{"title":"The War-Trumpet and the Sound of Domination in Ancient Greek Thought","authors":"Sarah H. Nooter","doi":"10.1163/22129758-12341348","DOIUrl":null,"url":null,"abstract":"\nIn this piece, I contend that the war-trumpet (salpinx) was understood in ancient Greek literature as connected to the divine and invincible. I show how this understanding arose from a focus on the sound of the war-trumpet, accompanied by silence around the physical act of playing it, inasmuch as this act, in the parallel case of the aulos, reveals embodiment and vulnerability. In archaic and classical texts, ranging among Aristophanes, Thucydides, Homer, Aeschylus, Sophocles and Aristotle, we see that the sound of the salpinx is both infallible and capable of connoting the domination of Greek males in several fields: battles, courts of law, and the imagining of human and nonhuman ontology.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22129758-12341348","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek and Roman Musical Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22129758-12341348","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
In this piece, I contend that the war-trumpet (salpinx) was understood in ancient Greek literature as connected to the divine and invincible. I show how this understanding arose from a focus on the sound of the war-trumpet, accompanied by silence around the physical act of playing it, inasmuch as this act, in the parallel case of the aulos, reveals embodiment and vulnerability. In archaic and classical texts, ranging among Aristophanes, Thucydides, Homer, Aeschylus, Sophocles and Aristotle, we see that the sound of the salpinx is both infallible and capable of connoting the domination of Greek males in several fields: battles, courts of law, and the imagining of human and nonhuman ontology.