The Free Spirit by Yorgos Theotokas and the Concept of the Generation of the ‘30s

Q4 Arts and Humanities
Keria Pub Date : 2019-01-28 DOI:10.4312/keria.20.2.89-114
Lara Unuk
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Abstract

This paper presents the way in which the members of the Generation of the ‘30s, a Greek literary movement in the interwar period, formed their collective identity or denied it, and how they defined themselves as a ‘generation’ without ever creating a formal literary school. I also observe how this affected the conclusions of later literary historians. The article contains a brief presentation of the situation in Greek literature before the appearance of the Generation of the ‘30s, since the notion of a break with tradition or else reinterpretation of literary heritage was at the core of their self-definition. I focus mainly on the work of Yorgos Theotokas and his contribution to the forming of their ‘myth’, as he calls it himself, and present his first and most important essay, The Free Spirit.
约格斯·西奥托卡斯的《自由精神》与30年代一代的观念
本文介绍了在两次世界大战之间的希腊文学运动“30年代一代”的成员如何形成或否认他们的集体身份,以及他们如何在没有创建正式文学流派的情况下将自己定义为“一代”。我也观察到这是如何影响后来文学史学家的结论的。这篇文章简要介绍了30年代一代出现之前希腊文学的情况,因为与传统决裂或重新解释文学遗产的概念是他们自我定义的核心。我主要集中在Yorgos Theotokas的工作和他对形成他们的“神话”的贡献,正如他自己所说的那样,并介绍他的第一篇也是最重要的论文,自由精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Keria
Keria Arts and Humanities-Classics
CiteScore
0.20
自引率
0.00%
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审稿时长
16 weeks
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