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TONIL: Jurnal Kajian Sastra, Teater dan Sinema最新文献

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Aktor Menurut Uta Hagen 《哈里塔·哈根》的演员
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I1.3101
E. Santosa
{"title":"Aktor Menurut Uta Hagen","authors":"E. Santosa","doi":"10.24821/TNL.V14I1.3101","DOIUrl":"https://doi.org/10.24821/TNL.V14I1.3101","url":null,"abstract":"Uta Hagen (1919 – 2004) adalah seorang aktris dan praktisi teater Amerika. Memulai karirnya dari panggung Broadway dan begitu memesona dalam pertunjukan “Whos’s Afraid of Virginia Woolf?” karya lakon Edward Albee. Karena kehebatan seni perannya tersebut ia dijuluki sebagai aktris terpercaya. Hagen kemudian melangkahkan kakinya ke Hollywood dan membintangi beberapa film. Namun karena persoalan pilihan politik ia memilih melanjutkan karirnya di panggung. Perjalanan karir Hagen mengarahkannya menjadi guru atau pelatih teater di Studio Herbert Berghof dan menuliskan 2 buku best seller-nya yaitu Respect for Acting1 dan A Challenge for the Actor2. Dalam hal pembelajaran teater, warisan besarnya berupa serangkaian latihan dengan objek yang ia bangun berdasarkan karya Stanislavski dan Vakhtangof. Hagen memiliki pandangan umum mengenai aktor yang ia tulis dalam bukunya Respect for Acting, pada bab pertama. Ia berpendapat bahwa aktor memerlukan bakat, imajinasi, pemahaman akan realitas, kehendak berkomunikasi, karakter dan etika, sudut pandang, memahami perilaku manusia, dan kedisiplinan menyeluruh. Untuk mencapai tujuan tersebut seorang aktor harus berlatih dan menyempurnakan perangkat eksternalnya yaitu tubuh, suara, dan wicara serta belajar ilmu-ilmu lain dengan seksama. Pandangan umum mengenai aktor menurut Uta Hagen yang menjadi konsep dasar pemahaman tentang keaktoran ini akan sedikit diurai dalam tulisan berikut.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131860828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PEMERANAN TOKOH SYLVIA DALAM NASKAH THE TYPISTS KARYA MURRAY SCHISGAL TERJEMAHAN YURI AKHMAD S
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I2.3100
G. Subekti
{"title":"PEMERANAN TOKOH SYLVIA DALAM NASKAH THE TYPISTS KARYA MURRAY SCHISGAL TERJEMAHAN YURI AKHMAD S","authors":"G. Subekti","doi":"10.24821/TNL.V14I2.3100","DOIUrl":"https://doi.org/10.24821/TNL.V14I2.3100","url":null,"abstract":"Modern man has now undergone a change of perspective with various problems concerning individuals and even groups. The reason is so complex, with the current pace of modern man more follow the actual desire is not the choice. Humans assume that he is alright without realizing that he has become an object and experiencing non-existence. Today's modern man has unknowingly experienced and felt the void, hope, loneliness, and anxiety. Since Sylvia young to old Sylvia many changes. Awareness as a manuisa who lost existence is supported by the presence of Paul. Staging will be presented with the concept of pantomime and realist acting style. With so actors are required to be able to combine the concept with the achievement as much as possible. Key word : Theatre, actor, Syvia, acting, physical theatre, pantomime.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115269931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
IMPROVISASI DALAM TEATER ANTARA TEKNIK PEMERANAN DAN PERTUNJUKAN
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I2.3099
E. Santosa
