thinking dalam Perancangan Tata Panggung Teater","authors":"Mega Sheli Bastiani","doi":"10.24821/tnl.v20i2.10957","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.10957","url":null,"abstract":"Manusia dalam melakukan proses pembelajaran cenderung menggunakan otak kiri untuk memecahkan sebuah masalah. Padahal otak kanan berperan lebih untuk mendorong daya kreativitas dan kemampuan berpikir kritis dalam menghadapai sebuah masalah. Salah satu metode untuk memicu kerja otak kanan ialah dengan metode visual thinking.Tujuan perancangan dengan menggunakan metode Visual Thinking ialah untuk merangsang otak kanan melahirkan ide-ide segar melalui pengembangan kreativitas, intuisi, dan imajinasi. Metode Visual Thinking dalam perancangan tata panggung teater juga bertujuan untuk mengembangkan salah satu jenis metode kreatif dalam perancangan sebuah karya seni. Metode Visual Thinking yang akan diterapkan menurut Bolton terdapat empat langkah yaitu looking (mengidentifikasi masalah), seeing (memahami masalah), imagining (mengeneralisasi masalah untuk menemukan solusinya), dan terakhir showing and telling (menjelaskan dan mengkomunikasikannya). Metode ini masih jarang atau bahkan belum digunakan dalam perancangan tata panggung teater sehingga topik dari perancangan ini layak untuk dilanjutkan. Hasil perancangan ini berupa data kualitatif dengan target luaran berupa publikasi ilmiah pada jurnal nasional terakreditasi.Kata kunci: visual thinking, tata panggung, teater","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139318749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Adaptasi Roman Siti Nurbaya Karya Marah Roesli Dalam Penciptaan Naskah Monolog Mengurai Pekat Mendung","authors":"Fitri Rahmah","doi":"10.24821/tnl.v20i2.10967","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.10967","url":null,"abstract":"","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Dominance of Father's Role in the Film Ngeri-Ngeri Sedap","authors":"Putri Aryati, Vani Dias Adiprabowo","doi":"10.24821/tnl.v20i2.9651","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.9651","url":null,"abstract":"The purpose of this research is to identify the pattern of family communication in the film \"Ngeri-ngeri Sedap\". Film Ngeri-ngeri Sedap 2022 directed by Bene Dion tells the story of a family drama, telling the story of Pak Domu and Mak Domu who live with Sarma, their only daughter. The husband-and-wife couple wanted their three sons who had wandered for a long time to come home to attend a traditional event. But their three children refused because their relationship was not harmonious. This research was conducted with a type of qualitative research using the semiotic analysis model developed by John Fiske. The results of this study indicate that the communication in this film is quite problematic. This can be seen in the results of John Fiske's research on three levels of semiotics, namely the level of reality, the level of representation, and the level of ideology. The level of reality shows that the pattern of family communication implemented in this film has a paternalistic, namely a pattern where only one family member controls the family. In the case of this family, it is the father who controls the family.Keywords: Dominance, Fatherhood, Monopoly Communication Patterns, Film Ngeri-ngeri Sedap","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"84 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139345094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Politik Propaganda Jepang dan Sejarah Kelahiran Teater Modern Indonesia","authors":"P. Wibowo, M. A. Burhan","doi":"10.24821/tnl.v20i2.11193","DOIUrl":"https://doi.org/10.24821/tnl.v20i2.11193","url":null,"abstract":": This study discusses the development of Indonesian theater during the Japanese era which was synonymous with propaganda. The presence of Japan in Indonesia helped lay the foundations of modern Indonesian theatre. The correlation between Japanese propaganda and the development of modern Indonesian theater is a problem that will be explained/answered in this paper using an art sociology approach. The method used in conducting this study is library research, namely a series of activities relating to data collection by conducting a review study of books, literature, notes and reports that are related to the problem being solved. The Japanese occupation of Indonesia with its propaganda spirit gave birth to intellectuals/educated people in the world of theater, this was the impact of the founding of the Tonil school. The need to have a script as a guide for a performance became the foundation for the emergence of modern Indonesian theater and gave birth to scriptwriters in the future. The effects of the Japanese occupation period will impact and be felt in the future (post-independence)","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS SCRIPT