{"title":"The Sounds of War","authors":"S. Gurd, J. Franklin","doi":"10.1163/22129758-12341345","DOIUrl":"https://doi.org/10.1163/22129758-12341345","url":null,"abstract":"\u0000This paper serves as a brief introduction to a series of articles dedicated to the theme of the soundscapes of war in Classical Antiquity.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341345","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44156685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial","authors":"E. Rocconi","doi":"10.1163/22129758-12341344","DOIUrl":"https://doi.org/10.1163/22129758-12341344","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341344","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49466621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sounds on Stage: Musical and Vocal Languages and Experiences","authors":"M. Arpaia","doi":"10.1163/22129758-12341355","DOIUrl":"https://doi.org/10.1163/22129758-12341355","url":null,"abstract":"\u0000The twenty-four papers delivered at the graduate conference entitled “Sounds on Stage: Musical and Vocal Languages and Experiences” (L’Aquila, 14-16 November 2018) investigated the relationship between music and theatrical performances from a comparative perspective. The presentations dealt with the role of music in several theatrical genres from different cultures and times: ancient Greek drama, musical theater (especially opera), modern and contemporary theater and ancient ritual Sanskrit drama.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341355","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45619579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New Voices in Ancient Music","authors":"Spencer A. Klavan, James Lloyd, Harry Morgan","doi":"10.1163/22129758-12341354","DOIUrl":"https://doi.org/10.1163/22129758-12341354","url":null,"abstract":"\u0000This report provides a conspectus of the nine papers presented at ‘The Graduate Workshop in Ancient Greek and Roman Music’, held at the University of Oxford in June 2018. The workshop was organised with the intent of showcasing the innovative work of postgraduates in the field of ancient Greek and Roman music. Based around the themes of theory and practice, drama, and ritual, the papers reflect current areas of focus within the field and suggest promising avenues for further enquiry.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341354","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46392517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Music of Tragedy: Performance and Imagination in Euripidean Theater, written by Weiss, N.A.","authors":"E. Csapo","doi":"10.1163/22129758-12341342","DOIUrl":"https://doi.org/10.1163/22129758-12341342","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341342","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43258210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Cyclops’ Revenge","authors":"Francesca Modini","doi":"10.1163/22129758-12341334","DOIUrl":"https://doi.org/10.1163/22129758-12341334","url":null,"abstract":"\u0000Taking issue with the Gorgias and its dismissal of fifth-century Athenian rhetoricians and statesmen, in his Reply to Plato in Defence of the Four (Or. 3) the imperial sophist Aelius Aristides finds himself dealing with Plato’s condemnation of New Music, which in the Gorgias had gone hand in hand with the censure of rhetoric. In a brilliant display of new musical ‘revisionism’ so far ignored by scholars, Aristides presents in a positive light the notorious new dithyrambist Philoxenus of Cythera, so that Plato’s influential criticism of New Music, and especially of its political implications, backfires. This paper provides a close analysis of Aristides’ new musical discussion, concentrating both on the sophist’s engagement with Platonic musical critique and on his use of anecdotal traditions about Philoxenus circulating under the Empire. The ultimate goal is to contribute to the history of New Music and its ancient, not always predictable, reception.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341334","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45694536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial","authors":"E. Rocconi","doi":"10.1163/22129758-12341343","DOIUrl":"https://doi.org/10.1163/22129758-12341343","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341343","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49271090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New Music","authors":"M. Ercoles","doi":"10.1163/22129758-12341335","DOIUrl":"https://doi.org/10.1163/22129758-12341335","url":null,"abstract":"\u0000The examination of ancient historical accounts of the development of rhythmopoiia in ancient Greek music and the analysis of the main rhythmical features associated with modernist composers of the late fifth-early fourth century BC show that the actual ‘novelty’ of New Music style in this field lies in a more consistent and elaborate use of existing resources rather than in the invention of new practices (perhaps, with the only exception of warbles). Among other passages, Ar. Th. 120-2 and Tim. PMG 791.229-33 are taken into deeper consideration.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341335","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49071497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Echoes of the Rejection of the Aulos in Augustan Poetry","authors":"Kamila Wysłucha","doi":"10.1163/22129758-12341336","DOIUrl":"https://doi.org/10.1163/22129758-12341336","url":null,"abstract":"\u0000Athenian elites of the late fifth century BC rebelled against aulos-playing as part of the school curriculum and launched a socio-cultural campaign against the instrument. Echoes of this ‘anti-aulos’ crusade reverberated in literature in the centuries to follow as motifs of hostility towards aulos music. Ovid (Fasti 6.657-710) and Propertius (2.30b) engage in this discourse, largely disregarding the motives of the Athenians for spurning the instrument; instead they embed the rejection myths in their poetical programmes in the context of their precarious relationship with Augustan authority. This paper argues that while both poets oppose the rejection of the doublepipes, they do so for entirely different reasons. Although the negative image of the aulos is present in Latin literary sources, it is largely disconnected from the substantial role of the instrument in Roman musical culture.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341336","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43205603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Hymn of Mesomedes on Antinous (Inscription of Courion, Mitford No. 104)","authors":"Egert Pöhlmann","doi":"10.1163/22129758-12341337","DOIUrl":"https://doi.org/10.1163/22129758-12341337","url":null,"abstract":"\u0000The citharode Mesomedes of Crete was one of the poets at the court of Hadrian. In late antiquity a selection of his poetry was assembled, and this corpus survived in transmission until medieval times, partly with musical notation. But of course the oeuvre of Mesomedes was much greater, as we see from two poems transmitted by the Greek Anthology and a lost encomium on Antinous, Hadrian’s paidika, as the Suda informs us. In his publication of the inscriptions of Courion (10 km west of Limassol) Mitford recognized clearly that the Antinous in Courion no. 104 must be the paidika of the Emperor Hadrian, and that the hymn in the inscription must be an encomium to Antinous, who drowned in the waters of the Nile in 130 AD. By comparing the metrics and the style of the encomium with the preserved poetry of Mesomedes, I shall argue that the hymn on Antinous is the encomium attested by the Suda for Mesomedes.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341337","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48696373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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