Two centuries of the Russian classics最新文献_第9页

Unknown Drawing by Nikolay Gogol 尼古拉·果戈理的画作

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-2-6-15

S. Seryagin

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Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process 18 - 19世纪初俄罗斯奥德诗中的自然意象:功能作用及其对后世文学进程的影响

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-2-40-61

Alexey V. Svyatoslavsky

{"title":"Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process","authors":"Alexey V. Svyatoslavsky","doi":"10.22455/2686-7494-2021-3-2-40-61","DOIUrl":"https://doi.org/10.22455/2686-7494-2021-3-2-40-61","url":null,"abstract":"The article is devoted to the functional role of nature images in the formation of the imaginary structure of Russian odic poetry of the 18th – early 19th centuries. Examples are taken from the odic poetry of Mikhail Lomonosov, Vasily Trediakovsky, Alexander Sumarokov, Mikhail Kheraskov, Gavrila Derzhavin, Dmitry Khvostov. An attempt was undertaken to answer two questions: the place nature images occupied in odic poetry in the era of its pride and, secondly, the possibility to find in the poetry of classicism, despite the condescending attitude towards it that developed later in the history of Russian literature, something that constituted an organic part of the Russian classics of the 19th and 20th centuries. The functional role of nature images in the odic genre is shown, which, as it seemed, by definition is alien to natural themes, being organically connected with the pathos of civic consciousness and the appeal to the themes of heroism, great personalities, and historical events. However, as it turns out in a number of cases, the very objects of nature evoke the poet's admiration as an impressive work of the Creator, in others, nature is a background that in a certain way enhances the impression of the very historical events that constitute the subject of odic poetry. The conclusion is made about a certain continuity in the depiction of nature – from odic poetry to Russian lyric poetry and prose of the 19th and 20th centuries.","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133887947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

I. A. Goncharov and Dante: Poetics Issues 冈查洛夫与但丁:诗学问题

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-4-58-79

V. Melnik

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From the Memoirs about P. V. Palievskiy 摘自帕利耶夫斯基的回忆录

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2023-5-2-156-167

Viktor M. Guminskiy

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The Decembrists in the Epic Representation of L. N. Tolstoy and N. A. Nekrasov 托尔斯泰和涅克拉索夫史诗表现中的十二月党人

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-2-96-119

A. Gulin

{"title":"The Decembrists in the Epic Representation of L. N. Tolstoy and N. A. Nekrasov","authors":"A. Gulin","doi":"10.22455/2686-7494-2021-3-2-96-119","DOIUrl":"https://doi.org/10.22455/2686-7494-2021-3-2-96-119","url":null,"abstract":"The article considers the most ambitious attempts in Russian literature of the 19th century to create an epic work on the material of the Decembrist movement and the fate of its participants made by L. N. Tolstoy in the genre of novel and by N. A. Nekrasov in the genre of poem. The study of main stages of Tolstoy's work on the unfulfilled plan of the Decembrists and Nekrasov's work on the poem Grandfather and the cycle of poems “Russian Women” allows to conclude that Tolstoy and Nekrasov, creating their epic works in prose and verse, came to extremely dissimilar results. Tolstoy’s psychologically deep sketches and hot and sometimes melodramatic pathos of Nekrasov’s poems formed in many ways contrasting artistic worlds. Tolstoy's moral search in the failed novel presupposes the resolution of social contradictions in the field of a kind of “religion of feeling” and causes a grandiose “side effect” — the creation of the epic novel War and Peace. Nekrasov’s poems, following the journalism of A. I. Herzen, laid the foundations of the Decembrist myth and the cult of the Decembrists as martyrs of the revolutionary faith. The hypothesis is put forward that Tolstoy's failure to work on a novel about the Decembrists and the low artistic viability of Nekrasov's “Decembrist” poems are explained by the lack of a basis for truly epic creativity in the historical material.","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123879800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Autobiographical Heritage and the Fate of the Personal Archive of the Russian Comic Writer Nikolai Alexandrovich Leykin 自传遗产和俄罗斯喜剧作家尼古拉·亚历山德罗维奇·莱金个人档案的命运

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-3-160-171

M. Smirnova

{"title":"Autobiographical Heritage and the Fate of the Personal Archive of the Russian Comic Writer Nikolai Alexandrovich Leykin","authors":"M. Smirnova","doi":"10.22455/2686-7494-2021-3-3-160-171","DOIUrl":"https://doi.org/10.22455/2686-7494-2021-3-3-160-171","url":null,"abstract":"The article is devoted to a review of autobiographical works and the personal archive of the Russian humorous writer Nikolai Aleksandrovich Leykin. His figure traditionally attracted the attention of literary critics in connection with the work of A. P. Chekhov, whose early stories appeared in the journal Oskolki published by Leykin. At the same time, the humorist’s extensive and interesting autobiographical legacy has hardly been studied and fully published. The article provides an overview of the currently known handwritten and published autobiographical works of N. A. Leykin: memoirs, notes and diaries. A separate issue is the fate of the writer’s personal archive and the characteristics of his materials in the archives of Russia. In the cataclysms of the first half of the 20th century Leykin’s archive was dispersed and divided into three parts. By a lucky coincidence, many documents survived and entered the state archives, but some diaries and handwritten memoirs have not yet been found. The study of the extant volumes of the diaries allows us to speak about their uniqueness. In addition to being important for the scientific community, the diaries will be of interest to a wide range of readers, as they recreate the picture of the life of Russian society on the eve of cardinal changes.","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122446332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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On the History of the Essay “Visiting Father John of Kronstadt” by Ivan Shcheglov (I. L. Leontiev) 论施切格洛夫随笔《拜访喀琅施塔得的约翰神父》的历史

