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Echoing the Eleusinian World: Eleusinian Topoi and Sounds in Pindaric Epinician Poetry 呼应埃利乌斯世界：埃利乌西尼诗歌中的埃利乌西尼主题和声音
Greek and Roman Musical Studies Pub Date : 2024-04-03 DOI: 10.1163/22129758-bja10080
Francesco Buè
{"title":"Echoing the Eleusinian World: Eleusinian Topoi and Sounds in Pindaric Epinician Poetry","authors":"Francesco Buè","doi":"10.1163/22129758-bja10080","DOIUrl":"https://doi.org/10.1163/22129758-bja10080","url":null,"abstract":"\u0000The spheres of Eleusinian mystery cults and of the Panhellenic games have numerous points of contact, from a lexical point of view, as well as on the level of imagery, more particularly with reference to their respective soundscapes. The familiarity that Pindar and his audiences share with these two contexts seems to emerge throughout the epinician odes. Focusing on the Pindaric corpus, this article highlights the similarities and analogies that could have led the poet to put together (and to draw inspiration from) the Eleusinian mysteries with their jargon on the one hand, and the lexicon and imagery of eulogy embedded in the reality and representation of the Panhellenic games on the other. My double objective is to analyze this common repertoire of terminology and images, evoked by Pindar and recognizable to his audiences, and to shed fresh light on Pindar’s engagement with Eleusinian mysteries through a textual approach. More generally, what I attempt to demonstrate in this paper is that the Eleusinian world resonates in Pindaric epinician poetry.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"59 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140748657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Greek and Latin Texts on the Harp and Similar Instruments in Byzantine Times 拜占庭时代关于竖琴和类似乐器的希腊文和拉丁文文本
Greek and Roman Musical Studies Pub Date : 2024-04-03 DOI: 10.1163/22129758-bja10077
D. Najock
{"title":"Greek and Latin Texts on the Harp and Similar Instruments in Byzantine Times","authors":"D. Najock","doi":"10.1163/22129758-bja10077","DOIUrl":"https://doi.org/10.1163/22129758-bja10077","url":null,"abstract":"\u0000In Byzantine sources, both literary and iconographic, the harp occurs surprisingly seldom. Harpa as a term for a musical instrument is first encountered in Venantius Fortunatus. It is usually translated as ‘harp’, but at that time it most likely meant a lyre. Since the Carolingian Renaissance – when in the West often the harp, in Byzantium the psaltery gradually took the place of the lyre – the old name apparently passed to the new instrument, as similarly in the cases of cithara and ψαλτήριον. The name harpa was apparently adopted into Greek only at the end of the 14th century under Italian influence. Πλινθίον probably referred to the rectangular psaltery in Byzantium. Ἀχιλλιακόν may have meant a rare instrument in Byzantium, probably due to a misunderstanding of our Fortunatus passage.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140747294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pompē, Peplos, Poikilia: Picturing the Panathenaia on an Athenian Amphora Pompē、Peplos、Poikilia：在雅典的安福拉瓶上描绘 Panathenaia
Greek and Roman Musical Studies Pub Date : 2024-02-16 DOI: 10.1163/22129758-bja10079
Sheramy D. Bundrick
{"title":"Pompē, Peplos, Poikilia: Picturing the Panathenaia on an Athenian Amphora","authors":"Sheramy D. Bundrick","doi":"10.1163/22129758-bja10079","DOIUrl":"https://doi.org/10.1163/22129758-bja10079","url":null,"abstract":"\u0000An Athenian black-figure amphora from the Etruscan site of Orvieto juxtaposes a scene of Zeus, Athena, and Herakles battling Giants with three kitharōidoi in procession. Attributed to the Painter of Berlin 1686, the amphora shares much with the painter’s name vase, also featuring musicians but in a sacrificial procession to Athena. The Gigantomachy composition, meanwhile, echoes a group of vases by different painters dedicated on the Athenian Akropolis. I propose that the Orvieto amphora was inspired by the Greater Panathenaia, combining the Gigantomachy as a central myth of the festival with kitharōidoi from its grand pompē. Foregrounding the multilayered concept of poikilia, I further suggest the painter evoked the Panathenaia’s multisensory experience through the amphora’s materiality and aesthetics. Together, the amphora’s paired scenes encourage contemplation of harmony (harmonia) and divine order (kosmos).","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"289 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140453949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aspects of Roman Dance Culture. Religious Cults, Theatrical Entertainments, Metaphorical Appropriations, edited by Schlapbach, K. 罗马舞蹈文化的各个方面。宗教崇拜、戏剧表演、隐喻应用》，K.施拉普巴赫编著。
Greek and Roman Musical Studies Pub Date : 2024-02-16 DOI: 10.1163/22129758-bja10078
Tom Sapsford
{"title":"Aspects of Roman Dance Culture. Religious Cults, Theatrical Entertainments, Metaphorical Appropriations, edited by Schlapbach, K.","authors":"Tom Sapsford","doi":"10.1163/22129758-bja10078","DOIUrl":"https://doi.org/10.1163/22129758-bja10078","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"628 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140454137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Texts, Bodies, Images, Movement 文本、身体、图像、运动
Greek and Roman Musical Studies Pub Date : 2024-01-31 DOI: 10.1163/22129758-12341393
Zoa Alonso Fernández