MOMENTUM PADA FILM ANIMASI MULAN","authors":"Elara Karla Nugraeni, G. P. Sadewa, Dwi Putri Nugrahaning Widhi","doi":"10.24821/tnl.v20i1.9622","DOIUrl":"https://doi.org/10.24821/tnl.v20i1.9622","url":null,"abstract":"Penelitian ini bertujuan untuk mengkaji struktur naratif pada babak kedua film animasi Mulan (1998), sebuah film fiksi dengan genre animasi yang menggunakan struktur tiga babak. Fokus penelitian ini terletak pada pengembangan konstruksi cerita di babak dua melalui karakter utama. Pengembangan alur cerita pada film ini ditandai menguatnya beberapa komponen momentum yang krusial pada babak konflik hingga puncak konflik atau klimaks. Penelitian ini akan melihat bagaimana komponen-komponen script momentum diterapkan dalam film animasi Mulan, dengan fokus pada permasalahan utama yang dihadapi oleh protagonis yaitu Mulan. Oleh karena itu, penelitian ini akan menggunakan teori Linda Seger, yang meliputi Action Points, the Implied Scene, The Obstacle, The Complication, dan The Reversal. Tujuan dari penelitian ini adalah untuk memahami secara lebih mendalam bagaimana struktur naratif dalam film animasi ini dibangun melalui babak dua, serta untuk mengidentifikasi peran dan pengaruh karakter utama dalam menggerakkan alur cerita. Diharapkan hasil penelitian ini dapat memberikan wawasan baru tentang penggunaan elemen-elemen naratif dalam film animasi dan memberikan kontribusi pada pengembangan studi film dan animasi di masa depan. Kata kunci: Film Mulan 1998, struktur naratif, script momentum","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117190199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS MISE EN SCÈNE DALAM FILM PENDEK TILIK 2018","authors":"Khairunnisa Pratiwi Maulida Usman, Yostiani Noor Asmi Harini","doi":"10.24821/tnl.v20i1.9512","DOIUrl":"https://doi.org/10.24821/tnl.v20i1.9512","url":null,"abstract":"Film memiliki dua unsur yang dapat mempengaruhi jalan cerita yaitu unsur naratif dan unsur sinematik. Mise En Scene merupakan salah satu elemen dari unsur sinematik pada film, Mise En Scene merupakan segala hal yang terdapat pada pandangan di depan kamera. Tujuan dari analisis ini adalah untuk mengetahui Mise En Scene dalam film pendek berjudul Tilik 2018. Dalam menganalisis film, Mise En Scene sendiri memfokuskan diri pada sesuatu yang ada di depan kamera seperti desain set atau latar, pencahayaan, akting serta pergerakan para aktor. Tilik merupakan salah satu film pendek yang dapat dibahas mengenai 1) bagaimana setting latar yang terdapat pada cerita, 2) bagaimana kostum serta tata rias yang digunakan apakah membuat karakter yang sesuai dengan pemain atau tidak, 3) akting para pemain sudahkan sesuai dengan apa yang diharapkan atau tidak. Hasil akhirnya memfokuskan pada actor Bu Tejo yang sangat mendominasi karakternya. Bu Tejo yang membuat film pendek TILIK ini dapat terkenal karena akting yang bagus dapat membuat para penonton kesal dengan hasil karakternya. Film Tilik merupakan film pendek yang terkemas dengan unik karena cara pengambilan gambar yang hanya begitu saja, namun banyak arti dari setiap scene yang akan dibahas menggunakan elemen Mise En Scene.   Kata Kunci: Mise En Scene, film Tilik, Sinematik Abstract: The film has two elements that can influence the storyline, namely narrative elements and cinematic elements. Mise En Scene is one of the elements of the cinematic element in the film, Mise En Scene is everything that is visible in front of the camera. In analyzing the film, Mise En Scene itself focuses on something that is in front of the camera such as set or background design, lighting, acting and the movements of the actors. Tilik is one of the short films that can be watched to discuss about 1) what is the background setting in the story, 2) how are the costumes and make-up used to make the characters suit the players or not, 3) the acting of the players is in accordance with what is expected or not. The end result focuses on the actor Bu Tejo who really dominates his character. Bu Tejo, who made the short film TILIK, became famous because his good acting made the audience annoyed with his character. Film Tilik is a short film that is uniquely packaged because the way it is shot is just like that, but the many meanings of each scene will be discussed using Mise En Scene elements. Keywords: Mise En Scene, Tilik film, Cinematic","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121215596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"METODE BERCERITA DALAM MENGEMBANGKAN BAHASA MELALUI PENDIDIKAN SENI PADA GURU-GURU PAUD/TK DI WILAYAH I ACEH BESAR","authors":"Benni - Andika","doi":"10.24821/tnl.v20i1.9507","DOIUrl":"https://doi.org/10.24821/tnl.v20i1.9507","url":null,"abstract":"","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"61 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114047560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}