Nueva Revista del Pacifico最新文献

{"title":"ANATOMÍA EN ESTRAGOS: EL CUERPO PERIFÉRICO BAJO LA VIOLENCIA URBANA EN LAS PELÍCULAS “CALUGA O MENTA” Y “MATAR A UN HOMBRE”","authors":"C. Guerrero","doi":"10.4067/S0719-51762019000100116","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100116","url":null,"abstract":"Resumen: \u0000 \u0000La violencia urbana actua indiscriminadamente sobre los espacios poblacionales y los cuerpos de los sujetos devienen en repositorio de toda vileza humana, enajenandose en desecho, cosa o carne. La presente investigacion tiene como objetivo abordar esta condicion y establecer como la violencia urbana termina causando estragos en la anatomia del sujeto marginal en las peliculas “Caluga o menta” y “Matar a un hombre”. Se profundiza en el abandono periferico en el que son dejados, lugar colmado de polvo, cemento y hacinamiento de block habitacionales; en la desvalorizacion que sufre la integridaddel marginado, a traves de una corporalidad intervenida, y en los accionares violentos que terminan derivando al cuerpo en un bulto biologico en estragos. \u0000 \u0000Palabras claves: cuerpo, violencia urbana, anatomia en estragos, “Caluga o menta”, “Matar a un hombre”. \u0000 \u0000Abstract: \u0000 \u0000Urban violence acts indiscriminately on the peripheral areas and the bodies of the subjects become repositories of all human vileness, alienating themselves in waste, thing or flesh. The present investigation aims to address this condition and establish how urban violence ends up wreaking havoc on the anatomy of the marginal subject in the films \"Caluga o menta\" and \"Matar a un hombre\". It deepens in the peripheral abandonment in which they are left, a place full of dust, cement and overcrowded housing blocks; in the devaluation suffered by the integrity of the marginalized, through an intervened corporality, and in the violent actioners who end up deriving the body in a biological bundle in havoc. \u0000 \u0000Keywords: body, urban violence, anatomy in havoc, “Caluga o menta”, “Matar a un hombre”.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43778136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA GUERRA PERDIDA DEL INDIO LORENZO, DE RAFAEL BAENA: ¿NOVELA INDIGENISTA O CON INDIOS?","authors":"J. Arismendi","doi":"10.4067/s0719-51762019000100100","DOIUrl":"https://doi.org/10.4067/s0719-51762019000100100","url":null,"abstract":"Resumen: \u0000Este articulo analiza la manera en que se da cuenta de lo indigena en La guerra perdida del indio Lorenzo (2015), la ultima novela publicada en vida por el escritor colombiano Rafael Baena (1956-2015). El pretendido caracter indigenista de la obra, anunciado ya desde el titulo eponimo, no se corresponderia con el protagonismo apenas relativo del personaje de Victoriano Lorenzo ni con otros elementos que problematizan la reivindicacion de una cuestion indigena particular. \u0000 \u0000Palabras clave: Rafael Baena, La guerra perdida del indio Lorenzo, novela colombiana, indios en la literatura, indigenismo literario. \u0000 \u0000 \u0000Abstract: \u0000This article analyzes the manner we become aware of the indigenous theme in La guerra perdida del indio Lorenzo (2015), the last novel published by the Colombian author, Rafael Baena (1956-2105) during his lifetime. The presumptive indigenist character of the work, announced starting with the eponymic title, does not correspond with the barely reletive protagonism of the character Victoriano Lorenzo or to with other elements that problematize the vindication of a particular indigenous issue. \u0000 \u0000Keywords: Rafael Baena, La guerra perdida del indio Lorenzo, Colombian novel, Indians in literature, Literary indigenism.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43740594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"VIAJES Y REGRESOS DE LUIS MIZÓN","authors":"F. Alfonso, Ximena Figueroa Flores","doi":"10.4067/S0719-51762019000100151","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100151","url":null,"abstract":"Luego de su exilio en 1974, el poeta Luis Mizon (Valparaiso, 1942) ha sido ampliamente reconocido en Francia donde reside hasta la fecha. Ha publicado cerca de cincuenta libros, varios de ellos bilingues, traducidos, entre otros, por Roger Caillois y Claude Couffon, en editoriales tan prestigiosas como Gallimard y Du Seuil. Ademas, ha sido condecorado como Caballero de las Artes y las Letras (1990) por el Ministerio de la Cultura y la Comunicacion de Francia y ha recibido el premio Benjamin Fondane (2014), para escritores francofonos. Tambien es director de la revista Confluence poetiques fundada en 2006, y presidente de la asociacion del mismo nombre...","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49506107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GERUNDIO