发布求助
文献互助 智能选刊 最新文献

Greek and Roman Musical Studies最新文献

筛选
英文 中文
Ancient ‘Solmisation’ and the Meaning of Notes 古代“孤独论”与笔记的意义
Greek and Roman Musical Studies Pub Date : 2022-03-07 DOI: 10.1163/22129758-bja10042
Stefan Hagel
{"title":"Ancient ‘Solmisation’ and the Meaning of Notes","authors":"Stefan Hagel","doi":"10.1163/22129758-bja10042","DOIUrl":"https://doi.org/10.1163/22129758-bja10042","url":null,"abstract":"\u0000When contextualising the ancient Greek solmisation system, known from Aristides Quintilianus and one of Bellermann’s Anonymi, within its musical and linguistic environment, it emerges that it hardly predates the Roman Imperial period, an important part of whose musical schooling it appears to have formed. The system seems based on a combination of the various vowels’ intrinsic F2 pitch and intensity and reflects the harmonic hierarchies of contemporary music, shedding a much more favourable light on the music-psychological relevance of Aristides’ gendered musical notes than is conventionally assumed.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49569198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ettore Romagnoli traduttore delle Baccanti 埃托雷·罗马戈诺利翻译酒神
Greek and Roman Musical Studies Pub Date : 2022-03-07 DOI: 10.1163/22129758-bja10037
S. Troiani
{"title":"Ettore Romagnoli traduttore delle Baccanti","authors":"S. Troiani","doi":"10.1163/22129758-bja10037","DOIUrl":"https://doi.org/10.1163/22129758-bja10037","url":null,"abstract":"\u0000At the beginning of the Twentieth Century the Italian philologist Ettore Romagnoli popularised ancient classical culture through his work as translator and director of performances of Greek and Roman dramas. In his plays he attempted to reproduce the unity of the arts that belonged to the mousikē technē and to achieve a modern recreation of ancient sounds and rhythms. The paper aims to analyse the translation of Euripides’ Bacchae by Romagnoli (1912), comparing it with his studies on Greek music and tragedy and with operas. On the one hand, Romagnoli’s translation in Italian verses is based on the musicological theories about the close relationship between music and metrics in ancient Greek poetry; on the other, the adoption of operatic language to translate specific lines of Euripides’ drama is probably oriented to the Italian audience, which would have recognised conventional expressions from the libretti or from famous arias.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46440844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Corps et voix dans les danses du théâtre antique, edited by M.-H. Delavaud-Roux 《古代剧院舞蹈中的身体和声音》，M.-H.Delavaud Roux编辑
Greek and Roman Musical Studies Pub Date : 2022-03-07 DOI: 10.1163/22129758-bja10032
Eleonora Rocconi
{"title":"Corps et voix dans les danses du théâtre antique, edited by M.-H. Delavaud-Roux","authors":"Eleonora Rocconi","doi":"10.1163/22129758-bja10032","DOIUrl":"https://doi.org/10.1163/22129758-bja10032","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47152271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Cultural History of Theatre in Antiquity, edited by M. Revermann 《古代戏剧文化史》，M.Revermann主编
Greek and Roman Musical Studies Pub Date : 2022-03-07 DOI: 10.1163/22129758-bja10034
Timothy Moore
{"title":"A Cultural History of Theatre in Antiquity, edited by M. Revermann","authors":"Timothy Moore","doi":"10.1163/22129758-bja10034","DOIUrl":"https://doi.org/10.1163/22129758-bja10034","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45317143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 22
Wiederentdeckte Klänge. Musikinstrumente und Klangobjekte vom Neolithikum bis zur römischen Kaiserzeit im mittleren Donauraum, written by B.M. Pomberger 发现的声音。多瑙河中部地区新石器时代到罗马帝国的乐器和音响物品，作者：B.M.Pomberger
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10029
Sylvain Perrot
{"title":"Wiederentdeckte Klänge. Musikinstrumente und Klangobjekte vom Neolithikum bis zur römischen Kaiserzeit im mittleren Donauraum, written by B.M. Pomberger","authors":"Sylvain Perrot","doi":"10.1163/22129758-bja10029","DOIUrl":"https://doi.org/10.1163/22129758-bja10029","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46320128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cornua de Pompéi: Trompettes romaines de la gladiature, edited by Ch. Vendries 庞贝的科努阿：角斗士的罗马小号，由Ch.Vendries编辑
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10031
H. Morgan
{"title":"Cornua de Pompéi: Trompettes romaines de la gladiature, edited by Ch. Vendries","authors":"H. Morgan","doi":"10.1163/22129758-bja10031","DOIUrl":"https://doi.org/10.1163/22129758-bja10031","url":null,"abstract":"","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46475835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Teacher of Dance 舞蹈老师
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10026
Clifford A. Robinson
