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Greek and Roman Musical Studies最新文献

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Jouer pour la cité: une histoire sociale et politique des musiciens professionnels de l’Occident romain, written by Vincent, A. 为城市演奏:西罗马职业音乐家的社会和政治历史，文森特，A。
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341357
S. Perrot
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引用次数: 0
Sounds of War: What Brought the Walls of Jericho Down? 战争的声音：是什么推倒了杰里科的城墙？
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341349
Andreas Kramarz
{"title":"Sounds of War: What Brought the Walls of Jericho Down?","authors":"Andreas Kramarz","doi":"10.1163/22129758-12341349","DOIUrl":"https://doi.org/10.1163/22129758-12341349","url":null,"abstract":"\u0000The destruction of Jericho’s city walls (Joshua 6) is commonly attributed to the blowing of trumpets. After examining similar stories from ancient Greece, the article addresses various imprecisions of this notion. First, the Hebrew, Greek, and Latin versions of the biblical text suggest several possible instruments, but eventually the ram horn (shofar) remains the only reasonable option. Secondly, regarding the actual cause of the walls’ fall, textual analysis, again across languages, reveals a rather complex picture. Further insights are gained from the interpretations of both Jewish and early Christian commentators and contemporary scholarship. After considering a variety of possibilities, ranging from an earthquake to the ‘magic’ number seven, the solution proposed here is rooted in the soteriological hermeneutics of Sacred Scripture as a whole. In a way, none and all of the people’s actions are relevant, because only faith and obedience to God’s commandment elicit the divine ratification of salvation.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341349","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42583027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Affective Soundscapes in Thucydidean Battle Narrative 修昔底德战争叙事中的情感音景
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341346
Bradley Hald
{"title":"Affective Soundscapes in Thucydidean Battle Narrative","authors":"Bradley Hald","doi":"10.1163/22129758-12341346","DOIUrl":"https://doi.org/10.1163/22129758-12341346","url":null,"abstract":"\u0000Thucydides’ History is deeply committed to the conventional correlation in Greek thought between sight and knowledge. In the Methodology chapters (1.20-3), the histo- rian grounds his investigative project in visual metaphor: it is a work that has been construc- ted ‘out of the most manifest evidence’, which promises to reveal the ‘least visible’ but ‘truest cause’ of this war. In contrast, Thucydides is suspicious of the epistemological value of hearing, repeatedly denigrating the ‘alluring’ sounds of poetic and hearsay accounts of Greek history. In this paper, I argue that this critique extends also to other sounds in the History, and that Thucydides’ anxieties over audition are directly related to the prob- lematic relation he sees between sound, knowledge, and emotion. While visual perception provides the normative pathway to cognitive evaluation and rational emotional response, sounds have the capacity to short-circuit the evaluative process by circumventing cognition and eliciting unmediated affective responses in hearing subjects.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341346","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45996856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Kinesias’ Musicopoetic Paranomia
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341351
T. Hadjimichael
{"title":"On Kinesias’ Musicopoetic Paranomia","authors":"T. Hadjimichael","doi":"10.1163/22129758-12341351","DOIUrl":"https://doi.org/10.1163/22129758-12341351","url":null,"abstract":"\u0000In this article I focus on the New Poet Kinesias and on the ways in which he was depicted, ridiculed, and criticized in our sources. I contextualize his depiction as a poetic and musical corrupter and as a thin and disabled individual within the criticism of the New Music in late fifth- and early fourth-century philosophical works, namely those by Plato and Aristotle, to argue that he was considered the poet who embodied the musicopoetic paranomia and the lack of orthotēs in the New Music. I also bring into my analysis a fragment from a speech of Lysias against Kinesias, where I focus on the accusations against the poet, in order to show that both his political actions (as described in the fragment and in Athenaeus who transmits the passage) and his experimentations with the chorus and with poetic performances were interpreted as a threat to the coherence and stability of the community.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341351","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41965288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Martem Accendere Cantu: The Meaning of Music on the Battlefield Martem Accendere Cantu：音乐在战场上的意义
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341347
Spencer A. Klavan
{"title":"Martem Accendere Cantu: The Meaning of Music on the Battlefield","authors":"Spencer A. Klavan","doi":"10.1163/22129758-12341347","DOIUrl":"https://doi.org/10.1163/22129758-12341347","url":null,"abstract":"\u0000This paper examines in detail an under-appreciated passage from Philodemus of Gadara’s On Music in order to elucidate several important controversies in Hellenistic musical philosophy. The Stoic Diogenes of Babylon claimed that the emotional impact of trumpet tunes can inspire soldiers to fight. But the Epicurean Philodemus believed that the meaningful words (λόγοι) which stimulate our actions are utterly distinct from meaningless musical sound (µουσική). Philodemus therefore framed an alternative theory in which trumpet calls on the battlefield function not as music but as a kind of makeshift language, using conventional signifiers to communicate instructions. I show how both philosophers’ views arise logically out of doctrines from their respective schools. I then argue that the trumpet’s dual status as both performance instrument and communications device makes it a natural philosophical flashpoint: it raises central questions about what music is, how it affects listeners, and whether it can convey meaning.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341347","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44904176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Some Improvements for the Restored Hormasia Tables 对恢复的horasia表的一些改进
