The War-Trumpet and the Sound of Domination in Ancient Greek Thought

Q1 Arts and Humanities
Sarah H. Nooter
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引用次数: 1

Abstract

In this piece, I contend that the war-trumpet (salpinx) was understood in ancient Greek literature as connected to the divine and invincible. I show how this understanding arose from a focus on the sound of the war-trumpet, accompanied by silence around the physical act of playing it, inasmuch as this act, in the parallel case of the aulos, reveals embodiment and vulnerability. In archaic and classical texts, ranging among Aristophanes, Thucydides, Homer, Aeschylus, Sophocles and Aristotle, we see that the sound of the salpinx is both infallible and capable of connoting the domination of Greek males in several fields: battles, courts of law, and the imagining of human and nonhuman ontology.
古希腊思想中的战争号角与统治之声
在这篇文章中,我认为战争号角(salpinx)在古希腊文学中被理解为与神圣和不可战胜有关。我展示了这种理解是如何从对战争号角声音的关注中产生的,伴随着演奏它的身体行为周围的沉默,因为这种行为,在平行的情况下,aulos,揭示了具体化和脆弱性。在古代和古典文本中,包括阿里斯托芬、修昔底德、荷马、埃斯库罗斯、索福克勒斯和亚里士多德,我们看到输卵管的声音是绝对正确的,并且能够暗示希腊男性在几个领域的统治:战争、法庭、人类和非人类本体论的想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Greek and Roman Musical Studies
Greek and Roman Musical Studies Arts and Humanities-Classics
CiteScore
1.70
自引率
0.00%
发文量
23
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