Landscapes of Charles-François Grenier de Lacroix and landscape class students of the Imperial Academy of Arts. From copy to original

Q4 Social Sciences

Academia (Greece) Pub Date : 2021-01-01 DOI:10.37953/2079-0341-2021-1-1-92-99

Svetlana V. Usacheva

引用次数: 0

Abstract

The article is devoted to the role of copies and pastiche in the landscape genre in the second half of the 18th century. Typological and stylistic properties of replicas performed by landscape painting class students of the Imperial Academy of Arts allow us to identify a number of originals that served as samples for them and analyze the degree and characteristics of their interaction. Special attention is paid to the student works of A. Martynov. Assumptions are made about their possible sources, among which the most probable are the works of Charles François de Lacroix, who in his turn painted his views in the spirit of Joseph Vernet and Salvator Rosa.

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拉克鲁瓦和帝国艺术学院风景课学生的风景画。从副本到原件

本文主要探讨了18世纪下半叶风景画中摹本和仿作的作用。帝国艺术学院风景画班的学生所做的复制品的类型学和风格特性使我们能够识别出一些作为样本的原件，并分析它们相互作用的程度和特征。特别关注马丁诺夫的学生作品。人们对其可能的来源作出了假设，其中最有可能的是查尔斯·弗朗索瓦·德·拉克鲁瓦的作品，他又以约瑟夫·韦尔内和萨尔瓦托·罗莎的精神来描绘他的观点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Academia (Greece) Social Sciences-Education

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.