ENUNCIATIVO: UNA APROXIMACIÓN SINTÁCTICO-TEXTUAL","authors":"Sara Quintero Ramírez","doi":"10.4067/S0719-51762019000100131","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100131","url":null,"abstract":"Resumen: \u0000 \u0000En el presente articulo, tenemos el objetivo de identificar las condiciones tanto sintacticas como textuales que resultan adecuadas para la produccion de los gerundios enunciativos en espanol con base en un corpus constituido de 500 textos de diferentes tipos y generos. A fin de tener un primer acercamiento del fenomeno en cuestion, concebimos un modelo de analisis conformado de tres diferentes componentes que van desde rasgos sintacticos, como la configuracion de las construcciones de este gerundio enunciativo, hasta caracteristicas textuales, como el proposito de dichas construcciones en generos discursivos especificos. \u0000 \u0000Palabras clave: gerundio enunciativo, verba dicendi, metacomunicacion, textualidad. \u0000 \u0000Abstract: \u0000 \u0000This study identifies the ideal syntactic and textual conditions for the use of performative gerunds in Spanish, based on a corpus consisting of 500 texts of different types and genres. In order to analyze both corpora, we create an analytic model comprising three different components that consider syntactic aspects such as the configuration of the gerund constructions and textual aspects such as the purpose of these constructions in specific discourse genres. \u0000 \u0000Keywords: performative gerund, verba dicendi, metadiscourse, textuality.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46249360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EL QUIJOTE DE AVELLANEDA Y LA CONSTITUCIÓN DE UNA REFUTACIÓN DEL MENSAJE CERVANTINO","authors":"John O´Kuinghttons Rodríguez","doi":"10.4067/S0719-51762019000100064","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100064","url":null,"abstract":"Resumen: \u0000 \u0000Analizamos la cuestion de las aspiraciones de movilidad social como una de las posibles motivaciones que pudo haber orientado la construccion del Quijote de Miguel de Cervantes y la consecuente respuesta de Fernandez de Avellaneda como refutacion ideologica destinada a consagrar la estabilidad de las jerarquias sociales. Para lo particular, avalaremos nuestro estudio con contribuciones de Iffland (1999) y Gomez Canseco (2005; 2014) en lo relativo a la posicion ideologica de Avellaneda; asimismo, nos apoyaremos en los conceptos de ideologia segun van Djik (1999) y de Aparatos Ideologicos del Estado (AIE) y Aparatos Represivos del Estado (ARE), de Althusser (2013). \u0000 \u0000Palabras clave: Ideologia, Reversibilidad, Movilidad social, Aparatos Ideologicos del Estado, Aparatos Represivos del Estado. \u0000 \u0000Abstract: \u0000 \u0000In this article we analyze the expectation of social mobility as one of the possible motivations that may have guided Miguel de Cervantes on the creation of his capital novel and on the resulting answer from Fernandez de Avellaneda as an ideological refutation intended to support the stability of social hierarchies. We will base our study on Iffland’s (1999) and Gomez Canseco’s (2005; 2014) analysis of Avellaneda´s ideological position and on the concepts of ideology according to van Djik (1999) and to Althusser’s State Ideological Systems and State Repressive Systems (2013). \u0000 \u0000Keywords: Ideology, Reversibility, Social removal, State Ideological Systems, State Represive Systems.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45770685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017","authors":"Ineke Phaf-Rheinberger","doi":"10.4067/S0719-51762019000100164","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100164","url":null,"abstract":"La unica razon de que escribiera esos relatos es mi temprana y constante reflexion sobre la deriva de Africa tras las independencias, que no trajeron ni libertad ni desarrollo a nuestros pueblos.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41795081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA INTERFAZ INDÍGENA-COLONIAL Y LA MIGRACIÓN DE IMAGINARIOS: EL CASO DE TUPÍ Y GUARANÍ","authors":"Eugenia Ortíz Gambetta","doi":"10.4067/S0719-51762019000100082","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100082","url":null,"abstract":"Resumen: \u0000 \u0000Este articulo busca indagar en la conformacion de una leyenda literaria guarani, la de los hermanos Tupi y Guarani, y analizarla desde el concepto “interfaz indigena-colonial”. El objetivo principal es analizar este tipo de discurso en tres dimensiones espaciales: como cartografia de los desplazamientos, como la interseccion de realidades culturales, y por ultimo, desde la logica de proyeccion «providencialista» de