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2022-4-2-166-193

O. Fetisenko

{"title":"On the History of the Essay “Visiting Father John of Kronstadt” by Ivan Shcheglov (I. L. Leontiev)","authors":"O. Fetisenko","doi":"10.22455/2686-7494-2022-4-2-166-193","DOIUrl":"https://doi.org/10.22455/2686-7494-2022-4-2-166-193","url":null,"abstract":"The article reconstructs for the first time the creative history of the memoir essay Visiting Father John of Kronstadt by Ivan L. Leontiev (Ivan Shcheglov) on the basis of the author’s diaries and his correspondence with Sergey A. Rachinsky, Vasily P. Gorlenko, Mikhail O. Menshikov and Priest Iosif Fudel. The essay was published for the first time in 1892, during the revered canonized churchman’s lifetime. The work on this essay coincided with the time of a fundamental spiritual change in the life of a “depressed humorist” (as Ivan Shcheglov was labelled by the critic Alexey A. Izmailov) and was underway in parallel to the completion of a story denouncing Leo Tolstoy’s ideology and the Tolstoyan movement (Around the Truth) and the creation of a story about “psychopathic times” (The Soul on the Wane). Conceived as an ordinary article for the Christmas issue of the Novoe Vremia newspaper, the essay grew both in size and content and was published in the Niva magazine’s book of collected stories and articles, which was followed by a separate edition. An impetus for making the concept more elaborate was the publication of Nikolay Leskov’s story Midnight People, which contained sharp criticism of Father John and his trustees. Abstaining from an open debate with Leskov, Ivan Shcheglov sought to treat the figure of his holy contemporary “with heroic grandeur.”","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114967721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Salvation for a Nihilist: N. N. Strakhov’s Ideas About A. I. Herzen 虚无主义者的救赎:斯特拉霍夫对赫尔岑的看法

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-3-52-69

Zhu Jiangang

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Ivan Goncharov and the Philosophy of Science of His Time (Issue of Science and Religion) 伊凡·贡恰罗夫与他那个时代的科学哲学(科学与宗教刊)

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-1-134-159

{"title":"Ivan Goncharov and the Philosophy of Science of His Time (Issue of Science and Religion)","authors":"","doi":"10.22455/2686-7494-2021-3-1-134-159","DOIUrl":"https://doi.org/10.22455/2686-7494-2021-3-1-134-159","url":null,"abstract":"During the period of rapid development of science and technology among the main representatives of Russian classical literature, only Alexander Herzen and Ivan Goncharov experienced a deep and substantive interest in the philosophy of science. For the author of “The Precipice,” this interest was associated with the main issue around which the dominant problematics of his work is concentrated: this is the question of the compatibility of scientific thinking and traditional faith. This work examines mainly one aspect of the topic: the writer's interest in natural science and, above all, in astronomy. Darwinism, with its thesis on the origin of man from ape, and astronomical discoveries that activated thoughts about life on other planets, gave rise to doubts in the mass consciousness about the established religious picture of the world. Goncharov defined his attitude to these changes long before the outbreak of the crisis of religious consciousness in the 1860s. As a conservative and deeply religious person, he took scientific progress seriously, not opposing it to religion and considering it an instrument of God's Providence for humanity. The crisis of religious consciousness in Russian society of the 19th century is regarded as the main subject of Goncharov's artistic research, which binds “A Common Story,” “Oblomov” and “The Precipice” into a trilogy.","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134153614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Medical Latin of F. M. Dostoevsky 陀思妥耶夫斯基的医学拉丁语

Two centuries of the Russian classics Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2021-3-4-130-145

A. Skoropadskaya

{"title":"Medical Latin of F. M. Dostoevsky","authors":"A. Skoropadskaya","doi":"10.22455/2686-7494-2021-3-4-130-145","DOIUrl":"https://doi.org/10.22455/2686-7494-2021-3-4-130-145","url":null,"abstract":"In F. M. Dostoevsky’s works and working notes there are medical terms and expressions written in Latin. The article provides a textual description of these foreign language inserts and analyzes their stylistic and ideologically meaningful functions. The Latin names of diseases used by Dostoevsky denote fever, feverish states and act more as stylistic means. Terminological inserts are also used in relation to the image of a doctorresident from the story “Notes from the House of the Dead”. On one hand, the inserts mark the hero’s professional affiliation, and on the other, they graphically mark the boundaries of the prisoner’s “rest” in the hospital. The use of a Latin aphorism, which goes back to the dictum of Hippocrates, in the novel “The Adolescent” is noteworthy. It is known that Dostoevsky relied on the published protocols of the trial of N. A. Dolgushin’s secret society. One of the protocols contained the saying of Hippocrates written on the wall of Dolgushin’s room, but in Russian translation. In his working notes, Dostoevsky always writes an aphorism in Latin. This gives grounds to assume that through an appeal to the Latin primary source, the writer shows the transformation of humanistic values in modern society at the substantive and stylistic levels.","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131699910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0