过时:非殖民化与世界文学的未来

Tobias Warner
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引用次数: 0

摘要

这篇结语通过阅读艾姆斯•卡萨伊尔1966年的戏剧《刚果的一个季节》和最近由布巴卡尔•鲍里斯•迪奥普翻译的沃洛夫语,重述了本书关于语言问题、翻译和文学比较的中心论点。本文的重点是关注cassaaire戏剧中观众和听众之间分离的本质,以及这种本质在不同版本和环境下是如何变化的。通过这种阅读,结束语模拟了适应文学多样性的比较方法。这反过来又为一项反映非殖民化继续对世界文学构成挑战的结论奠定了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Out of Time: Decolonization and the Future of World Literature
This epilogue restages the book’s central arguments on the language question, translation, and literary comparison through a reading of Aimé Césaire’s 1966 play Une saison au Congo[A Season in the Congo] and its recent Wolof translation by Boubacar Boris Diop. The focus is on the nature of a separation between audience and address in Césaire’s play and on how this nature changes across the work’s different versions and circumstances. Through this reading, the epilogue models what a comparative method attuned to the variability of literature might resemble.This in turn sets the stage for a conclusion that reflects on the challenge decolonization continues to pose to world literature.
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