{"title":"Is Yiddish Literature from Argentina Argentine Literature? Kehos Kliger, World Poet and Translator of Martín Fierro","authors":"A. Astro","doi":"10.26613/lajs.1.2.14","DOIUrl":"https://doi.org/10.26613/lajs.1.2.14","url":null,"abstract":"Abstract Kehos Kliger (born in Ludmir, in the Volhynian region of the Russian Empire, 1904; immigrated to Buenos Aires, 1936; died there, 1985) was among the most multifaceted and prolific Yiddish poets. His rhymed and blank verse, which appeared in eleven volumes and innumerable issues of the Argentine Yiddish daily Di Prese, included paeans to his native Volhynia, love poems (a genre uncommon in Yiddish), laments on the Holocaust, depictions of Buenos Aires thoroughfares and social types, evocations of landscapes and encounters experienced during a sojourn in Israel, and denunciations of racism throughout the Americas. A major achievement was his Yiddish translation of Martín Fierro-faithful to the original semantically, tonally, rhythmically, metrically. This article not only analyzes works by Kliger but also ponders whether Yiddish literature from Argentina belongs in the Argentine canon. Comparison is made especially with Polish writer in exile Witold Gombrowicz, whose Ferdydurke is often viewed as Argentine.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125006366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sarah Philips Casteel and Heidi Kaufman eds. Caribbean Jewish Crossings: Literary History and Creative Practice","authors":"Stephanie M. Pridgeon","doi":"10.26613/lajs.1.2.20","DOIUrl":"https://doi.org/10.26613/lajs.1.2.20","url":null,"abstract":"","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125643681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spectral Illuminations: Leonardo Padura’s Herejes (2013)","authors":"S. Silverstein","doi":"10.26613/lajs.1.2.17","DOIUrl":"https://doi.org/10.26613/lajs.1.2.17","url":null,"abstract":"Abstract Leonardo Padura Fuentes is the preeminent living Cuban novelist. In his Mario Conde detective series, whenever the eponymous protagonist is not preoccupied with solving crimes endemic to Special Period Cuba, he longs nostalgically for his prelapsarian youth. The leitmotif of Conde’s nostalgia reveals Cubans’ profound impression of temporal disjunction from the Revolution during the Special Period, when the state’s future-oriented teleology jarred with the seemingly eternal present in which they languished. In the 1990s, Cubans would have agreed with Hamlet that “[t]he time is out of joint,” who Jacques Derrida quotes in Specters of Marx, his riposte to the triumphal euphoria of capitalist society in the wake of Soviet communism’s collapse. Yet in the eighth installment of the Mario Conde series Herejes, Padura surrenders the specters of aborted futures that haunt the detective in prior novels to make room for a conversation with ghosts of the past, which Derrida terms revenant in his hauntology. In talking to revenant, which, curiously enough, are almost exclusively ghosts of Jews, Padura once more short-circuits the Revolution’s linear, progressive narrative, an historical conception against whose dangers Walter Benjamin warns us in “Theses on the Philosophy of History,” a text that informs Derrida’s Specters.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116045589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ana E. Shaposchnik. The Lima Inquisition: The Plight of Crypto-Jews in Seventeenth-Century Peru","authors":"Mariana C. Zinni","doi":"10.26613/lajs.1.2.21","DOIUrl":"https://doi.org/10.26613/lajs.1.2.21","url":null,"abstract":"","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123953842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Singing the 1930s Doldrums: Jevel Katz’s Argentine Yiddish Parodies","authors":"Patricia Nuriel","doi":"10.26613/lajs.1.2.19","DOIUrl":"https://doi.org/10.26613/lajs.1.2.19","url":null,"abstract":"Abstract Buenos Aires arose as a center of Yiddish culture, and theatre turned into a main cultural manifestation of Argentine Jews during the first half of the twentieth century. Jevel Katz-songwriter, singer, musician, and performer-became a leading figure of the Yiddish stage in Argentina during the 1930s. Born in Vilna in 1902, he arrived in Buenos Aires in 1930 as an impoverished immigrant and rapidly climbed to fame, which lasted until his untimely death in 1940. This essay offers my translation from Yiddish into English of two lyrics by Katz-in which he parodies a Cuban son and an Argentine tango-released in his only published collection, Argentiner glikn: parodyes un kupletn (1933). Taking an intertextual approach to the discussion of his parodies, this study examines the cross-cultural dialogue that the songwriter maintained with contemporaneous Latin American tunes to entertain Yiddish-speaking immigrant audiences as he articulated their acculturation quest. This article discusses the Yiddish texts as part of the Argentine literary and cultural production.