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Odtujevanje umetniških del v rimski dobi: nezakonito dejanje ali pravica zmagovalca? 罗马时代艺术作品的异化：违法行为还是胜利者的权利？
Keria Pub Date : 2019-01-28 DOI: 10.4312/keria.20.2.55-62
Katarina Šmid
{"title":"Odtujevanje umetniških del v rimski dobi: nezakonito dejanje ali pravica zmagovalca?","authors":"Katarina Šmid","doi":"10.4312/keria.20.2.55-62","DOIUrl":"https://doi.org/10.4312/keria.20.2.55-62","url":null,"abstract":"Prispevek obravnava odtujevanje (pretežno grških) umetniških del s strani rimskih zavojevalcev oziroma oblastnikov. Rimski poveljniki so iz zavzetih mest med drugim vojnim plenom odpeljali tudi številna umetniška dela, ki so jih v prestolnici razstavili, da so postala ornamenta urbis, medtem ko se sami z njimi praviloma niso okoristili. Na drugi strani so si jih lahko nezakonito, po zaslugi svojega položaja, prilaščali nekateri oblastniki. Evidenten primer tovrstne korupcije je Gaj Veres, proti kateremu je ostro nastopil Cicero.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49338630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Razmišljanja s popotovanja po Grčiji ali Kronika poletne šole klasičnih jezikov v Arkadiji 希腊之旅的思想或阿卡迪亚古典语言暑期学校编年史
Keria Pub Date : 2019-01-28 DOI: 10.4312/KERIA.20.2.245-254
Gaj Kušar
{"title":"Razmišljanja s popotovanja po Grčiji ali Kronika poletne šole klasičnih jezikov v Arkadiji","authors":"Gaj Kušar","doi":"10.4312/KERIA.20.2.245-254","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.245-254","url":null,"abstract":"V zgodnjih jutranjih urah 23. junija 2018 se je začelo potovanje v Grčijo. Tako smo se, kot nekoč lord Byron, podali v deželo, ki kot zibelka evropske kulture in misli še danes buri domišljijo ljudi. A preden se spustimo v pripoved o deželi Homerjevih junakov, naj povemo, da nas je pot tokrat vodila tudi skozi deželo »kjer mili ‘si’ nam na uho prihaja,« kot pravi Dante v Božanski komediji.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42790733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Corruption and Elites in Late Antiquity: The Case of Quintus Aurelius Symmachus 古代晚期的腐败与精英:昆图斯·奥勒留·西马库斯的案例
Keria Pub Date : 2019-01-28 DOI: 10.4312/KERIA.20.2.63-87
M. Petrič
{"title":"Corruption and Elites in Late Antiquity: The Case of Quintus Aurelius Symmachus","authors":"M. Petrič","doi":"10.4312/KERIA.20.2.63-87","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.63-87","url":null,"abstract":"The paper presents the many corrupt or suspect practices encountered by Quintus Aurelius Symmachus, a prominent senator of the late 4th century, in his capacity as city prefect (384/5). These practices afford some insight into the functioning of Late Antique interest-based networks, which enabled individuals or groups to influence and hamper the work of the imperial administration.","PeriodicalId":36559,"journal":{"name":"Keria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41341667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
IN MEMORIAM: Primož Simoniti (1936–2018) 与记忆：PrimožSimoniti（1936–2018）
Keria Pub Date : 2019-01-28 DOI: 10.4312/KERIA.20.2.5-22
Kajetan Gantar, Marko Marinčič, Brane Senegačnik, M. Hriberšek, David Movrin, B. Čeh
{"title":"IN MEMORIAM: Primož Simoniti (1936–2018)","authors":"Kajetan Gantar, Marko Marinčič, Brane Senegačnik, M. Hriberšek, David Movrin, B. Čeh","doi":"10.4312/KERIA.20.2.5-22","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.5-22","url":null,"abstract":"Prispevki z žalne seje ob smrti akad. prof. dr. Primoža Simonitija na Filozofski fakulteti Univerze v Ljubljani, 12. septembra 2018.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48876450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Publius Ovidius Naso: Metamorphoses 7–9 Publius Ovidius Naso：变形记7-9
Keria Pub Date : 2019-01-28 DOI: 10.4312/KERIA.20.2.123-202
Joža Lovrenčič
{"title":"Publius Ovidius Naso: Metamorphoses 7–9","authors":"Joža Lovrenčič","doi":"10.4312/KERIA.20.2.123-202","DOIUrl":"https://doi.org/10.4312/KERIA.20.2.123-202","url":null,"abstract":"Minijci zdaj na ladji pagaški so rezali morje:videli vmes so Fineja, kako oslepljen je preživljalbridko starost, in tedaj Akvilonova mlada sinovaptice deviške nesrečnemu starcu od ust sta pregnala.Končno pod Jazonom slavnim, po vsem, kar vmes so prestali,slednjič dosegli so glenasti Fasid, deroče valove.Ko so pred kralja prišli, so zahtevali Friksovo runo,kralj pa je prej zahteval od njih neznanske pogoje.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46146720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Francesco Petrarca: Pismo »Sokratu« Francesco Petrarca：字母“苏格拉底”
Keria Pub Date : 2019-01-28 DOI: 10.4312/keria.20.2.227-236
Anja Božič
{"title":"Francesco Petrarca: Pismo »Sokratu«","authors":"Anja Božič","doi":"10.4312/keria.20.2.227-236","DOIUrl":"https://doi.org/10.4312/keria.20.2.227-236","url":null,"abstract":"Pismo Sokratu je prvo in naslovno pismo Petrarkove prve zbirke proznih pisem v latinščini z izvirnim naslovom Rerum familiarium libri. Vanjo je vključenih 350 pisem, spisanih med letoma 1325 in 1366. Petrarka se jih je odločil povezati v enotno zbirko leta 1345, ko je v knjižnici veronske katedrale odkril korpus Ciceronovih Pisem Atiku. Ta in Senekova Pisma Luciliju so ga vzpodbudila k izdaji podobne zbirke, sprva osnovane kot nabor nasvetov za vsakdanje življenje, premišljeno razsejanih po pismih različnim naslovnikom. Njihova tematika je raznolika, skladno z vsebino pa so raznoliki tudi pisemski naslovniki.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45157056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR) 德意志民主共和国戏剧与戏剧中的古代戏剧与对古代的接受
