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Antique images as a subtext in L.S. Bakst's painting “Dinner” 巴克斯特画作《晚餐》的潜台词——古董意象
Academia (Greece) Pub Date : 2022-01-01 DOI: 10.37953/2079-0341-2022-1-1-96-105
Alexey E. Kotelvas
{"title":"Antique images as a subtext in L.S. Bakst's painting “Dinner”","authors":"Alexey E. Kotelvas","doi":"10.37953/2079-0341-2022-1-1-96-105","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-1-1-96-105","url":null,"abstract":"The article attempts to give a new interpretation to the painting “Dinner” by L.S. Bakst. The author claims that both the posture and the mimic gesture of the model are references to the ancient image of the sphinx and the “archaic smile”. The version is confirmed not only through a direct analysis of the model's posture, but also by contextualizing the motives of the painting in the works of Leon Bakst and the artists of his time. As an additional argument, the interpretation is given in the tradition of Carl Jung’s analytical psychology. The image of an insidious woman, according to the author, is the content of Bakst’s own “anima”, a structural component of his psyche. This idea is based on the material of the artist's biography and on comparing the painting \"Dinner\" with the decorative panel “Terror antiquus”.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artist beyond style 超越风格的艺术家
Academia (Greece) Pub Date : 2022-01-01 DOI: 10.37953/2079-0341-2022-2-1-141-142
Svetlana V. Usacheva
{"title":"Artist beyond style","authors":"Svetlana V. Usacheva","doi":"10.37953/2079-0341-2022-2-1-141-142","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-2-1-141-142","url":null,"abstract":"The thematic series of articles “Artist beyond style” by the authors Artamonova M.M., Arutyunyan J.I., Kareva A.A., Kisteneva S.V., Moiseeva S.V., Pavlova N.V., Usacheva S.V. and Chuiko L.V. is dedicated to the study of various aspects of national artistic culture from Enlightenment to Modernity outside of style affiliation.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
18th century in Russian gold and silver art of the second half of the 19th – early 20th century: from rejection to recognition 18世纪俄罗斯金银艺术的19世纪下半叶- 20世纪初:从排斥到认可
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-83-91
Mikhail O. Yudin
{"title":"18th century in Russian gold and silver art of the second half of the 19th – early 20th century: from rejection to recognition","authors":"Mikhail O. Yudin","doi":"10.37953/2079-0341-2021-1-1-83-91","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-83-91","url":null,"abstract":"This article shows the influence of the 18th-century art on the creativity of Russian jewellery companies in the second half of 19th – early 20th century. During the period of national style domination, the revision to 18th century is especially interesting. The art of this era in the perception of descendants became from complete rejection in the eyes of posterity to a total recognition of its originality, artistic individuality, and as a result national-identity. The latter entailed the use of cultural assets of 18th century as prototypes of gold and silver products created in late 19th – early 20th century because of nationality. The author analyses both works of Russian jewellery companies and documentary evidence demonstrating the attitude of contemporaries to an art culture of the 18th century.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Landscapes of Charles-François Grenier de Lacroix and landscape class students of the Imperial Academy of Arts. From copy to original 拉克鲁瓦和帝国艺术学院风景课学生的风景画。从副本到原件
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-92-99
Svetlana V. Usacheva
{"title":"Landscapes of Charles-François Grenier de Lacroix and landscape class students of the Imperial Academy of Arts. From copy to original","authors":"Svetlana V. Usacheva","doi":"10.37953/2079-0341-2021-1-1-92-99","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-92-99","url":null,"abstract":"The article is devoted to the role of copies and pastiche in the landscape genre in the second half of the 18th century. Typological and stylistic properties of replicas performed by landscape painting class students of the Imperial Academy of Arts allow us to identify a number of originals that served as samples for them and analyze the degree and characteristics of their interaction. Special attention is paid to the student works of A. Martynov. Assumptions are made about their possible sources, among which the most probable are the works of Charles François de Lacroix, who in his turn painted his views in the spirit of Joseph Vernet and Salvator Rosa.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Empress Elizabeth Petrovna in the work of Alexandre Benois: images and sources 亚历山大·贝努瓦作品中的伊丽莎白·彼得罗夫娜皇后:图像和来源
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-72-82
A. Zavyalova