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131174975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ansina by Myriam Moscona: Science, Magic, and Visionary Poetry","authors":"N. Lindstrom","doi":"10.26613/lajs.1.2.18","DOIUrl":"https://doi.org/10.26613/lajs.1.2.18","url":null,"abstract":"Abstract Ansina, the 2015 collection of poems by Myriam Moscona (Mexico, 1955), drew attention for being composed predominantly in Ladino. It is often categorized along with the same writer’s 2012 novel Tela de sevoya and 2013 anthology (with J. Sefamí) of Judeo-Spanish writing. All three feature Ladino as a vehicle for literary expression. Taking a different perspective, I propose an examination of Ansina as a continuation of Moscona’s longtime project of creating a visionary poetry in tune with the present literary era. I look especially at the poems that allude to such spellbinding scientific phenomena as fractals. The speaking subject and their close companion regard the contemplation of these occurrences as a gateway to occult knowledge; they exemplify the mystic’s belief that, to cite Joseph Dan, “[o]nly nonlinguistic means can glean some aspects of the hidden divine truth” (2002, 3). While Ansina has links to the Jewish mystical tradition, it reveals a broader concept that includes also magic.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126172461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction to the Special Issue in Honor of David William Foster","authors":"S. Silverstein","doi":"10.26613/lajs.1.2.12","DOIUrl":"https://doi.org/10.26613/lajs.1.2.12","url":null,"abstract":"","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130176308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sobre David W. Foster","authors":"A. Shua","doi":"10.26613/lajs.1.2.13","DOIUrl":"https://doi.org/10.26613/lajs.1.2.13","url":null,"abstract":"","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115291605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entre Shtetl y Colonia: Sholem Aleichem, Alberto Gerchunoff, and the Image of Loss","authors":"Yitzhak Lewis","doi":"10.26613/lajs.1.2.16","DOIUrl":"https://doi.org/10.26613/lajs.1.2.16","url":null,"abstract":"Abstract This article is a comparative study of representations of small-town Jewish life in the works of Sholem Aleichem and Alberto Gerchunoff. It begins by characterizing the shtetl and its effects on the representation of Argentina in the work of Sholem Aleichem. Next, it tracks the reception of Sholem Aleichem in essays by Alberto Gerchunoff, and reads the representation of the Jewish colony in Los gauchos judíos in line with Gerchunoff’s broader appreciation of Sholem Aleichem. The article highlights the ways Gerchunoff’s Jewish colony recreates the familiar shtetl of Sholem Aleichem’s works, while also breaking from it to recast the Jewish colony in terms of a uniquely Argentine experience of urbanization and modernization. Juxtaposing representations of shtetl and colony in the works of these authors, the article highlights the setting of small-town Jewish life as a central element in the literary engagement with early twentieth-century Jewish migration narratives.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131729059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literary Perceptions of Jewish Gauchas in the Argentine Farming Colonies","authors":"N. Glickman","doi":"10.26613/lajs.1.2.15","DOIUrl":"https://doi.org/10.26613/lajs.1.2.15","url":null,"abstract":"Abstract This paper considers the shifts and variations in the depictions of Jewish gauchas (pioneer women immigrants to the Argentine agricultural colonies), a role neglected in previous studies, from their establishment at the turn of the twentieth century to their decline in the 1930s. Some are fictional, some based on direct observation. While Alberto Gerchunoff’s stories romanticize heroines, Rebeca Mactas’s narratives stress their self-sacrificing spirit. Marcos Alpersohn chronicles their vicissitudes with wrenching realism, and Rosalía Rosembuj’s autobiographical memoirs tell of their emancipation after they leave the colonies.","PeriodicalId":378444,"journal":{"name":"Latin American Jewish Studies","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121551347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}