KeriaPub Date : 2019-09-30DOI: 10.4312/keria.21.1.45-59
Janez Bogataj
{"title":"Metamorphōsis Between Ovid, The Theōsis Of Andrew Of Crete And The Byzantine Humanism Of Leo Vi","authors":"Janez Bogataj","doi":"10.4312/keria.21.1.45-59","DOIUrl":"https://doi.org/10.4312/keria.21.1.45-59","url":null,"abstract":"The paper addresses the Greek term μεταμόρφωσις, which links Ovid’s famous Metamorphoses with Christ’s transfiguration on the mountain (Mt 17:1–8; Mk 9:2–8; Lk 9:28–36). In addition to early Jewish mystical and apocalyptic traditions, it is Greco-Roman pagan literature that may be identified as a source for this gospel account. The latter went on to elicit a rich patristic and Byzantine response (Andrew of Crete, In transfigurationem 1 [Or. 7]; Leo VI the Wise, Hom. 10.11.39), which is the focus of the present study. The comparison of literary genres, philological and semantic analysis of the term μεταμόρφωσις, and confrontation of the different influences reveals the crucial difference between the two general contexts (pagan and Christian), at the same time enhancing our understanding of both. While Ovid’s numerous apotheoses are recognised as an important contribution, they differ from the patristic term θέωσις in their lack of inner, spiritual transformation.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44556294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-09-30DOI: 10.4312/keria.21.1.75-86
B. Čeh
{"title":"Ovid: Metamorphoses. From the Second Triad","authors":"B. Čeh","doi":"10.4312/keria.21.1.75-86","DOIUrl":"https://doi.org/10.4312/keria.21.1.75-86","url":null,"abstract":"Motiv o Salmakidi in Hermafroditu, o spojitvi ženske in moškega v dvospolno telo, sodi med raritete antične mitološke zakladnice. Odstopa tudi od prevladujočega vsebinskega vzorca v Ovidijevih Metamorfozah: tokrat nimfa izjemoma ni žrtev posilstva, ampak storilka nasilnega dejanja nad moškim. Ni ugotovljivo, odkod je Ovidij ta motiv povzel, ali pa si ga je izmislil sam, kot domnevajo nekateri komentatorji, vendar hermafrodite pred njim omenja že Diodor Sicilski.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43413352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-09-30DOI: 10.4312/keria.21.1.87-115
D. Novak
{"title":"The Story of Apollonius, King of Tyre","authors":"D. Novak","doi":"10.4312/keria.21.1.87-115","DOIUrl":"https://doi.org/10.4312/keria.21.1.87-115","url":null,"abstract":"Zgodba o Apoloniju, tirskem kralju, se prvič omenja konec 6. stol. po Kr. pri krščanskem pesniku Venanciju Fortunatu (Carmina 6.8.5). Njen avtor je neznan, najverjetneje pa temelji na grškem originalu iz 3. stol. po Kr., ki je izgubljen. V pozni antiki je bil žanr ljubezenskih zgodb zelo priljubljen. Ne glede na to se je do danes v celoviti obliki ohranilo zgolj pet romanov z ljubezensko vsebino. Žanr ljubezenskih romanov se je najverjetneje razvil proti koncu helenistične dobe (1. stol. pr. Kr.). Grški roman z ljubezensko vsebino je vplival tudi na latinsko literaturo in posledično tudi na razvoj romana v današnji obliki.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44819932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-09-30DOI: 10.4312/keria.21.1.61-74
P. Zupančič
{"title":"Ovid: Dido Writing to Aeneas (Heroides 7)","authors":"P. Zupančič","doi":"10.4312/keria.21.1.61-74","DOIUrl":"https://doi.org/10.4312/keria.21.1.61-74","url":null,"abstract":"Pesem je del Ovidijevih Heroid, niza ljubezenskih pisem v verzih, ki so izrazito dvodelna: prva serija pisem, ki jih svojim ljubimcem ali oddaljenim možem pišejo slavni ženski liki (najbolj znane dvojice so npr. Penelopa in Odisej, Dejanejra in Herkul, Ariadna in Tezej, Medeja in Jazon ter Didona in Enej), spada v zgodnje obdobje Ovidijevega ustvarjanja; datirajo jih v čas pred letom 15 pr. Kr. Drugo skupino, od 16. do 21. pisma, pa sestavljajo pisma treh zaljubljencev z odgovori izbranih žensk (npr. Paris in Helena); slednja so verjetno nastala v letih 4 do 8, tik pred Ovidijevim izgonom iz Rima.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44131859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-09-30DOI: 10.4312/keria.21.1.5-30
Alenka Cedilnik
{"title":"Pavzanijevi kralji Arkadije","authors":"Alenka Cedilnik","doi":"10.4312/keria.21.1.5-30","DOIUrl":"https://doi.org/10.4312/keria.21.1.5-30","url":null,"abstract":"Članek ob Pavzanijevem Vodiču po Grčiji osvetljuje starejša obdobja zgodovine Arkadije. Čeprav antični viri ta čas predstavljajo skozi mitološke like in zgodbe, vseeno posredujejo informacije tudi o povsem zgodovinskih dogodkih in procesih. Pavzanijev prikaz je zelo splošen in standarden ter v osnovnih potezah pravilen, čeprav ostajajo nepreverljive podrobnosti pripovedi. A da se v ozadju pripovedi skriva zrno resnice, med drugim dokazujejo arheološke najdbe. Pavzanijevi podatki o zgodovini Arkadije obenem niso le vir informacij o omenjenem obdobju, ampak posredno pričajo tudi o okoliščinah nastanka izročila, na katerega se avtor naslanja.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44257900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-01-28DOI: 10.4312/keria.20.2.89-114