{"title":"IMPROVISASI DALAM TEATER ANTARA TEKNIK PEMERANAN DAN PERTUNJUKAN","authors":"E. Santosa","doi":"10.24821/TNL.V14I2.3099","DOIUrl":"https://doi.org/10.24821/TNL.V14I2.3099","url":null,"abstract":"Improvisation is sometimes hard to be defined. Every theater worker has their own concept, methode and way to do it. But must of all, improvisation is always connected to spontanity which is transformed from acting is doing. When acting is reality of doing there would be a physcal action which brings influence to feelings or emotions. To have a spontaneus physical adaptation in every beat of scene of acting, actors should be well trained in the term of improvisation. The training materials of improvisation contains all elements of acting which are following four rules; why, do’s, don’ts, and how. Actors whom have skill of improvisation could bring it into the reality of acting as a technique in script’s based theater or to perform within improvisation’s theater. Keywords; improvisation, acting technique, performance, training","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116735802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANALISIS KO-TEKSTUAL DALAM AUDIO VISUAL BAGIAN TEATER TRADISI TARLING DRAMA BARIDIN KARYA H. ABDUL AJIB PRODUKSI KURNIA NADA GROUP
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I2.3098
waro'ah waro'ah
{"title":"ANALISIS KO-TEKSTUAL DALAM AUDIO VISUAL BAGIAN TEATER TRADISI TARLING DRAMA BARIDIN KARYA H. ABDUL AJIB PRODUKSI KURNIA NADA GROUP","authors":"waro'ah waro'ah","doi":"10.24821/TNL.V14I2.3098","DOIUrl":"https://doi.org/10.24821/TNL.V14I2.3098","url":null,"abstract":"Tarling drama Baridin is a traditional theater show from Cirebon whose story idea stems from the myth of kemat Jaran guyang. Background of social disparity between two families makes Baridin performing Jaran guyang's death as a result of heartache because he has been insulted and love isrejected. The research of co-textual analysis of Baridin drama tarling aims to explain the aspects of Tarling drama Baridin as a theater tradition intrinsically. The result of this research is to know the dialogue, plot, characterization, background and theme of Bariar drama tarling show, and to knowthe meaning of the dashed verse of Jaran guyang seen from the denotative and connotative meaning which become the myth as well as the message that do not insult and do rude to others. Keywords: tarling, drama, co-textual analysis, myth","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115943892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TINJAUAN TERHADAP ASPEK DRAMATIK IKLAN RADIO
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-03 DOI: 10.24821/TNL.V14I2.3096
S. Sathotho
{"title":"TINJAUAN TERHADAP ASPEK DRAMATIK IKLAN RADIO","authors":"S. Sathotho","doi":"10.24821/TNL.V14I2.3096","DOIUrl":"https://doi.org/10.24821/TNL.V14I2.3096","url":null,"abstract":"Dramatic aspect is very important to build an appropriate radio advertisement and the role of theater art in the making is necessary. Radio advertisement assumed as very short radio drama, only in a matter of second in duration. Nevertheless, as same as radio drama, a radio advertisement has a structure such as characterization, plot, theme, setting, and dialog as well, where the dramatic aspect of radio advertisement occurred. It contains conflict as the essence of drama, suspense, and foreshadowing. From fifteen sample of radio advertisement, it found that theme is not identical with the advertized product. The ads using linear plot, characterization and setting is not always clear due to the limited time available to explain the characterization and setting in question. In general, radio advertisement using non-formal language. The dramatic aspect of an advertisement is very important since it where the advertisement able to attract its audience. To achieve such dramatic attraction, conflict is build based on theme with the dialog or monolog. Furthermore, suspense and foreshadowing often appear altogether. Words or sentences to express foreshadowing, often speak out in certain pattern, which create suspense. Theoretical understanding and practical exercises of the theatre happen to be very useful in the making of radio advertisement. The theoretical aspect of the theatre, such as playwriting and text analysis can used in preparing the advertisement's text, while the practical one, such as breathing exercise, vocal, and audio acting is needed in creating the ready on air radio advertisement. Key words: dramatic aspect, advertisement's structure, plot, characterization, theme, setting, dialog, conflict, foreshadowing, suspense.