THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”

E. Dyakonova
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Abstract

The paper analyzes Sasamegoto (Whispered Conversations, 1463–1464), a treatise by Shinkei, the influential Buddhist poet and thinker of the Muromachi period (1392–1568). In this treatise on the collaborative poetry of “linked verse” (renga), the author addresses the category of the “Way” (michi) or the “Way of Poetry” (uta-no michi), which he interprets on the basis of ancient Chinese philosophers (Confucius and Lao Tze) and early Japanese authors of Zen school (e. g., Mujū Ichien, who wrote the Shasekishū — The Collection of Sand and Rocks, 13th century) and even endows it with a new meaning. In Shinkei’s view, the Way is not only mastery and its perfection. This is a sum total of many diverse things: the entire corpus of belles-lettres, theoretical treatises, schools, teachers and disciples, ideal poets, trends, styles, inner discipline, lifestyles, the past and the present.
“联诗”大师论著中的“诗之道”
本文分析了室町时代(1392-1568)佛教诗人、思想家新庆的专著《Sasamegoto》(1463-1464)。在这篇关于连诗的论著中,作者在中国古代哲学家(孔子、老子)和日本早期禅宗作家(如13世纪撰写的《沙石集》)的基础上,提出了“道”或“诗之道”的范畴,甚至赋予了它新的意义。在新经新闻看来,“道”不仅仅是精通和完美。这是许多不同事物的总和:所有的美文、理论论文、学派、老师和弟子、理想诗人、潮流、风格、内在纪律、生活方式、过去和现在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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