St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES最新文献

THE ROLE OF CONFUCIAN CULTURE TEXTS IN SHAPING THE MORAL IDEAL IN CHINA IN THE ERA OF GLOBALIZATION 全球化时代儒家文化文本在塑造中国道德理想中的作用

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.14

Yuliya A. Ishutina

引用次数: 0

THE INTERNET NOVEL IN MAINLAND CHINA: A NEW TREND IN CHINESE LITERATURE IN THE 21ST CENTURY 中国大陆的网络小说:21世纪中国文学的新趋势

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.21

Fang Wan

引用次数: 0

INFLUENCE OF CHRISTIANITY ON THE CREATIVITY OF THE GUANGDONG POET HUANG LIHAI 基督教对广东诗人黄力海创作的影响

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.25

Haijin Zeng

引用次数: 0

PU SONGLING’S LITERARY HERITAGE AND ITS TRANSLATIONS INTO RUSSIAN 蒲松龄的文学遗产及其俄文翻译

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.06

Alexander G. Storozhuk

{"title":"PU SONGLING’S LITERARY HERITAGE AND ITS TRANSLATIONS INTO RUSSIAN","authors":"Alexander G. Storozhuk","doi":"10.21638/11701/9785288062049.06","DOIUrl":"https://doi.org/10.21638/11701/9785288062049.06","url":null,"abstract":"While speaking of Pu Songling’s (1640–1715) impact on the Chinese literature one can’t help mentioning his short stories about fox turnskins and other wonders, known in English as Strange Tales from the Chinese Studio (Liao Zhai zhi yi). Commonly here the general survey concludes, and the main efforts are directed to analysis of the author’s pencraft and concealed political implications, since most of the plots are believed to be not original but adopted from earlier oeuvre. Thus the two major implied notions can be worded in the following fashion: 1) Strange Tales are the only work by Pu Songling to be mentioned and 2) they happen to be quite a secondary piece of literature based on borrowed stories and twisted about to serve the new main objective — mockery on social and political routine of the author’s present. The chief idea of the article is to cast a doubt on both of these notions and to show diversity and richness of Pu Songling’s genres and subjects as well as finding out the basis of these texts’ attractiveness for readers for more than 300 years. The other goal of the paper is to give a short overview of Pu Songling’s translations into Russian and their influence on the literary tradition of modern Russian prose. The main focus is put on the difficulties any translator is to face, on the quest for the optimal form of reproduction of the original’s peculiarities. Since the language of Pu Songling’s stories is Classical Chinese (wenyan), the author’s mastership in reproduction of different speech styles including common vernacular is also to be mentioned and analyzed.","PeriodicalId":376664,"journal":{"name":"St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126934929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE COMMUNITY OF FOXES 狐狸的群落

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.07

Xingwu Xu

{"title":"THE COMMUNITY OF FOXES","authors":"Xingwu Xu","doi":"10.21638/11701/9785288062049.07","DOIUrl":"https://doi.org/10.21638/11701/9785288062049.07","url":null,"abstract":"Liao Zhai zhi yi (Strange Stories from a Lonely Studio) and Yue Wei Cao Tang Bi Ji (The Notes of Yuewei Cottage), two renown Classical Chinese novels of the Qing Dynasty, contain many stories about foxes. The former contains more than 70 such stories and the latter contains more than 130. Foxes in these stories vary greatly in terms of their types. More importantly, a noticeable phenomenon in these stories is that, just like human beings, foxes’ dwellings can be identified as rural and urban, domestic and wild. In other words, foxes from different communities bear overt differences concerning their characters and behaviors. For example, Liao Zhai zhi yi is skilled in delineating rural foxes with pastoral temperament, who frequently escalate their emotion and lust. On the other hand, Yue Wei Cao Tang Bi Ji is adept in rendering urban foxes with intellectual men, who often show their nurturing and wisdom. And this phenomenon reveals the differing life experience, social statuses and cultural visions of the two authors. Concomitantly, it also betrays the different folklore sources utilized by the two authors.","PeriodicalId":376664,"journal":{"name":"St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122522252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

NOVELTY AND VARIETY — ON THE DREAM NOVELS OF STRANGE STORIES FROM A CHINESE STUDIO 新奇与多样——论中国一家工作室的怪梦小说

