Kritika i Semiotika最新文献_第3页

Principles of Lexicographic Coverage of the Ulch Language 乌尔奇语的词典编纂覆盖原则

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-2-128-141

Viktoriya A. Gorbunova

{"title":"Principles of Lexicographic Coverage of the Ulch Language","authors":"Viktoriya A. Gorbunova","doi":"10.25205/2307-1737-2022-2-128-141","DOIUrl":"https://doi.org/10.25205/2307-1737-2022-2-128-141","url":null,"abstract":"The paper outlines basic principles of compiling the corpora and structuring a vocabulary entry for the prospective Ulch-Russian dictionary. The author presents an overview of the lexicographical materials related to the Ulch language that have been published in the 20th – 21st centuries. The conclusion is drawn that, due to the particular circumstances of the compilation and, sometimes, the intended functions (school instruction, comparative analysis), the existing dictionaries tend to have limited scope of lexicographical data in the entries and non-traditional approach to structuring components. In order to create a bilingual dictionary that covers the lexicon of the nearly-extinct Ulch language as much as possible while providing an appropriate summarization of phonetical, semantical, grammatical and pragmatic features for each lexical unit, a different approach is suggested. The new strategy involves exploring and reworking a number of specific parameters. On the macro-level, issues related to the placement of collocations and phonetic variations of the lexemes, polishing the cross-reference system, discerning the lexical items that can belong to different grammatical classes but lack clear indicators, and organizing homonyms are discussed. On the micro-level, the author drafts out an entry structure consisting of several zones and comments on the contents of each one. In particular, points such as selecting canonical forms, using different types of labeling, properly representing the semantic structure by selecting and grouping the equivalents, illustrating the lexeme’s pragmatic potential remain the focus of discussion.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69316792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Konstantin Lipskerov’s “Eastern” Triolet (“Asia”) 康斯坦丁·利普斯克罗夫的“东方”三角曲（“亚洲”）

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-2-295-310

E. Kulikova

{"title":"Konstantin Lipskerov’s “Eastern” Triolet (“Asia”)","authors":"E. Kulikova","doi":"10.25205/2307-1737-2022-2-295-310","DOIUrl":"https://doi.org/10.25205/2307-1737-2022-2-295-310","url":null,"abstract":"Konstantin Lipskerov’s sonnetized triolet “Asia” from the book of the poems about Turkestan “Sand and Roses” (1916) is considered in the article. The composition of the extended triolet “Asia” is a descriptive picture of the East. The genre supports the meditativeness and emphasized nominative nature of the poems, which don’t have even a single verb (there is only a single gerund “murmuring”). The non-linearity of the lyrical plot of the poem, “reversed moves, radial features, centrifugal and centripetal” (Yu. N. Chumakov) are analyzed. The initially given symmetry of Lipskerov’s 14-line triolet with the refrains removed from each other turns into asymmetry: two verses from the second part are eliminated, repetitions become an ornament framing the lyrical plot. At the same time, they intrude into the main course of the narrative, weaving their own line into it. An intermedial analogy of triolet colouristics with V. Vereshchagin’s Turkestan paintings is carried out. On Vereshchagin’s oriental canvases, and especially in his “Turkestan Series”, as in Lipskerov’s poem, the leading colours are yellow (desert, soil, floor), various shades of pink and blue (sky, temples, palaces, clothing details, etc.). These colours become the symbols of Turkestan.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69317763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Evaluation as a Source of Deontic Modality 评价作为道义情态的来源

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-1-52-72

D. Dobrovol'skij, A. Zalizniak

引用次数: 0

Legends of Folk Hagiography about St. Nicholas the Miracle-Worker and Their Siberian Texts: Threshing with Fire 关于创造奇迹的圣尼古拉斯的民间圣徒传说及其西伯利亚文本:用火打谷

