{"title":"THE 22TH INTERNATIONAL SCHOOL IN FOLKLORISTICS AND CULTURAL ANTHROPOLOGY “ANTHROPOLOGY OF RELIGION”","authors":"Yana A. Savitskaya","doi":"10.28995/2658-5294-2023-6-2-118-124","DOIUrl":"https://doi.org/10.28995/2658-5294-2023-6-2-118-124","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114863116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE SPECTRE OF FORMALISM: POLEMICS BETWEEN PROPP AND LEVI-STRAUSS AS A COMMUNICATIVE FAILURE","authors":"Marina A. Guister","doi":"10.28995/2658-5294-2019-2-4-155-169","DOIUrl":"https://doi.org/10.28995/2658-5294-2019-2-4-155-169","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129259566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FOLK MODELS IN STORIES ABOUT THE OCCUPATION DURING THE GREAT PATRIOTIC WAR. NARRATIVIZATION SCENARIOS AND THE WAYS OF COMBINING MOTIFS","authors":"E. Zakrevskaya","doi":"10.28995/2658-5294-2023-6-2-69-96","DOIUrl":"https://doi.org/10.28995/2658-5294-2023-6-2-69-96","url":null,"abstract":"Folklorists often use classification systems such as catalogues of motifs or folk types. This method is widely applied to tales or legends. At the same time, it is used less often during analysis of stories about the recent past (for instance, about a war). I apply this method to oral stories collected on an expedition to the Bryansk region to make a motif-index. Using this method allows me to classify these texts, highlight the main themes and divide motives into two groups. I also examine how motives are combined in a longstories and, based on these combinations, I distinguish two scenarios of narrativization. There are two scenarios: incriminatory and apologetic. These two ways of combining motives allow narrators to express two different opinions on the ethical dilemmas of the wartime. The set of plots, as well as popular ways of combining them, shows us that these ethical dilemmas are most important and interesting for the people we have talked to.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133460885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BOOK REVIEW: KING M.W. OCEAN OF MILK, OCEAN OF BLOOD. A MONGOLIAN MONK IN THE RUINS OF THE QING EMPIRE. NEW YORK: COLUMBIA UNIVERSITY PRESS, 2019. XIV, 281 P.","authors":"Yuliya V. Liakhova","doi":"10.28995/2658-5294-2021-4-1-65-74","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-1-65-74","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130146962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BOOK REVIEW: “SHARDS” IN TRADITION / COMPS.: E. LEVKIEVSKAYA, N. PETROV, O. KHRISTOFOROVA. MOSCOW: NEOLIT, 2020. 304 Р.","authors":"E. R. Aitkulova","doi":"10.28995/2658-5294-2021-4-1-98-104","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-1-98-104","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132564138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE NARRATOR IN THE ALBANIAN EPIC TEXT","authors":"A. Zhugra","doi":"10.28995/2658-5294-2021-4-3-70-96","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-3-70-96","url":null,"abstract":"The article addresses the issue of the way in which the narrator’s figure is represented in Albanian epic texts. One of the characteristics of the Albanian epic is the ethical dative (dativus ethicus) – the dative of “moral participation” indicating the inclusion of the narrator in the described situation. It allows the narrator to act as a direct witness of the described events and to present himself as if he was a passive participant (who observes, reflects and empathises). The narrator’s explanatory remarks are intended to make his narrative more understandable to the reader; they summarise the described event or orient the reader towards perception of the subsequent action. The numerous rhetorical interrogative and exclamatory (imperative) remarks are used in the construction of the epic text, drawing the boundaries between the two episodes. They also demonstrate the narrator’s personal interest in the depicted epic world, which is generally characteristic of epic traditions; however, this is especially apparent in Albanian texts.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125106020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE STRUCTURE OF THE OTHER WORLD IN CHARLES KINGSLEY’S “THE WATER BABIES”","authors":"Olga B. Vainshtein","doi":"10.28995/2658-5294-2022-5-3-45-62","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-3-45-62","url":null,"abstract":"The fairy tale “The Water-Babies” by the British novelist Charles Kingsley depicts the other world as water kingdom. The boy chimney sweeper Tom gets there having drowned in the river. The paper analyses how the other world is organized to provide the Victorian up-bringing and support the ideas of Darwinian evolution. Tom’s life in water is interpreted as the period of moral transformation and the study of nature. The topography of the other world is structured around the magic Isle of St. Brendan. The boundary between this world and the other world is crossed through mirrors, water surfaces and by looking in the eyes of fairies. “The Water-Babies” are interpreted as part of a specific literary tradition. The article compares different versions of the archetypal plot about a chimney sweeper in English literature. The analysis is focused around the poems about the chimney sweeper by William Blake in “Songs of Innocence” and “Songs of Experience”, narrating the tale of children getting into the other world and the following Redemption. “The Three Sleeping Boys of Warwickshire” by Walter de la Mare is the final text in this tradition. In conclusion we examine beliefs about chimney sweeper in folklore sources and in particular the connection between chimney sweeper and good luck.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127749187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BEING IN ANGER. WHO AND HOW FELT ENRAGED IN MONGOLIAN FOLKLORE","authors":"Elena V. Komkova","doi":"10.28995/2658-5294-2021-4-1-39-48","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-1-39-48","url":null,"abstract":"The article is dedicated to the analysis of the lexical and stylistic markers of anger in Mongolian folklore, texts and to how frequent that emotional phenomenon is for the studied narratives. The object of the study is the lexical and stylistic markers of anger in Mongolian folklore narratives. The subject of the study are the words that denote the manifestations of anger in the characters of the folklore texts; who and in what situations utters them. There can be different meanings that are hidden behind the lexical and stylistic marker of anger in the narrative. The analysis of communicative situations may allow to make assumptions about the nature of the world picture of the actors in Mongolian folklore and to formulate a hypothesis about the reasons for the existence of an emotional state in one way or another.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"243 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116391130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}