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341352
D. Najock
{"title":"Some Improvements for the Restored Hormasia Tables","authors":"D. Najock","doi":"10.1163/22129758-12341352","DOIUrl":"https://doi.org/10.1163/22129758-12341352","url":null,"abstract":"\u0000The lost hormasia tables, as restored in my previous article, are modified in the present contribution by some corrections or improvements. The improved tables at least theoretically provide a refined system of accompaniment by two-note chords, essentially fifths or fourths, picked out of the latter part of the left hand row. Furthermore, this part can be used for playing a second voice in parallel fifths, fourths, seconds and thirds (or their octaves). The fourth section presents some comparable phenomena, both from medieval European theory and from old folklore which is likely to be rooted in Byzantine or even ancient music. A note on ancient ‘polyphony’ is added, together with some general remarks on the possibilities of restoring the lost tables.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341352","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48726624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading and Writing, Singing and Playing on Three Early Red-Figure Vases 在三个早期红人花瓶上读书、写字、唱歌、演奏
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341350
Egert Pöhlmann
{"title":"Reading and Writing, Singing and Playing on Three Early Red-Figure Vases","authors":"Egert Pöhlmann","doi":"10.1163/22129758-12341350","DOIUrl":"https://doi.org/10.1163/22129758-12341350","url":null,"abstract":"\u0000The tools for reading and writing, the writing tablets and the papyrus scroll, were inherited by Greece from the East together with the Phoenician alphabet. The oldest papyrus scroll and writing tablets with Greek text were found in the tomb of a musician in Daphne dated to 430 BC. After 700 BC writing tablets were ubiquitous in Greece. However, black figure vases do not depict them. The first writing tablet appears on a red figure kylix of the Euergides Painter from Vulci (520). The first papyrus scrolls appear, together with writing tablets and the lyre, on a kylix from Ferrara (c. 480-70). Papyrus scrolls, writing tablets, the lyre and aulos appear together on the famous Berlin kylix of Douris from Caere (480).","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341350","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44316053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Authorship and Greek Song: Authority, Authenticity, and Performance, edited by Bakker, Egbert J. 《作家与希腊歌曲：权威、真实性与表演》，巴克尔主编。
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341356
A. Provenza
{"title":"Authorship and Greek Song: Authority, Authenticity, and Performance, edited by Bakker, Egbert J.","authors":"A. Provenza","doi":"10.1163/22129758-12341356","DOIUrl":"https://doi.org/10.1163/22129758-12341356","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341356","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49190058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Λελεγίζω: An Obscure Verb 一个晦涩的动词
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341353
Konstantine Panegyres
{"title":"Λελεγίζω: An Obscure Verb","authors":"Konstantine Panegyres","doi":"10.1163/22129758-12341353","DOIUrl":"https://doi.org/10.1163/22129758-12341353","url":null,"abstract":"\u0000The rare verb λελεγίζω is glossed as τὸ κιθαρίζω by Byzantine lexicographers. This paper discusses the form and meaning of λελεγίζω from the perspective of musical terminology, such as its relation to the verbs λαλέω and λαλαγέω or to -ίζω verbs derived from ethnic names. I propose that the most likely interpretation of λελεγίζω is that it means ‘to play the kithara in the Lelegian manner’.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341353","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48359894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The War-Trumpet and the Sound of Domination in Ancient Greek Thought 古希腊思想中的战争号角与统治之声
Greek and Roman Musical Studies Pub Date : 2019-08-20 DOI: 10.1163/22129758-12341348
Sarah H. Nooter
{"title":"The War-Trumpet and the Sound of Domination in Ancient Greek Thought","authors":"Sarah H. Nooter","doi":"10.1163/22129758-12341348","DOIUrl":"https://doi.org/10.1163/22129758-12341348","url":null,"abstract":"\u0000In this piece, I contend that the war-trumpet (salpinx) was understood in ancient Greek literature as connected to the divine and invincible. I show how this understanding arose from a focus on the sound of the war-trumpet, accompanied by silence around the physical act of playing it, inasmuch as this act, in the parallel case of the aulos, reveals embodiment and vulnerability. In archaic and classical texts, ranging among Aristophanes, Thucydides, Homer, Aeschylus, Sophocles and Aristotle, we see that the sound of the salpinx is both infallible and capable of connoting the domination of Greek males in several fields: battles, courts of law, and the imagining of human and nonhuman ontology.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341348","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48429807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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