la conquista, como forma de validacion historico-teologica y politica. \u0000 \u0000Palabras clave: Leyendas guaranies, Tupi y Guarani, interfaz indigena-colonial, discursos coloniales. \u0000 \u0000Abstract: \u0000 \u0000This paper aims to consider the conformation of a Guarani folk tales, that of the Tupi and Guarani brothers, and analyze it from the concept \"native-colonial interface\". The main objective is to analyze this type of discourse in thre espatial dimensions: as a cartography of displacements, as the intersection of cultural realities, and finally, from the logic of \"providentialist\" projection of conquest, as a form of historical-theological validation and politics. \u0000 \u0000Keywords: Guarani legends, Tupi and Guarani, native-colonial interface, colonial discourses.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48352422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TEMPERATURA VOZ DE MARIANO PEYROU: EMERGENCIAS DESDE LA PHONÉ.","authors":"Alessandro Mistrorigo","doi":"10.4067/S0719-51762019000100018","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100018","url":null,"abstract":"Resumen: Temperatura voz es el quinto libro de poemas de Mariano Peyrou, autor nacido en Buenos Aires en 1971 y que vive en Madrid desde los 5 anos. Se trata de un libro muy particular dentro de la trayectoria de este poeta. Segun algunos criticos, se escribio a partir de una idea de poesia relacionada con la musica dodecafonica y con un modelo combinatorio. Gracias al estudio de algunas grabaciones con la lectura en voz alta del mismo autor realizadas para el proyecto Phonodia, el ensayo reflexiona sobre la voz fisica, en la phone, materia pre-verbal del lenguaje, considerandola la matriz sonora que esta en la base de la particular escritura de Peyrou. A traves del analisis de la senal acustica realizada con PRAAT, se muestra como la voz del poeta que lee estos textos lleva a la superficie el conflicto que ocurre entre serie metrica y serie sintactica. La forma en que la voz del autor resuelve este conflicto tipico del lenguaje poetico proporciona preciosas informaciones sobre su escritura. \u0000 \u0000Palabras clave: voz, phone, analisis acustica, pre-verbal, escritura. \u0000 \u0000Abstract: Temperatura voz is Mariano Peyrou’s fifth poetry book. Born in Buenos Aires in 1971, he has been living in Madrid since he was 5 years old. This book of his is a very particular one within his trajectory. According to some critics, it was written based on an idea of poetic language related to dodecaphonic music and through a combinatorial model. Thanks to the study of some recordings made for Phonodia project where is possible to listen to the poet’s voice reading aloud, this essay focuses on the physical voice, on the phone, the preverbal matter of language, considering it as the sound matrix for the particular Peyrou’s poetic writing. Through the analysis of the acoustic signal realised with PRAAT, the essay also shows how the voice of the poet who reads aloud his texts brings to the surface the conflict that occurs between metric and syntactic series. The way in which his voice solves this poetic language specific conflict provides precious information about his writing. \u0000 \u0000Keywords: voice, phone, acoustic analysis, pre-verbal, writing.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42281146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REFLEXIONES SOBRE AUTORIA Y MERCADO DE ARTE EN \"EL MUSEO DARBOT\", DE VICTOR GIUDICE","authors":"","doi":"10.4067/s0719-51762019000100038","DOIUrl":"https://doi.org/10.4067/s0719-51762019000100038","url":null,"abstract":"","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45574861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANTIHEROÍSMO Y NIHILISMO EN LA OBRA LITERARIA DE ALBERT CAMUS","authors":"L. G. García","doi":"10.4067/S0719-51762019000100001","DOIUrl":"https://doi.org/10.4067/S0719-51762019000100001","url":null,"abstract":"The aim of this work is to analyze from the theoretical and literary work of the French writer Albert Camus (1913-1960), the close relationship between the anti-heroism and the nihilism that is established under characters who, disrupted by transcendence and glory, warn in their taciturn and absurd attitude a threatening nihilism underlying the moral ambiguity that sustains them. In this way, it is intended to show how Camus proposes an original ethical exhortation after the nihilistic component inserted germinally in any action that moves between denial and total affirmation; that is, in the vain and ascetic resignation as in the frenetism by the absolute recomposition of meaning.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45224342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}