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133377236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PENCIPTAAN NASKAH DRAMA LOLO TRANSFORMASI KEHIDUPAN PENARI SINTREN PEMALANG 罗罗戏剧的创造改变了商人舞蹈演员的生活
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-02 DOI: 10.24821/TNL.V15I1.2785
Evi Putrianti
{"title":"PENCIPTAAN NASKAH DRAMA LOLO TRANSFORMASI KEHIDUPAN PENARI SINTREN PEMALANG","authors":"Evi Putrianti","doi":"10.24821/TNL.V15I1.2785","DOIUrl":"https://doi.org/10.24821/TNL.V15I1.2785","url":null,"abstract":"Penciptaan naskah drama Lolo merupakan sebuah naskah transformasi kehidupan penari sintren Pemalang. Proses penciptaan naskah drama Lolo dilakukan dengan metode penciptaan menurut Graham Wallas, teori feminisme dilengkapi dengan teori tingkah laku sosial. Tahapan yang dilakukan dalam penciptaan naskah drama Lolo adalah dengan cara melakukan observasi dan wawancara, membaca tinjauan pustaka serta membaca karya-karya terdahulu. Setelah semua data terkumpul, proses selanjutnya adalah mengolahnya menjadi sebuah naskah drama utuh. Naskah drama Lolo menceritakan tentang perjuangan gadis berusia 14 tahun bernama Kencana yang harus putus sekolah, menjadi penari sintren, mengalami tekanan sosial hingga akhirnya menikah. Kekecewaan demi kekecewaan mengantarkan Kencana pada satu pilihan, untuk melakukan pembunuhan.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116877987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
KISAH PANJI PADA RELIEF CANDI SEBAGAI INSPIRASI PENCIPTAAN FILM 寺庙的浮雕故事是电影创作的灵感来源
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-02 DOI: 10.24821/TNL.V15I1.2783
P. Wibowo
{"title":"KISAH PANJI PADA RELIEF CANDI SEBAGAI INSPIRASI PENCIPTAAN FILM","authors":"P. Wibowo","doi":"10.24821/TNL.V15I1.2783","DOIUrl":"https://doi.org/10.24821/TNL.V15I1.2783","url":null,"abstract":"Penciptaan karya film ini terinspirasi dari relief Panji yang terdapat pada candi Kendalisodo yang terdapat di gunung Penanggungan Jawa Timur. Panji dipandang sebagai cerita asli Indonesia yang merupakan satu diantara legenda-legenda lokal dan menyebar hingga Asia Tenggara. Dalam penyebarannya Cerita Panji tidak hanya digubah dalam berbagai versi sastra (kidung, lisan) tetapi cerita panji juga dipahatkan dalam bentuk relief pada candi-candi. Seiring pergantian waktu, banyak sekali relief Panji di Candi-Candi yang runtuh dan bahkan hilang karena ulah manusia. Apabila tidak adanya pendokumentasi dan pelestarian (penjagaan) terhadap relief tersebut, bisa dimungkinkan relief Panji yang dipahatkan pada candi tidak akan terlacak. Melalui karya film Road Movie ini, selain mengangkat cerita yang diadaptasi dari cerita Panji, film ini juga bermaksud untuk mendokumentasikan relief-relief tersebut secara visual.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121878987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PENYUTRADARAAN DRAMA MUSIKAL HAMLET KARYA WILLIAM SHAKESPEARE
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-02 DOI: 10.24821/TNL.V15I1.2791
Amanda Putri Divanti
