Caravaggio: The Troublemaker and Revolutionary

Q4 Social Sciences

Academia (Greece) Pub Date : 2021-01-01 DOI:10.37953/2079-0341-2021-3-1-282-292

Alexander K. Jakimovicz

引用次数: 0

Abstract

Caravaggio (1571–1610) chronologically opens (or prepares) the new stage of art history known as Modernity. He must be finally ranked among the troublemakers – the aesthetic and socio-cultural rebels of this era. This idea belongs to Russian art historians Evsey Rotenberg and Marina Sviderskaya and explores Caravaggio’s artistic development from early stages of “nasty anecdotes” to mature works on biblical themes treated in a challenging manner.

查看原文本刊更多论文

卡拉瓦乔:麻烦制造者和革命者

卡拉瓦乔(1571-1610)按时间顺序开启了艺术史上被称为“现代性”的新阶段。他最终一定会被列为麻烦制造者——这个时代的审美和社会文化叛逆者。这个想法属于俄罗斯艺术史学家Evsey Rotenberg和Marina Sviderskaya，并探讨了卡拉瓦乔的艺术发展，从早期的“肮脏的轶事”到以具有挑战性的方式处理圣经主题的成熟作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Academia (Greece) Social Sciences-Education

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.