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-2-211-223

V. Kuznetsova

{"title":"Legends of Folk Hagiography about St. Nicholas the Miracle-Worker and Their Siberian Texts: Threshing with Fire","authors":"V. Kuznetsova","doi":"10.25205/2307-1737-2022-2-211-223","DOIUrl":"https://doi.org/10.25205/2307-1737-2022-2-211-223","url":null,"abstract":"In the oral tradition of the Eastern Slavs, stories about miraculous threshing with fire are well known (AaTh 752A, SUS 752A). Folk hagiography often associates with the name of St. Nicholas the Miracle-Worker. The article presents the results of a study of Siberian texts of such legends (including folk prose plots not taken into account by the indexes) in comparison with variants of similar narratives of the European territory of historical Russia. It was found that, along with the plot forms common to the East Slavic tradition, Siberian texts contain special versions of this plot, which are the result of contamination and mixing of folklore forms in the conditions of Siberian existence. Unknown in the texts of other territories, the contaminated versions of the Siberian stories about the miraculous threshing acquire special interest against the background of the fact that the Siberian versions of Russian fairy tales, as researchers have established, generally have a strong tendency to plot contamination and the complexity of the stories. Previously, these processes were traced on the material of fairy tales (Matveeva, 1990) and novelistic tales (Kuznetsova, 2019). The Siberian variants of contaminated plot forms of legendary fairy tales presented in the article make it possible to consider contamination as an increasingly universal creative device in Siberian storytelling.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69317749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Genre Specificity of Shamanic Narratives in the Folklore Tradition of Tuvans 图瓦民俗传统中萨满叙事的体裁特殊性

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-2-258-274

Z. M. Yusha

引用次数: 0

Alcohol in the Everyday Life of the Soviet North of the 1930s 20世纪30年代苏联北部日常生活中的酒精

Kritika i Semiotika Pub Date : 2022-01-01 DOI: 10.25205/2307-1737-2022-2-351-363

A. Kulyapin

引用次数: 0

Signifier as Signified: Predictive Concept of Semiosis of the Phonetic Plan of Speech 作为所指的能指:语音语音计划的符号学预测概念

Kritika i Semiotika Pub Date : 2021-01-01 DOI: 10.25205/2307-1737-2021-1-220-237

N. Shpilnaya

引用次数: 0

Narrative Distance in Screenplay: “The Heir to Genghis Khan” by Vsevolod Pudovkin 剧本中的叙事距离:普多夫金《成吉思汗的继承人

Kritika i Semiotika Pub Date : 2021-01-01 DOI: 10.25205/2307-1737-2021-1-383-402

S. Ogudov

引用次数: 0

Day Stars and Pervorossiisk by Olga Berggolts in the Light of Poetic Cinematograph 奥尔加·伯格戈尔茨在诗意电影摄影的光芒下创作的《日星与危险》

Kritika i Semiotika Pub Date : 2021-01-01 DOI: 10.25205/2307-1737-2021-1-403-422

T. Zvereva

引用次数: 0

Semantics of Adjective 'radostny' and Conceptualization of the Emotional Evaluation 形容词“radostny”的语义与情绪评价的概念化

Kritika i Semiotika Pub Date : 2021-01-01 DOI: 10.25205/2307-1737-2021-1-159-175

M. Kovshova

{"title":"Semantics of Adjective 'radostny' and Conceptualization of the Emotional Evaluation","authors":"M. Kovshova","doi":"10.25205/2307-1737-2021-1-159-175","DOIUrl":"https://doi.org/10.25205/2307-1737-2021-1-159-175","url":null,"abstract":"The article deals with the development and modification of the emotional evaluation of the adjective radostny (English – joyful) in terms of conceptualisation of emotions. The paper includes the comparison of its dictionary definitions, etymological data and interpretation in terms of emotional evaluation. Special attention is paid to the processes of conceptualisation of emotional evaluation by means of the extension of the adjective denotation sphere, denotative shift from perceptible objects to invisible objects, from form to content. As a result, the adjective radostny receives intellectual and aesthetic shades of meaning. The denotative shift referring to negative denotation modifies the dominant category feature – a positive evaluation component. It leads to the weakening and neutralization of the positive evaluation. The analysis of use, as applied to the examples in the Russian National Corpus, verifies the basic characteristics of emotional evaluation (subjectivity and uncertainty) and helps to identify its important characteristics (communicativeness, efficiency, attractiveness). The study takes into account the forms of objectification of radostny evaluation, time factor and typical genres.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69314829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0