准文学作者身份:殖民教育和文学的使用

Tobias Warner
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摘要

法属西非的殖民地课堂引入了文学研究,以探讨教殖民地学生用“自己的语言”表达自己的危险。精英殖民学校成为所谓的准文学创作模式的温床:学生们不得不借鉴文学模式,但不能表现得像在写文学。最主要的例子是由威廉·庞蒂学院的西非精英学生从1933年到1950年制作的大约800份汽车人种志档案。为了毕业,学生们在暑假期间写了他们社区的民族志。虽然学生们被敦促避免“虚假的文学描述”,但在实践中,他们被鼓励挖掘文学技巧,将他们与传统和社会化的决裂作为现代主题。本章探讨了准文学写作对法语和方言文学创作的影响,并反思了文学史可以想象的条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Para-literary Authorship: Colonial Education and the Uses of Literature
Colonial classrooms in French West Africa introduced literary studies to negotiate the perils of teaching colonized students to express themselves in their “own words.” Elite colonial schools became hotbeds of what can be called para-literary modes of authorship: students were obliged to draw on literary models, but could not appear to be writing literature. The central example is an archive of some eight hundred auto-ethnographies produced by elite West African students at the William Ponty School from 1933 to 1950. In order to graduate, students wrote ethnographies of their communities over their summer vacation. While students were urged to avoid “false literary descriptions,” in practice they were encouraged to mine literary techniques to produce accounts of their break with tradition and socialization as modern subjects. This chapter explores the impact of para-literary writing on literary production in French and vernacular languages and reflects on the terms in which literary history is imaginable.
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