{"title":"The Teacher of Dance","authors":"Clifford A. Robinson","doi":"10.1163/22129758-bja10026","DOIUrl":"https://doi.org/10.1163/22129758-bja10026","url":null,"abstract":"\u0000The De musica of Aristides Quintilianus, an author and music theorist unknown apart from this treatise, presents several tantalizing claims about the relationship between dance and the three sciences of mousikē: i.e., harmonics, metrics, and, most importantly, rhythmics. Elliptical as his remarks on dance may be, if they are taken together with his treatment of the musical phenomena as essentially governed by systēmata, both a technical discourse around dance can be elicited from the evidence as well as the philosophical and aesthetic reasons why such a discourse was so modestly developed in comparison with the three sciences attending to musical phenomena. I conclude that the theorist considers the dancing body to be only minimally conformable to the systēmata imposed on bodies by the Platonic demiurge’s art, almost as a leimma unassimilable to the perfections of musical order, and yet somehow orderly enough to be treated according to their proportional order.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45280415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hexametric Poetesses ante Homerum
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10022
G. Chesi
{"title":"Hexametric Poetesses ante Homerum","authors":"G. Chesi","doi":"10.1163/22129758-bja10022","DOIUrl":"https://doi.org/10.1163/22129758-bja10022","url":null,"abstract":"\u0000This paper discusses an issue relevant to the history of the Greek hexameter, that is, the female and oracular origins of the so-called heroic verse, which, according to Plutarch in De Pythiae oraculis (402d), was first heard in Delphi at the shrine of Earth. I am going to look at two hexametric poetesses ante Homerum, Phemonoe and Herophile. My analysis unfolds in three steps, and focuses on several passages in Pausanias’ book on Delphi and Phocis – our most important source for the oracular and female inception of hexameter. Firstly, in addressing the attribution of the invention of hexameter to Phemonoe, I dwell on the characterization of her hexametric oracular song as aeidein as well as on the notion of the hexameter as a product of technē (‘craft’). Secondly, I discuss why Phemonoe and Herophile can be deemed to have authored epos ante Homerum. Finally, I examine oracular silence as the very source of the oracle-myth surrounding the female invention of the hexametric verse.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41342054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ancient Musical Writings as Persuasive Texts 作为劝学文本的古代音乐作品
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10025
M. Raffa
{"title":"Ancient Musical Writings as Persuasive Texts","authors":"M. Raffa","doi":"10.1163/22129758-bja10025","DOIUrl":"https://doi.org/10.1163/22129758-bja10025","url":null,"abstract":"\u0000This contribution is meant to shed light on how ancient Greek music theorists structure argumentations and address their readership in order to be understandable, effective and persuasive. On the one hand, some of the most important treatises, e.g. Ptolemy’s Harmonics (with Porphyry’s Commentary) and what remains of Archytas’ and Theophrastus’ works, are taken as case studies; on the other hand, the paper deals with some argumentative patterns recurring in harmonics demonstrations, especially with reference to the usage of everyday life experience as evidence supporting acoustic and harmonic theories.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44360389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Pantomimic Voice 哑剧的声音
Greek and Roman Musical Studies Pub Date : 2021-08-20 DOI: 10.1163/22129758-bja10027
A. Koenig
{"title":"The Pantomimic Voice","authors":"A. Koenig","doi":"10.1163/22129758-bja10027","DOIUrl":"https://doi.org/10.1163/22129758-bja10027","url":null,"abstract":"\u0000Ovid’s Metamorphoses, as scholars have demonstrated, can be read in dialogue with Roman pantomime dance, and the tale of Echo and Narcissus is one of its most ‘pantomimic’ episodes. While others have focused on the figure of Narcissus in this vein, I turn instead to Echo, whose vocal mimicry can be seen as a mirror of the pantomime’s art, and whose juxtaposition with Narcissus seems emblematic of the body-voice relationship in pantomime. Echo’s desire for Narcissus engages with an existing lyric tradition of depicting the relationship between singing voice and dancing body in erotic terms. In such situations, the desire is fulfilled if the performers are both singing and dancing, uniting body and voice in performance. The thwarted union of Echo and Narcissus, however, embodies instead the dynamics of pantomime: the subordination or absence of the voice in favor of the body, and the connection created between dancer and audience.","PeriodicalId":36585,"journal":{"name":"Greek and Roman Musical Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43807641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信