Ekphrastic encounters最新文献

Introduction: from paragone to encounter 简介:从paragone到encounter

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0001

D. Kennedy, Richard. Meek

引用次数: 2

‘Fabulously counterfeit’: ekphrastic encounters in Kyd’s The Spanish Tragedy “令人难以置信的伪造”:基德的《西班牙悲剧》中的语言邂逅

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0003

引用次数: 0

Close encounters of the third kind: Hamo Thornycroft’s The Mower and Matthew Arnold’s ‘Thyrsis’ 第三类亲密接触:哈莫·桑尼克罗夫特的《割草机》和马修·阿诺德的《忒瑞斯》

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0009

{"title":"Close encounters of the third kind: Hamo Thornycroft’s The Mower and Matthew Arnold’s ‘Thyrsis’","authors":"","doi":"10.7228/manchester/9781526125798.003.0009","DOIUrl":"https://doi.org/10.7228/manchester/9781526125798.003.0009","url":null,"abstract":"This chapter applies the idea of a non-hierarchical, creative exchange of meaning to Hamo Thornycroft’s 1884 sculpture of The Mower, and its accompanying epigraph from Matthew Arnold’s 1866 elegy for the poet Arthur Hugh Clough: ‘Thyrsis’. The chapter argues that sculpture and epigraph, taken together, constitute a third inter-medial artwork in which the compromised relationship between the aesthetic act and the desire to apprehend the ‘real’ is manifested through a complex series of textual and, more importantly, genre citations – including classicism, naturalism, realism, pastoral elegy and Romantic lyric. These coalesce and interrogate each other in this most ‘realistic’ and ‘democratic’ of Thornycroft’s sculptures to date, establishing a competitive and a co-relational dialogue that is enacted on and by the body of the artwork. Placed in the context of social, industrial and political developments in the later decades of the nineteenth century, sculpture and epigraph combine to reveal ethical, ideological and moral dimensions that might otherwise remain hidden in what Stephen Cheeke has described as ‘the sensuous field of the visual’ and the logocentric pretensions of the verbal.","PeriodicalId":383663,"journal":{"name":"Ekphrastic encounters","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122590749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Lamentable objects’: ekphrasis and historical materiality in Shakespeare’s The Rape of Lucrece “可悲的对象”:莎翁《卢克蕾斯的强奸》中的措辞和历史物质性

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0002

引用次数: 0

On gazers’ encounters with visual art: ekphrasis, readers, ‘iconotexts’1 论凝视者与视觉艺术的相遇:词汇、读者、“符号文本

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0013

{"title":"On gazers’ encounters with visual art: ekphrasis, readers, ‘iconotexts’1","authors":"","doi":"10.7228/manchester/9781526125798.003.0013","DOIUrl":"https://doi.org/10.7228/manchester/9781526125798.003.0013","url":null,"abstract":"This chapter defines ekphrasis concisely as ‘the verbal representation of real or fictive configurations composed in a non-kinetic visual medium’. It rejects narrower definitions that exclude texts on non-representational visual configurations, including architecture, or restrict the discourse to literary texts representing works of art. But with its emphasis on the text the concise definition unduly reinforces the consideration of ekphrasis as a form of ‘intermedial transposition’ in contemporary discourse on intermedial relations. An ekphrastic text should be primarily approached as the record of a viewer’s interpretive encounter with a non-kinetic visual configuration, which may not actually contain anything that has been ‘transposed’ from the image. This viewer may be the persona of a poem, a figure in a prose narrative, or an art critic. It is the reader’s task to construct these viewers in the interpretation of any ekphrastic text. But the role of the reader has not received much attention. This includes the question of the immediate mental reception of ekphrastic texts. The critical construct of ‘iconotexts’, suggesting that such verbal texts spontaneously trigger a mental visual image for the informed reader, is problematic, and even in a more general sense the term may be of limited critical use.","PeriodicalId":383663,"journal":{"name":"Ekphrastic encounters","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127533489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Ekphrasis/exscription: Jean-Luc Nancy on thinking and touching art Jean-Luc Nancy谈思考与感动艺术

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0012

引用次数: 1

‘Art indeed is long, but life is short’: ekphrasis and mortality in Andrew Marvell “艺术是漫长的，但生命是短暂的”:安德鲁·马维尔的名言和死亡

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0004

引用次数: 0

‘The Painter has made a finer Story than the Poet’: Jonathan Richardson’s ekphrastic ‘Dissertation’ on Poussin’s Tancred and Erminia “画家的故事比诗人更精彩”:乔纳森·理查森关于普桑的《坦克与厄米尼亚》的“论文”

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0005

{"title":"‘The Painter has made a finer Story than the Poet’: Jonathan Richardson’s ekphrastic ‘Dissertation’ on Poussin’s Tancred and Erminia","authors":"","doi":"10.7228/manchester/9781526125798.003.0005","DOIUrl":"https://doi.org/10.7228/manchester/9781526125798.003.0005","url":null,"abstract":"This chapter considers Jonathan Richardson’s critical ‘Dissertation’ on Poussin’s painting Tancred and Erminia (c. 1633) as both analysis and ekphrastic representation. It focuses on Richardson’s keen interest in the artist’s visual interpretations of, and additions to, Tasso’s great Italian epic poem, Gerusalemme liberata (1581). It becomes clear that both the French painter and the English critic know the Italian poem well; it is far less certain, however, whether the intended English readership would have shared similar first-hand knowledge of either the picture or its literary source. Richardson’s paragone of the two forms is intended to emphasise Poussin’s ability ‘to make use of the Advantages This Art has over that of his Competitor’; problematically, however, the pre-eminence of the visual medium in this specific example can only be attested to by means of a sustained verbal comparison of the painting and its poetic source, which ultimately seems to imply a more complex, symbiotic relationship in the encounter between the visual and literary arts than Richardson initially admits.","PeriodicalId":383663,"journal":{"name":"Ekphrastic encounters","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129685049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mirroring naturalism in word and image: a critical exchange between Émile Zola and Édouard Manet 以文字和图像反映自然主义:Émile左拉与Édouard马奈的批判性交流

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0008

引用次数: 0

An artist of the bizarre: Stanley Spencer’s ‘ordinary’ ekphrases1 怪诞艺术家:斯坦利·斯宾塞的“普通”习语

Ekphrastic encounters Pub Date : 2019-02-01 DOI: 10.7228/manchester/9781526125798.003.0010

引用次数: 0