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.09

Siyi Zeng

引用次数: 0

THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA 菲律宾国家剧院的复兴

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.39

Daria Zabelina

{"title":"THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA","authors":"Daria Zabelina","doi":"10.21638/11701/9785288062049.39","DOIUrl":"https://doi.org/10.21638/11701/9785288062049.39","url":null,"abstract":"Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armenia; 3) Spanish missioners played an important role in the formation of the genre; 4) komedya is the national theater; 5) komedya is a secular genre as adventures dominate over the religious motives. In the middle of the 19th century komedya was criticized by the most progressive Filipinos for being extravagant, lacking logic and not touching upon current Philippine problems. By the beginning of the 20th century komedya was not staged anymore almost everywhere in the Philippines. Its place was taken by the other genres. A number of actions to bring komedya back to its former popularity have been undertaken from the 1970s with the great support of the cultural center of the Philippines and University of the Philippines. It is important to mention that the genre is being changed in order to correspond the needs of the modern Philippine society. For example, the Muslim conflict is not the main topic of the modern Philippine national play as it contradicts the national policy of the Philippines.","PeriodicalId":376664,"journal":{"name":"St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124449219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER 谷崎君'ichirŌ小说《蓝色花朵》中的理想女性形象

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.42

M. Selimov

{"title":"THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER","authors":"M. Selimov","doi":"10.21638/11701/9785288062049.42","DOIUrl":"https://doi.org/10.21638/11701/9785288062049.42","url":null,"abstract":"This paper is about the Tanizaki Jun’ichirō’s (1886–1965) experience of creating a 1920–1950s Japanese woman image inspired by the urban environment of Yokohama — the city as a mirror of the Western culture in Japan. The writer who had combined the images of European and Oriental women in order to obtain the architype of new Japanese woman in his early works no longer wanted to do this. He began to portray a new-age woman — his new ideal, which writer observed in Hollywood movies. Tanizaki Jun’ichirō anticipated the appearance of Modan gāru on the Japanese stage, women who became objects of public attention because they followed Western fashion trends and lifestyle. Precisely this kind of woman occupied Tanizaki’s mind for the first half of the 1920s. The novel Blue Flower (Aoi hana, 青い花, 1921) was the first Tanizaki Jun’ichirō’s work, in which we meet the modan garu, a new type of Japanese woman of the first half of the XX c. In this novel, he presents the West as a source of femininity, and western attributes now as being able to change both the exterior and interior of a human. Blue Flower is the result of Tanizaki Jun’ichirō’s research of these new women in his quest for their physical perfection.","PeriodicalId":376664,"journal":{"name":"St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131317800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE” “联诗”大师论著中的“诗之道”

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.38

E. Dyakonova

引用次数: 0

MILESTONES IN TRANSLATING CHINESE LITERATURE FOR CHILDREN INTO RUSSIAN LANGUAGE 中国儿童文学翻译成俄语的里程碑

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI: 10.21638/11701/9785288062049.31

O. Rodionova

{"title":"MILESTONES IN TRANSLATING CHINESE LITERATURE FOR CHILDREN INTO RUSSIAN LANGUAGE","authors":"O. Rodionova","doi":"10.21638/11701/9785288062049.31","DOIUrl":"https://doi.org/10.21638/11701/9785288062049.31","url":null,"abstract":"The purpose of this study is to observe the overall picture of translations of Chinese literature for children into Russian language from the first editions to the present day. In addition to compiling a complete chronological list of all Chinese books translated into Russian from the category of children’s reading, our tasks included identifying and characterizing the main periods, trends and patterns in the development of translation and book publishing of Chinese children’s literature in Russian, analyzing the dynamics of translations in different years, analyzing the activities of translators who contributed to the development of cultural ties between the two countries, listing the names of the best illustrators, whose work played an important role in popularizing Chinese literature for children, identifying the main problems in translation and publication of children’s Chinese books in Russia at different periods. After studying the general picture of translations of Chinese literature for children into Russian, as well as taking into account the nature of historical events and political relations between China and Russia, we propose to distinguish the following seven periods in translation: 1779–1917; 1918–1949; 1950–1959; 1960–1980; 1981–1991; 1992–2013; since 2014.","PeriodicalId":376664,"journal":{"name":"St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130686764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

St. Petersburg University Studies in Social Sciences &amp; Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES最新文献

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES最新文献