The Tongue-Tied Imagination最新文献

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Senghor’s Grammatology: The Political Imaginaries of Writing African Languages 桑戈尔的语法:写作非洲语言的政治想象
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.5422/fordham/9780823284634.003.0005
Tobias Warner
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引用次数: 0
ACKNOWLEDGMENTS 致谢
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.2307/j.ctvb938br.13
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引用次数: 0
Out of Time: Decolonization and the Future of World Literature 过时:非殖民化与世界文学的未来
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.5422/fordham/9780823284634.003.0009
Tobias Warner
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引用次数: 0
Para-literary Authorship: Colonial Education and the Uses of Literature 准文学作者身份:殖民教育和文学的使用
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.5422/fordham/9780823284634.003.0003
Tobias Warner
{"title":"Para-literary Authorship: Colonial Education and the Uses of Literature","authors":"Tobias Warner","doi":"10.5422/fordham/9780823284634.003.0003","DOIUrl":"https://doi.org/10.5422/fordham/9780823284634.003.0003","url":null,"abstract":"Colonial classrooms in French West Africa introduced literary studies to negotiate the perils of teaching colonized students to express themselves in their “own words.” Elite colonial schools became hotbeds of what can be called para-literary modes of authorship: students were obliged to draw on literary models, but could not appear to be writing literature. The central example is an archive of some eight hundred auto-ethnographies produced by elite West African students at the William Ponty School from 1933 to 1950. In order to graduate, students wrote ethnographies of their communities over their summer vacation. While students were urged to avoid “false literary descriptions,” in practice they were encouraged to mine literary techniques to produce accounts of their break with tradition and socialization as modern subjects. This chapter explores the impact of para-literary writing on literary production in French and vernacular languages and reflects on the terms in which literary history is imaginable.","PeriodicalId":384798,"journal":{"name":"The Tongue-Tied Imagination","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116785940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Senghor’s Grammatology: Senghor告诉angolapress写作学:
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.2307/j.ctvb938br.8
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引用次数: 0
Counterpoetics: Translation as Aesthetic Constraint in Sembène’s Mandabi and Ndao’s Buur Tilleen 反诗学:翻译在semb<e:1>《曼达比》和Ndao《布尔蒂琳》中的审美约束
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.5422/fordham/9780823284634.003.0006
Tobias Warner
{"title":"Counterpoetics: Translation as Aesthetic Constraint in Sembène’s Mandabi and Ndao’s Buur Tilleen","authors":"Tobias Warner","doi":"10.5422/fordham/9780823284634.003.0006","DOIUrl":"https://doi.org/10.5422/fordham/9780823284634.003.0006","url":null,"abstract":"Modern Wolof literature and film emerged in the 1960s, when artists set out to break with French and yet ended up being obliged to make francophone versions of their works anyway. This chapter explores how the first Wolof film and novel, Ousmane Sembène’s 1968 Mandabiand Cheikh Aliou Ndao’s 1967 Buur Tilleen,make creative use of this paradoxical situation. As a condition of his funding, Sembène had to shoot two versions of Mandabisimultaneously, with his actors performing first in Wolof and then in French. Ndao had to translate his Wolof novel into French after failing to find a publisher. Working between the multiple versions of these artworks that now exist (including the unreleased, French version of Mandabi), this chapter explores how Sembène and Ndao develop a multilingual strategy that can be called counterpoetics, which refashions the obligation to work in two languages into a productive aesthetic constraint.","PeriodicalId":384798,"journal":{"name":"The Tongue-Tied Imagination","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132577791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How Mariama Bâ Became World Literature: Mariama b<e:1>如何成为世界文学?
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.2307/j.ctvb938br.10
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引用次数: 0
Aesthetics After Austerity: Boubacar Boris Diop and the Work of Literature in Neoliberal Senegal 紧缩后的美学:布巴卡尔·鲍里斯·迪奥普与新自由主义塞内加尔的文学作品
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.5422/fordham/9780823284634.003.0008
Tobias Warner
{"title":"Aesthetics After Austerity: Boubacar Boris Diop and the Work of Literature in Neoliberal Senegal","authors":"Tobias Warner","doi":"10.5422/fordham/9780823284634.003.0008","DOIUrl":"https://doi.org/10.5422/fordham/9780823284634.003.0008","url":null,"abstract":"Beginning in the 1980s, Senegal became one of the first countries to accept structural adjustment loans from the IMF, resulting in a period of intense deregulation, privatization, and withdrawal of the state. The effects of structural adjustment were felt across the cultural field. As the state ceased trying to dictate the terms of culture, the horizon of political action for Wolof language literature and literacy activism shifted as well. This chapter examines how the oppositional stance of vernacular language advocates has been remade since the heyday of state-centered cultural policy. Since 1980 it has become difficult to sustain the nation-language-people unity that has often served as a regulative ideal for vernacularizations since Herder. Focusing on the work of the novelist Boubacar Boris Diop, this chapter analyzes how vernacular writers take stock of their age of austerity by developing strategies that satirize, query, and critique the uncertainties of literary address.","PeriodicalId":384798,"journal":{"name":"The Tongue-Tied Imagination","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133615918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Counterpoetics:
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.2307/j.ctvb938br.9
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引用次数: 0
INDEX 指数
The Tongue-Tied Imagination Pub Date : 2019-03-05 DOI: 10.2307/j.ctvb938br.16
{"title":"INDEX","authors":"","doi":"10.2307/j.ctvb938br.16","DOIUrl":"https://doi.org/10.2307/j.ctvb938br.16","url":null,"abstract":"","PeriodicalId":384798,"journal":{"name":"The Tongue-Tied Imagination","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129903136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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