{"title":"PENYUTRADARAAN DRAMA MUSIKAL HAMLET KARYA WILLIAM SHAKESPEARE","authors":"Amanda Putri Divanti","doi":"10.24821/TNL.V15I1.2791","DOIUrl":"https://doi.org/10.24821/TNL.V15I1.2791","url":null,"abstract":"Hamlet, sebuah kisah tragedi dari Denmark yang membawa pesan moral, sosial dan politik yang mengisahkan tentang Pangeran Hamlet yang berjiwa sensitif bersumpah untuk membalas dendam dengan segala cara yang akhirnya harus dibayar dengan mahal.Hamlet, adalah cerita klasik yang diangkat kedalam sebuah bentuk pertunjukan drama musikal, dengan tari dan musikal, dengan tarian dan nyanyian yang dapat dinikmati oleh para generasi muda. Drama musikal ini khususnya ditujukan kepada para generasi muda, karena melihat jarangnya hiburan dengan kemasan masa kini.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133140983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PEMERANAN TOKOH AKU DALAM NASKAH MY FRIEND HAS COME KARYA TOSHIRO SUZUE
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-08-02 DOI: 10.24821/TNL.V15I1.2782
Rangga Dwi Apriadinnur
{"title":"PEMERANAN TOKOH AKU DALAM NASKAH MY FRIEND HAS COME KARYA TOSHIRO SUZUE","authors":"Rangga Dwi Apriadinnur","doi":"10.24821/TNL.V15I1.2782","DOIUrl":"https://doi.org/10.24821/TNL.V15I1.2782","url":null,"abstract":"Tokoh Aku dalam naskah My Friend Has Come memiliki keunikan dalam hal psikologis serta sosiologisnya seperti yang dipaparkan dalam naskah dan juga pertunjukan yang pernah ditonton oleh penulis. Tokoh Aku adalah individu introvert, dengan kecenderungan skizofrenia dan sedang melakukan penarikan diri dari interaksi sosial atau yang disebut dengan hikikomori.Untuk dapat memahami dan memerankan tokoh Aku dalam naskah My Friend Has Come karya Toshiro Suzue, penulis melakukan penelitian kualitatif dengan membaca buku yang membahas tentang psikologi, begitu juga artikel – artikel dan jurnal yang menulis tentang hikikomori yang dilakukan oleh tokoh Aku. Selain itu, penulis juga menonton film dan drama Jepang yang dimana terdapat tokoh yang memiliki kesamaan karakter dengan tokoh Aku. Dalam memerankan tokoh Aku penulis menggunakan pendekatan magic if dari Stanilavski dan menggunakan gaya akting realisme.Pemahaman, pendekatan dan metode yang dipilih serta dilakukan penulis mampu membantu penulis dalam memahami, menemukan serta memerankan karakter tokoh Aku yang menderita skizofrenia.","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125571876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
PENCIPTAAN TOKOH ROSE THOMAS DALAM NASKAH PERANGKAP KARYA EUGENE O’NEILL TERJEMAHAN FARIED. ABE 在尤金·奥尼尔的法瑞德翻译的陷阱里ABE
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Pub Date : 2019-07-31 DOI: 10.24821/TNL.V15I2.3021
Nindya Pramesti
{"title":"PENCIPTAAN TOKOH ROSE THOMAS DALAM NASKAH PERANGKAP KARYA EUGENE O’NEILL TERJEMAHAN FARIED. ABE","authors":"Nindya Pramesti","doi":"10.24821/TNL.V15I2.3021","DOIUrl":"https://doi.org/10.24821/TNL.V15I2.3021","url":null,"abstract":"Women often has a bad experience. Rose Thomas, a 22-year-old young prostitute is faced a very difficult position. Rose is a street prostitute and already has children. In addition, she must also earn a living in the middle of TB disease she suffered. Even physical violence seemed to be common to her. This condition is trying to be presented in the script The Web by Eugene O'Neill translation Faried W. Abe, where humans already have their own trap. When fate is willing, we can not escape. Problems will always come and go. In playing this script, the actor uses the realist acting theory Stanislavski to try to bring human behavior fairly on stage. Of course to realize it must go through the various stages of the creation of a character until there will be a new human who appears with the conflict that she had. Keywords: Rose, Eugene O'Neill, The Web, Prostitute, TBC, Violence, Realist, Stanislavski","PeriodicalId":392969,"journal":{"name":"TONIL: Jurnal Kajian Sastra, Teater dan Sinema","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116717068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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