{"title":"Texts, Bodies, Images, Movement","authors":"Zoa Alonso Fernández","doi":"10.1163/22129758-12341393","DOIUrl":"https://doi.org/10.1163/22129758-12341393","url":null,"abstract":"\u0000The international symposium Imprints of Ancient Greek and Roman Dance: Texts, Bodies, Images, Movement took place in Madrid in September 2022. As the final component of a research project funded by the Spanish Society of Classical Studies and the BBVA Foundation, this event aimed to scrutinize a series of concepts that have proven significant to the transhistorical and transcultural study of dance. The eight scholars tasked with examining these concepts presented interesting case studies of ancient Greek and Roman dancing between the Archaic period and late Antiquity, drawing upon a variety of media and sources.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"55 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140477702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unlocking the Riddles of Imperial Greek Melodies: The ‘Lydian’ Metamorphosis of the Classical Harmonic System 揭开希腊帝国旋律之谜：古典和声体系的 "吕底亚 "变形
Greek and Roman Musical Studies Pub Date : 2023-12-21 DOI: 10.1163/22129758-bja10073
Tosca A.C. Lynch
{"title":"Unlocking the Riddles of Imperial Greek Melodies: The ‘Lydian’ Metamorphosis of the Classical Harmonic System","authors":"Tosca A.C. Lynch","doi":"10.1163/22129758-bja10073","DOIUrl":"https://doi.org/10.1163/22129758-bja10073","url":null,"abstract":"Building upon Lynch 2022a and 2022b, this article offers the first account of the historical evolution of the Greek harmonic system and notation keys (tónoi) that bridges the gap between Classical and Imperial music. This new solution allows us to reconstruct, for the first time, a continuous, if evolving, tradition that stretches from Euripides’ Orestes to late antiquity, reconciling key theoretical insights provided by Ptolemy, Porphyry and others with documentary evidence that illustrates the structure of the Imperial harmonic system and its use in the Imperial musical documents (dDAGM). This approach also enables us to trace the gradual expansion of the Greek notation system from an initial set of symbols (–) to the full array recorded by Aristides and Alypius, mapping its development onto key historical milestones including the revolutionary innovations of the New Musicians and Damon of Oa’s inclusion of the Lydian mode into the Greek modulation system.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"46 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139167034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Représenter la musique dans l’Antiquité, edited by Vendries, C., and Gétreau, F. 古代音乐的表现形式》，由 Vendries, C. 和 Gétreau, F. 编辑。
Greek and Roman Musical Studies Pub Date : 2023-11-15 DOI: 10.1163/22129758-bja10074
O. Wiener
{"title":"Représenter la musique dans l’Antiquité, edited by Vendries, C., and Gétreau, F.","authors":"O. Wiener","doi":"10.1163/22129758-bja10074","DOIUrl":"https://doi.org/10.1163/22129758-bja10074","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"33 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139274413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vicente Requeno y Vives. Ensayos históricos para servir al restablecimiento de la música de los antiguos griegos, edited by Astorgano Abajo, A., and Garrido Domené, F. Vicente Requeno y Vives。为恢复古代格里高斯音乐服务的历史研究》，由 Astorgano Abajo, A. 和 Garrido Domené, F. 编辑。
Greek and Roman Musical Studies Pub Date : 2023-11-15 DOI: 10.1163/22129758-bja10075
Luis Calero
{"title":"Vicente Requeno y Vives. Ensayos históricos para servir al restablecimiento de la música de los antiguos griegos, edited by Astorgano Abajo, A., and Garrido Domené, F.","authors":"Luis Calero","doi":"10.1163/22129758-bja10075","DOIUrl":"https://doi.org/10.1163/22129758-bja10075","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"191 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139271540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nuove volute di versi: Poesia e musica nella commedia greca di V e IV sec. a. C, edited by Gostoli, A., and Zimmermann, B. with the collaboration of Bianchi, F.B. 诗歌和音乐在希腊喜剧，由Gostoli, a.和Zimmermann, B.与白人的合作，f.b.。
Greek and Roman Musical Studies Pub Date : 2023-10-31 DOI: 10.1163/22129758-bja10072
Timothy Moore
{"title":"Nuove volute di versi: Poesia e musica nella commedia greca di V e IV sec. a. C, edited by Gostoli, A., and Zimmermann, B. with the collaboration of Bianchi, F.B.","authors":"Timothy Moore","doi":"10.1163/22129758-bja10072","DOIUrl":"https://doi.org/10.1163/22129758-bja10072","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"120 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135976978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the Name of an Obscure Musical Instrument: What was the Kabithakanthion? 关于一种鲜为人知的乐器的名字:什么是Kabithakanthion?
Greek and Roman Musical Studies Pub Date : 2023-10-19 DOI: 10.1163/22129758-bja10071
Konstantine Panegyres
{"title":"On the Name of an Obscure Musical Instrument: What was the Kabithakanthion?","authors":"Konstantine Panegyres","doi":"10.1163/22129758-bja10071","DOIUrl":"https://doi.org/10.1163/22129758-bja10071","url":null,"abstract":"Abstract There is uncertainty about the form and meaning of the word καβιθακάνθιον , the name of a type of aulos instrument mentioned in a Byzantine Greek alchemical treatise. The problem can be resolved if the word is interpreted as a hybrid bilingual compound of Late Latin cauitas (‘hollow’) and Greek ἀκάνθιον (‘little thorn’), meaning ‘hollow little thorn’. Aulos instruments were thought to be ‘hollow’ owing to the internal cavity through which the performer blows in order to produce sound; and ‘little thorn’ may refer to the shape and size of the instrument, being a small slender pipe.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"345 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135821519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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