{"title":"Empress Elizabeth Petrovna in the work of Alexandre Benois: images and sources","authors":"A. Zavyalova","doi":"10.37953/2079-0341-2021-1-72-82","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-72-82","url":null,"abstract":"The article considers the question of the genesis of the image of Empress Elizabeth Petrovna in the perception and art of Alexander Benois. The author used a complex method which combined the source analysis of artist’s works and memoires, his articles on the history of architecture, and traditional formal analysis of his works and data of historiography of the reign of Elizabeth Petrovna. It was found out the official portraits of Louis Caravaque and portrait of G.C. Grooth influenced the image of Elizabeth in Benois works. Benois views on the work of F.B. Rastrelli whose work he considered the embodiment of the reign of Empress Elizabeth Petrovna.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Perspectives and practices of Christ-centric art 以基督为中心的艺术的观点和实践
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-2-1-170-177
Gor Chahal
{"title":"Perspectives and practices of Christ-centric art","authors":"Gor Chahal","doi":"10.37953/2079-0341-2021-2-1-170-177","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-2-1-170-177","url":null,"abstract":"The article defines the term “Christ-centric art”, which characterizes a promising direction of art, setting the vector of the development of modern Christian culture in the post-secular world. The term is then revealed in specific examples from the author's practice of recent years, and describes other representatives, plans and perspectives for this direction.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The prophecy of the “new being”. Elena Sidorina’s book about Kazimir Malevich “新人”的预言。埃琳娜·西多莉娜关于卡齐米尔·马列维奇的书
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-309-315
Olga A. Yushkova
{"title":"The prophecy of the “new being”. Elena Sidorina’s book about Kazimir Malevich","authors":"Olga A. Yushkova","doi":"10.37953/2079-0341-2021-3-1-309-315","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-309-315","url":null,"abstract":"Review of the book by Elena Sidorina “Kazimir Malevich and his prophecy about the ‘new being’”, published by BooksMArt in 2021.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Russian model of the European Castrum doloris. Decoration of the Imperial Funeral halls in 18th-century Russia 欧洲风暴的俄罗斯模式。18世纪俄罗斯皇家葬礼大厅的装饰
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-41-54
E. Tyukhmeneva
{"title":"The Russian model of the European Castrum doloris. Decoration of the Imperial Funeral halls in 18th-century Russia","authors":"E. Tyukhmeneva","doi":"10.37953/2079-0341-2021-1-41-54","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-41-54","url":null,"abstract":"This article discusses the main decorative principles of Castrum doloris for the Russian emperors in the 18th century. The author applies a complex method, which is based on the academic reconstruction of the once-grandiose mourning ensembles. In preparation for the burial of Peter the Great, a certain model of funeral decoration was created and was preserved in Russia throughout the 18th century. The design of mourning ensembles followed the general laws of the ceremonial culture of that period, and corresponded to the stylistic development of art. The article introduces new materials and factual data, and clarifies certain issues of terminology.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caravaggio: The Troublemaker and Revolutionary 卡拉瓦乔:麻烦制造者和革命者
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-282-292
Alexander K. Jakimovicz
{"title":"Caravaggio: The Troublemaker and Revolutionary","authors":"Alexander K. Jakimovicz","doi":"10.37953/2079-0341-2021-3-1-282-292","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-282-292","url":null,"abstract":"Caravaggio (1571–1610) chronologically opens (or prepares) the new stage of art history known as Modernity. He must be finally ranked among the troublemakers – the aesthetic and socio-cultural rebels of this era. This idea belongs to Russian art historians Evsey Rotenberg and Marina Sviderskaya and explores Caravaggio’s artistic development from early stages of “nasty anecdotes” to mature works on biblical themes treated in a challenging manner.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Surikov and Konchalovsky: closest of kin 苏里科夫和康查洛夫斯基:近亲
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-244-254
N. Getashvili
{"title":"Surikov and Konchalovsky: closest of kin","authors":"N. Getashvili","doi":"10.37953/2079-0341-2021-3-1-244-254","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-244-254","url":null,"abstract":"Vasily Surikov’s and Piotr Konchalovsky’s kinship, the kinship of representatives of different generations of Russian art and various creative aspirations, is considered in the aspect of creative interconnections and in the context of the cultural processes of the early 20th century. Here it should be remembered their similar modus vivendi, and joint trips to Siberia, Surikovʼs homeland, to Krasnoyarsk, and also to Europe – Germany, or France, Spain; common views on classics; their joint work at the art studio of H. Anglada Camarasa in Paris and their sketches done while traveling.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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