托尔斯泰和涅克拉索夫史诗表现中的十二月党人

A. Gulin
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摘要

本文考虑了19世纪俄罗斯文学史上最雄心勃勃的尝试,即以十二月党人运动及其参与者的命运为素材,创作一部史诗作品,这两种尝试分别是托尔斯泰(L. N. Tolstoy)和涅克拉索夫(N. A. Nekrasov)的小说和诗歌。通过对托尔斯泰关于十二月党人未完成的计划的主要阶段的研究,以及涅克拉索夫关于《祖父》和《俄罗斯妇女》系列诗歌的研究,我们可以得出这样的结论:托尔斯泰和涅克拉索夫在散文和诗歌中创作史诗作品时,产生了截然不同的结果。托尔斯泰心理上深刻的素描和涅克拉索夫诗歌中激烈的,有时是夸张的悲情,在许多方面形成了截然不同的艺术世界。在这部失败的小说中,托尔斯泰的道德探索预设了在一种“情感宗教”领域解决社会矛盾的前提,并导致了一个宏大的“副作用”——史诗小说《战争与和平》的创作。涅克拉索夫的诗歌,继a·i·赫尔岑(A. I. Herzen)的新闻报道之后,奠定了十二月党人神话和对十二月党人作为革命信仰殉道者的崇拜的基础。有一种假设认为,托尔斯泰未能创作一部关于十二月党人的小说,以及涅克拉索夫的“十二月党人”诗歌艺术生命力低下,都是由于在历史材料中缺乏真正史诗创作的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Decembrists in the Epic Representation of L. N. Tolstoy and N. A. Nekrasov
The article considers the most ambitious attempts in Russian literature of the 19th century to create an epic work on the material of the Decembrist movement and the fate of its participants made by L. N. Tolstoy in the genre of novel and by N. A. Nekrasov in the genre of poem. The study of main stages of Tolstoy's work on the unfulfilled plan of the Decembrists and Nekrasov's work on the poem Grandfather and the cycle of poems “Russian Women” allows to conclude that Tolstoy and Nekrasov, creating their epic works in prose and verse, came to extremely dissimilar results. Tolstoy’s psychologically deep sketches and hot and sometimes melodramatic pathos of Nekrasov’s poems formed in many ways contrasting artistic worlds. Tolstoy's moral search in the failed novel presupposes the resolution of social contradictions in the field of a kind of “religion of feeling” and causes a grandiose “side effect” — the creation of the epic novel War and Peace. Nekrasov’s poems, following the journalism of A. I. Herzen, laid the foundations of the Decembrist myth and the cult of the Decembrists as martyrs of the revolutionary faith. The hypothesis is put forward that Tolstoy's failure to work on a novel about the Decembrists and the low artistic viability of Nekrasov's “Decembrist” poems are explained by the lack of a basis for truly epic creativity in the historical material.
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