图瓦民俗传统中萨满叙事的体裁特殊性

Q2 Arts and Humanities
Z. M. Yusha
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引用次数: 0

摘要

分析了图瓦民间传说中萨满叙事的类型特征和结构。在表演传统中已经确定了两种类型的故事-从仪式专家和传统的承载者。两种故事的神话画面相辅相成,保留了萨满叙事的一般叙事模式特征。萨满文叙事结合了各种非叙事散文类型的特点:口述叙事、神话与神话叙事、传说与传说,显示了民俗意识的古老融合。在萨满叙事的结构中,详细地描述了一种特定类型的非叙事散文的区别特征。在萨满叙事中,萨满圣歌的存在被揭示出来;它们的语用功能是确定的;揭示了它们主题的多样性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Genre Specificity of Shamanic Narratives in the Folklore Tradition of Tuvans
Genre features and structure of shamanic narratives existing in Tuvan folklore are analyzed. Two types of stories have been identified in the performing tradition – from the ritual specialist and the bearer of the tradition. The mythological picture in both types of stories complement each other, in them the general narrative model characteristic of shamanic narratives is preserved. It is revealed that shamanic narratives combine features of various genres of non-narrative prose: oral narrative, myth and mythological narrative, legend and legend, which indicates the archaic syncretism of folklore consciousness. In the structure of shamanic narratives, the differentiating features characteristic of a particular genre of non-narrative prose are described in detail and described. In shamanic narratives, the presence of shamanic algysh-chants is revealed; their pragmatic functions are determined; their thematic diversity is revealed.
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来源期刊
Kritika i Semiotika
Kritika i Semiotika Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
15
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