Keria Pub Date : 2018-11-22 DOI: 10.4312/KERIA.20.3.75-94
Bernd Seidensticker
{"title":"Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR)","authors":"Bernd Seidensticker","doi":"10.4312/KERIA.20.3.75-94","DOIUrl":"https://doi.org/10.4312/KERIA.20.3.75-94","url":null,"abstract":"Theatre in the German Democratic Republic was an essential part of the state propaganda machine and was strictly controlled by the cultural bureaucracy and by the party. Until the early sixties, ancient plays were rarely staged. In the sixties, classical Greek drama became officially recognised as part of cultural heritage. Directors free to stage the great classical playwrights selected ancient plays, on one hand, to escape the grim socialist reality, on the other to criticise it using various forms of Aesopian language. Two important dramatists and three examples of plays are presented and discussed: an adaptation of an Aristophanic comedy (Peter Hack’s adaptation of Aristophanes’ Peace at the Deutsche Theater in Berlin in 1962), a play based on a Sophoclean tragedy (Heiner Müller’s Philoktet, published in 1965, staged only in 1977), and a short didactic play (Lehrstück) based on Roman history (Heiner Müller’s Der Horatier, written in 1968, staged in 1973 in Hamburg in West Germany, and in the GDR only in 1988). At the end there is a brief look at a production of Aeschylus Seven against Thebes at the BE in 1969.","PeriodicalId":36559,"journal":{"name":"Keria","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70581658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ancient Plays on Stage in Communist Poland 共产主义波兰舞台上的古代戏剧
Keria Pub Date : 2018-11-22 DOI: 10.4312/KERIA.20.3.41-74
Elżbieta Olechowska
{"title":"Ancient Plays on Stage in Communist Poland","authors":"Elżbieta Olechowska","doi":"10.4312/KERIA.20.3.41-74","DOIUrl":"https://doi.org/10.4312/KERIA.20.3.41-74","url":null,"abstract":"A recently published analytical register of all ancient plays and plays inspired by antiquity staged in Poland during communism, provided factual material for this study of ancient drama in Polish theatre controlled by the state and of its evolution from the end of WW2 to the collapse of the Soviet regime. The quasi-total devastation of theatrical infrastructure and loss of talent caused by the war, combined with an immediate seizing of control over culture by Communist authorities, played a crucial role in the shaping of the reborn stage and its repertoire. All Aeschylus’ plays were performed at various points during the period, four out of seven Sophocles’ tragedies – with Antigone, a special case, by far the most popular – about half of the extant Euripides’ drama, some Aristophanes, very little of Roman tragedy (Seneca) and a bit more of Roman comedy (Plautus). The ancient plays were produced in big urban centres, as well as in the provinces, and nationally, by the state radio and later television. The various theatres and the most important directors involved in these productions are discussed and compared, with a chronological and geographical list of venues and plays provided.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49224374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
American Communist Idealism in George Cram Cook’s The Athenian Women (1918) 乔治·克拉姆·库克《雅典妇女》（1918）中的美国共产主义理想主义
Keria Pub Date : 2018-11-22 DOI: 10.4312/KERIA.20.3.7-25
E. Hall
{"title":"American Communist Idealism in George Cram Cook’s The Athenian Women (1918)","authors":"E. Hall","doi":"10.4312/KERIA.20.3.7-25","DOIUrl":"https://doi.org/10.4312/KERIA.20.3.7-25","url":null,"abstract":"The Athenian Women, written by the American George Cram Cook with input from Susan Glaspell, is a serious, substantial play drawing chiefly on Lysistrata and Thesmophoriazusae. It premiered on March 1st 1918 with the Provincetown Players. Cook was convinced of parallels between the Peloponnesian War and World War I. He believed there had been communists in Periclean Athens comparable to those who were making strides in Russia (in 1922 to become the USSR) and the socialists in America, amongst whom he and Glaspell counted themselves. The paper examines the text and production contexts of The Athenian Women, traces its relationships with several different ancient Greek authors including Thucydides as well as Aristophanes, and identifies the emphatically stated socialist and feminist politics articulated by the two main ‘proto-communist’ characters, Lysicles and Aspasia. Although the play was not particularly successful, its production had a considerable indirect impact on the future directions taken by left-wing theatre in the USA, through the subsequent dramas of Glaspell and Eugene O’Neill for the Provincetown Players.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49231953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
Keria Pub Date : 2018-11-22 DOI: 10.4312/keria.20.3.5-6
Elżbieta Olechowska
{"title":"Editorial","authors":"Elżbieta Olechowska","doi":"10.4312/keria.20.3.5-6","DOIUrl":"https://doi.org/10.4312/keria.20.3.5-6","url":null,"abstract":"This volume explores the topic of Classics and Communism in Theatre, offering a foretaste of a book to be published by the end of the year. It begins with a case study from regions beyond Soviet Europe, to give prominence to the research less frequently treated by scholars studying communism.","PeriodicalId":36559,"journal":{"name":"Keria","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43965844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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