Lara Unuk
{"title":"The Free Spirit by Yorgos Theotokas and the Concept of the Generation of the ‘30s","authors":"Lara Unuk","doi":"10.4312/keria.20.2.89-114","DOIUrl":"https://doi.org/10.4312/keria.20.2.89-114","url":null,"abstract":"This paper presents the way in which the members of the Generation of the ‘30s, a Greek literary movement in the interwar period, formed their collective identity or denied it, and how they defined themselves as a ‘generation’ without ever creating a formal literary school. I also observe how this affected the conclusions of later literary historians. The article contains a brief presentation of the situation in Greek literature before the appearance of the Generation of the ‘30s, since the notion of a break with tradition or else reinterpretation of literary heritage was at the core of their self-definition. I focus mainly on the work of Yorgos Theotokas and his contribution to the forming of their ‘myth’, as he calls it himself, and present his first and most important essay, The Free Spirit.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44262714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-01-28DOI: 10.4312/KERIA.20.2.23-54
Ana Marija Lamut
{"title":"Jazonov plašč v Apolonijevih Argonavtikah","authors":"Ana Marija Lamut","doi":"10.4312/KERIA.20.2.23-54","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.23-54","url":null,"abstract":"Članek obravnava opis sedmih slik z Jazonovega plašča v Apolonijevih Argonavtikah (1.721–68). Posvečen je predvsem funkciji samega opisa in položaju opisa v širšem kontekstu pesnitve. Vsaka slika prikazuje mitološko zgodbo, ki se vsebinsko ali metaforično navezuje na določene dogodke v Argonavtikah. Notranja meja, ki loči opis od pripovedi, je večinoma precej nedoločljiva. Pri posameznih opisih slik se narativni in opisni deli prepletajo znotraj samega opisa. Ker to pomeni soprisotnost dveh medijev, verbalnega in vizualnega, skuša avtorica izslediti možne neposredne likovne vplive ali vsaj vpliv posameznih ikonografskih motivov, predvsem pa pokaže, kako se v opisih prepletajo sredstva likovnega in verbalnega, kateri so tisti elementi, ki ustvarjajo vizualne učinke, ter kako prepoznamo »slikovni realizem«.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42565231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-01-28DOI: 10.4312/KERIA.20.2.117-122
David Movrin
{"title":"The art accompanying the Metamorphoses by Joža Lovrenčič","authors":"David Movrin","doi":"10.4312/KERIA.20.2.117-122","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.117-122","url":null,"abstract":"The challenges of editing a translation, such as the one preserved in the manuscript with Ovid’s Metamorphoses by dr. Joža Lovrenčič, include deciding about the art that accompanies the text. One of the options are the copper engravings from the workshop of Johann Weichard Valvasor; however, they omit some of the central stories. A more complete series of 178 illustrations was created by Bernard Salomon. Among its many versions, the one published by the German woodcutter Virgil Solis stands out due to its quality. Lovrenčič himself came from the Slovenian Littoral and perhaps he would delight in the fact that the single copy in Slovenian libraries is preserved in Piran.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48860348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-01-28DOI: 10.4312/KERIA.20.2.239-241
Nada Grošelj
{"title":"Carmina docta: Katul in nova poezija","authors":"Nada Grošelj","doi":"10.4312/KERIA.20.2.239-241","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.239-241","url":null,"abstract":"Eden od starorimskih pesnikov, s katerim se skoraj zagotovo srečamo že v srednješolskem izobraževanju, je lirik Gaj Valerij Katúl (1. stol. pr. Kr.). Širšemu bralstvu je znan predvsem po pesmih izbranki s psevdonimom »Lezbija«, verjetno zgodovinski osebi iz visoke rimske družbe.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41972941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
KeriaPub Date : 2019-01-28DOI: 10.4312/KERIA.20.2.205-226
Tomaž Potočnik
{"title":"Francesco Petrarca: Moja skrivnost","authors":"Tomaž Potočnik","doi":"10.4312/KERIA.20.2.205-226","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.205-226","url":null,"abstract":"Secretum sive De secreto conflictu curarum mearum je poleg Avguštinovih Izpovedi, Montaignevih Esejev in Rousseaujevih Izpovedi eno najpomembnejših del o sebstvu v zahodni kulturi. Toda kljub na videz jasni strukturi in vsebini še vedno ni jasno, kakšen je njegov pravi namen in kako naj ga umestimo v evolucijo avtorjeve proze. Za učinkovito razpravo o tem se je treba najprej vprašati, kdaj je Secretum nastal. V zadnjih desetletjih je o tem vprašanju med specialisti tekla živahna razprava in še danes se mnenja precej razhajajo – po eni od teorij naj bi bil Secretum napisan v letih 1342–3, po drugi pa med letoma 1347 in 1453 v več etapah.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41579361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}